A Fúria do Raio

1965's Italian-Spanish "Lightning Bolt" (Operazione Goldman) was picked up by Woolner Brothers for a double bill with Stewart Granger's "Red Dragon," TV veteran Anthony Eisley popping up mostly in low budget features like "The Wasp Woman," "The Navy vs. The Night Monsters," "The Mighty Gorga," and Al Adamson's "Dracula vs. Frankenstein." FSIC (Federal Security Investigation Commission) is assigned the case of American rockets drawn off course by radiation on their way to the moon, an obvious echo of the debut James Bond feature of 1962, "Dr. No" (the original title and Florida settings also recall "Goldfinger"), Eisley's Lt. Harry Sennett posing as a frivolous American playboy with checkbook always ready, his smarmy narration of every little detail quickly wearing out its welcome. Folco Lulli plays the villain Mr. Rehte, whose likeness adorns his own brand of beer, safely hidden near Cape Kennedy in a subterranean stronghold, one that the Bond series would adopt a decade later for "The Spy Who Loved Me." A science fiction element is added with hibernation chambers keeping his enemies in a state of suspended animation, all reduced to skeletons during the explosive climax, an impressive display of set design and special effects for director Antonio Margheriti. An unlikely chase scene at the halfway mark finds our hero trying to prevent the latest launch by driving headfirst toward the site, reminding one of Robert Loggia in 1957's "The Lost Missile." Eisley just doesn't look the part of suave secret agent, and for once the girls aren't much help, though brunette captain Diana Lorys scored a 1961 triumph with Jesus Franco's "The Awful Dr. Orlof," later appearing in Amando de Ossorio's "Fangs of the Living Dead," Christopher Lee's "The Bloody Judge," and Paul Naschy's "The Blue Eyes of the Broken Doll."

This movie is a lot of fun with multiple plot twists and a bad guy with a hilarious German accent. If you like SciFi or Eurospy take a little time and enjoy Operation Goldman.

If you grew up watching late 50s and 60s TV shows, chances are that you would recognize Anthony Eisley but not his name. While Eisley never became a big star, he was rather ubiquitous on TV. I remember him from "Dragnet", "The FBI" and "The Mary Tyler Moore Show" but he's more remembered for "Hawaiian Eye". However, in "Lightning Bolt" he's given the chance to be a star--albeit in a very low-budget Italian spy caper. Often American 2nd and 3rd tier actors were brought in to star in Italian films of the era. Since few knew Italian, the films were completely dubbed and marketed internationally. Many were horrible, some were classics (such as "La Strada" and "The Good, the Bad and the Ugly") and most were somewhere in the middle--like "Lightning Bolt".

In "Lightning Bolt" (a.k.a. "Operazione Goldman"), Eisley (who is inexplicably red-haired) stars as Lt. Harry Sennett--an American James Bond-type hero. His mission is to discover what's causing the rockets at Cape Kennedy to go off course and explode. This means lots of pretty girls, fast cars and danger. The plot is very similar to two films--"You Only Live Twice" (a Bond film about Blofeld capturing manned rockets) and "Strange Brew" (since the evil boss-man turns out to be an insane brewmeister!!).

So is it good? Well, yes and no. The film looks like they wanted to make a Bond film but only had about a tenth the budget. Some of the sets are impressive but all too often the stunts and action scenes come off as not quite ready for the bit screen. As for Eisley, he isn't bad as he isn't meant to be as smooth or sexy as Bond and is pretty decent in the action scenes. The print is often poor. In some cases you cannot blame the filmmakers--such as the scratchy or grainy sections. But, in others they obviously used lousy stock footage. "Lightning Bolt" is a movie with much to dislike. Yet, it also has a certain kitschy fun that makes it worth seeing. It certainly is NOT a film for everyone--but for the right audience it's worth seeing. For a much better Italian action/adventure film, try watching the much more slickly made "Danger: Diabolik"--especially since Diabolik dresses EXACTLY the same as the brewmeister's henchmen. Overall, bad but quite enjoyable.

Shot in Rome,usually known in the English speaking world as "Lightning Bolt"(so like "Thunderball"!),this movie is an especially tacky example of the Euro-Superspy genre of the 1960's.Often these movies starred second string American actors to help US sales-and this has Anthony Eisley(best known as a lead in the TV detective series "Hawaiian Eye"),who spent a lot of his career in such Euro schlock.Handsome,tough looking and businesslike,Eisley was suitable for these kinds of roles,but here he is immersed in a distinctly third rate "Bond" caper.The story has elements from "Dr No"(villain who shoots down US moon rockets-cue the grainy stock footage of Cape Kennedy which fills the movie),but here the tale is clumsily developed and full of absurdities.The villain,vaguely resembles Goldfinger,and is-wait for it-a fiendish beer manufacturer,just like the villain in the Matt Helm movie "The Ambushers"(1967).Eisley's hero "Harry Sennet" at times acts with incredible stupidity.He drives right on to a rocket launch site to try and stop it leaving-just as it blasts off!In another unprofessional moment,Sennet,captured and surrounded by thugs,goes into a rage and tries to attack the gloating villain,when it's obvious he will fail and just gets more battering from the bad guys for his trouble-007 would be appalled!And here is a hero who more than once tries to "buy off" enemies by offering them cheques!(a wonderfully absurd scene has him doing a cheque for a gunman who's ready to shoot him!). The English dubbing is clear but often incongruous(a renowned rocket scientist who speaks in a "Barry Fitzgerald" Irish burr?).To try to make the narrative more coherent,we have Sennet providing a frequently cornball "tough guy" voice-over at certain points.

I did quite like the villainess with an acid squirting gun,and the "underwater city" hideout has a certain threadbare pop art mid 60's charm(with its ice-chamber where the villain stores his frozen victims).The final action and destruction scenes are far better done than the rest of the movie,the director seems more at home with fighting/mayhem than other aspects of film making.

There are a lot of better examples of 60's Eurospy out there,but "Lightning Bolt" is tolerable if you are interested in the genre.

Someone is destroying U. S. missiles as they are launched. An intelligence team, headed by agent Harry Sennett (Anthony Eisley), is sent to the Hotel Florida to investigate. The area, Sennett discovers, is a nest of spies, and another important missile launch is sabotaged, despite Sennett's effort to warn authorities.

He tracks the saboteurs to a brewery that fronts a criminal mastermind. His lugubrious adventures also take him to a secret installation located in pressure domes beneath the Atlantic Ocean. He finds super-criminal Rhett (Folco Lulli), who tells him the missiles are test targets for an experimental laser weapon. Rhett intends to take the laser to the moon, where he can blackmail Earth's governments. Unless there was any doubt, Sennett halts this routine world-domination plot.

LIGHTNING BOLT is a slightly dog-eared and low budget spy-sci-fi, Italian- and Spanish-produced mixture. It is nonetheless enormously entertaining due to the tongue-in-cheek attitude of Eisley's agent-hero, who rattles off an seemingly endless series of quips as he goes about saving the world.

Eisley, who is the unsung hero of countless low budget movies, has a stiff male model look that doesn't translate well to these super-agent shenanigans. But that fact only adds to the fun. LIGHTNING BOLT fits somewhere behind those boozy Dean Martin-Matt Helm spy parodies of the 1960s. Abundant newsreel footage of crashing missiles and a lot of miniature model shots are also laughably entertaining.