Bounty Killer, O Pistoleiro Mercenário

Eugenio Martin's THE BOUNTY KILLER is another of those really impressive & highly professionally made overlooked Italian spaghetti western classics. Regardless of genre this is a highly entertaining film, imaginatively staged & filmed with stylistic flourish by "Trinity" creator Enzo Barboni. Based on the western pulp novel of the same name by Marvin H. Albert and boasting a robust Stelvio Cipriani musical score, the film has an authority to it's execution that belies the low budget origins of the production.

All of this realized by a first rate cast: Thomas Milian steals the show as a suave killer who devolves into a chattering psychopath after he & his gang of grubby unwashed cut-throats take over his former home village (which due to budget restraints is populated by all of six people, but never mind). The performance is measured against Richard Wyler's grim, laconic bounty hunter, determined to bring in Milian for bounty dead or alive. Frequent Margheriti actress Halina Zalewska with her glittering blue eyes plays the woman who is both the key to Milian's wanton freedom and his eventual demise. Mario "Mr. Fun" Brega plays the beefy lummox town blacksmith who makes a mistake by helping to free Milian and very quickly comes to regret it, with colorful supporting bit parts for familiar faces like Frank Braña, Luis Barboo, José Canalejas, Enzo Fiermonte, and paunchy Ricardo Canales who is never seen without a plate of stew.

Thomas Milian's performance is the key to the movie's success, specifically contrasted with Wyler's far more subdued good guy. By making Milian's character more likable and romantic in nature the audience is almost sucker punched into rooting for him, until the evil fabric of his character becomes apparent. Some of his schtick gets a bit tiresome towards the end -- he spends a lot of time murmuring what seem to be significant lines just below the audio threshold level -- but it is the first of countless tour-de-force performances by Milian. He's always a fascinating actor with a "love it or hate it" style, and I like to divide his career into a Pre-Funny Hat and Post-Funny Hat eras. This might be his best Pre-Funny Hat acting, though it's hard to beat THE BIG GUNDOWN.

Another interesting aspect of the movie is Halina Zelewska's role which never degrades her into a sex object. Yes she is undeniably attractive and costumed in a manner that enhances her overlooked cleavage, but she is an equal with the boys in this one and it's refreshing to see a spaghetti western heroine who isn't just a cheap lay for the lead actor. Her role is complex and laden with a duality that causes her character conflict: Does she side with the suave bandit or the cold bounty killer? Her decisions are the most important moments of the film, a significance rarely seen among western damsels from either side of the Atlantic.

Why has this film been so overlooked? Not only will western fans who scoff at spaghetti westerns find it interesting, but non-fans of the western genre will doubtlessly be drawn to the plotting and characterizations. The gunplay and bravado are just gravy on top of a wonderful concoction.

8/10

Using a pistol slipped to him by his sweetheart, bandit Tomas Milian escapes an armed transport before encountering hard-as-nails bounty hunter Richard Wyler in what's left of his nearly deserted hometown, where the people are squarely on his side.

Although there's nothing much new here, there is a hard edge and a dead-serious nature to the proceedings that help make it enjoyable, along with Milian, who gives one of his typically offbeat performances, playing it cool and crazy! I wish I had a nickel for every time he basically played the same guy. Unfortunately though, Wyler is no match in the acting department and appears a little stiff.

In an interesting reversal of what you normally see in western films, the town of basically law abiding people (including spaghetti western star Mario Brega) welcomes the villain and actively aids him against the hero!

Great opening and closing shots, and everything wonderful in between as the camera captures both the wide open spaces and the claustrophobic confines of the station and its various buildings where much of the action in THE UGLY ONES takes place.

For a change well drawn characters rather than a catalogue of stock figures that you expect in a western. Unusually the female lead is a strong individual; the villain of the piece remains the most interesting and complex, and thankfully the bounty hunter does not succumb to becoming a romantic lead.

This film is violent for its time and I enjoyed the reliance on fisticuffs, rather than just gun-play.

The soundtrack is exceptional with a score by STELVIO CIPRIANI that exemplifies the unique qualities of the Euro western.

This is a film I would recommend to any film-goer, and equally important, certainly one that I would watch again (8 out of 10 for this genre).

"The Ugly Ones" 1966 1h 35m Original title: El precio de un hombre AKA The Bounty Killer

This is a paella AND a spaghetti western. It was filmed in Spain, produced by Italians, and came in both Spanish and Italian, originally. It was released in the U. S. in 1968. The story is pretty good, but the cinematrography is lacking. The directing stinks. The photography is bad. The camera shots and setups are horrible. And the music is downright annoying in parts. Thomas Milian as the bad guy, Jose, is terrible. Richard Stapley as Luke, the bounty hunter, is actually pretty good and a likeable man. Halina Zalewska as Eden is acceptable, but mediocre.

The plot is shockingly cookie cutter and worn out.

The Bushwacker 12/26/2021.

The film stars Richard Wyler as a 'bounty killer'--a term I can't recall having ever heard except in Italian westerns (the correct American term is 'bounty hunter'). He's looking for José Gómez (Tomas Milian)--a guy who has escaped thanks, in part, to assistance from his girlfriend (Zalewska). She believes he's an innocent man and does not realize he's really a two-bit murderer.

Having seen a lot of Italian westerns, I find a certain sameness to many of them. Sure, the plots are a bit different--but not remarkably so. It's not a bad western but it also doesn't stand out in any particular way. The music is nice, the action decent and the story reasonably interesting. But, on the other hand there is a certain 'sameness' to the film--as if I'd seen a lot of other films like it. Plus, although Halina Zalewska is absolutely gorgeous in the film, she looks right out of 1967--with lipstick, hair and makeup that you'd never have found on a woman of the late 19th century. Also, while I don't want to see gallons of blood, this was an odd film because you see absolutely none--and this made little sense. Nor, now that I think of it, did the escape--as there is no way all these federal agents could be killed without the bad guys (who were outnumbered) even losing a single man.