[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

A negra de...

Título original: La noire de...
  • 1966
  • Not Rated
  • 1 h 5 min
AVALIAÇÃO DA IMDb
7,4/10
6,8 mil
SUA AVALIAÇÃO
Mbissine Thérèse Diop in A negra de... (1966)
Trailer for Black Girl
Reproduzir trailer1:21
1 vídeo
21 fotos
Drama

Uma menina negra do Senegal torna-se empregada doméstica na França.Uma menina negra do Senegal torna-se empregada doméstica na França.Uma menina negra do Senegal torna-se empregada doméstica na França.

  • Direção
    • Ousmane Sembene
  • Roteirista
    • Ousmane Sembene
  • Artistas
    • Mbissine Thérèse Diop
    • Anne-Marie Jelinek
    • Momar Nar Sene
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    6,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Ousmane Sembene
    • Roteirista
      • Ousmane Sembene
    • Artistas
      • Mbissine Thérèse Diop
      • Anne-Marie Jelinek
      • Momar Nar Sene
    • 27Avaliações de usuários
    • 46Avaliações da crítica
    • 75Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    Black Girl
    Trailer 1:21
    Black Girl

    Fotos21

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 15
    Ver pôster

    Elenco principal16

    Editar
    Mbissine Thérèse Diop
    • Diouana
    Anne-Marie Jelinek
    • Madame
    • (as Anne-Marie Jelinck)
    Momar Nar Sene
    • Diouana's Boyfriend
    Robert Fontaine
    • Monsieur
    Bernard Delbard
    • Young Male Guest
    Nicole Donati
    • Young Female Guest
    Raymond Lemeri
    • Old Male Guest
    • (as Raymond Lemery)
    Suzanne Lemeri
    • Old Female Guest
    • (as Suzanne Lemery)
    Ibrahima Boy
    • Boy with Mask
    Philippe
    • Couple's Oldest Son
    Sophie
    • Couple's Daughter
    Damien
    • Couple's Youngest Son
    Toto Bissainthe
    • Diouana
    • (narração)
    Robert Marcy
    • Monsieur
    • (narração)
    Sophie Leclair
    • Madame
    • (narração)
    • (as Sophie Leclerc)
    Ousmane Sembene
    Ousmane Sembene
    • The Teacher
    • (não creditado)
    • Direção
      • Ousmane Sembene
    • Roteirista
      • Ousmane Sembene
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,46.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    jondav

    somewhat disturbing African portrait

    The print I saw was a bit erratic and grainy, and included one jumpy sequence in color, whereas the rest was in black and white. This is the deceptively simple story of a woman from Senegal who joins a French family in France to be their nanny touches on many cultural, colonial, racial, and emotional issues, and if you look for easy answers, or answers at all, you'll be disappointed. There's a bit of French New Wave to the film, though it's really mostly African, featuring Senegalese music on the soundtrack. The only real flaw I see is that the story is told rather sketchily, with little in the way of clues as to the timing. Do the events take place over the course of a few days or weeks? The ending comes up so quickly that it feels a little forced, though not entirely unexpected.
    8buckleym-1

    A Thoughtful Commentary...

    On the injustices one culture can do to another. The film is about an African woman who gets a job with a white family and agrees to follow them back to France, only to be disenheartened in the end. While, the production values were not great, the messages of this film are stronger than most major US motion pictures. The characters (especially the French) do seem to be a bit shallow, and don't have much depth to them. Yet, the theme of loneliness from displacement and cultural injustice ring powerfully loud in the end. An 8 out of 10.
    7avik-basu1889

    Uninhibited condemnation of Imperialism !!!

    On the one hand, 'Black Girl' is a very personal film about a young Senegalese girl who goes to France to escape her poverty stricken life in Senegal. But on the other hand, 'Black Girl' is also an immensely political film which tackles racism head on. This is a film which is narrow in terms of focus, but extremely broad in terms of its ambitions with its social and political relevance.

    Sembène uses a non-linear screenplay structure and jumps back and forth between Diouana's present life in France and her past life in French occupied Senegal. Through the flashback sequences, we get to see how she took it upon herself to turn her back on the racism and the oppression that characterised her life in Senegal and move to the new land. But unfortunately moving to France for her ends up being nothing other than a journey from one prison to another. She becomes literally and figuratively imprisoned in the house of her employers. The mistress of the house tricks her into doing far more work around the house than she signed up for. The confinement and the complete disintegration of the dreams she had of the life she'd get to live in France gradually make her lose her spirit and her faith. This film underlines the notion that the poisons of oppression and racism with their roots in regressive imperialism have much more to do with mentality than geography.

    As I have mentioned Sembène does a very good job of balancing the personal with the political/social. Although the film is very Diouana-centric, the social and political relevance is always the elephant in the room lurking around in the corner and Sembène will from time to time overtly allow the politics to move from the background to the foreground, for example there is a moment when three distinguish-ably dressed Senegalese men are shown to have a conversation about civil rights and the current political scene as Diouana walks past them. It is a scene that serves no purpose in the basic narrative of the film, but it serves a thematic purpose considering the political backdrop of the film. Although the film as a whole paints a bit of grim picture of the life of Senegalese and African people in a world still not completely beyond the grips of an imperialist attitude, Sembène still manages to end the film on a beautiful note for the future generations of Senegal. The ending sequence seamlessly blends the ideas of imperial guilt of Europeans and optimism with regards to reclamation of their rightful political power by the Senegalese people in the future.

    'Black Girl' directly tackles racism and does so in a very uninhibited manner and it deserves all the praise for its intentions and its message. However, even though I admire the film for the nobility of its intentions, from a technical and storytelling standpoint, I do think it is a bit flawed. First of all the way Sembène uses the voice-over narration here really reminded me of Bresson's use of the same in the way that it is used for overtly expository purposes which always ends up leaving me a bit irritated and honestly the voice-over in many of the scenes in which it is used seems redundant. The best scenes in the film are the wordless ones when Sembène dwells on an image to evoke an emotion instead of Diouana explaining everything. Another flaw in the film is the quality of the acting. The acting gets a little too amateurish at times which prevents some scenes to have the most optimum emotional impact.

    'Black Girl' deserves to be seen because of its political and social importance and relevance in Senegalese history and how it influenced the growth of personal, independent cinema in Africa. I don't think it is a flawless, perfect film, but I can't help but admire the themes, the intentions and the potency of its message.
    8Xstal

    The Help...

    In Senegal, you've been waiting for a chance, to find a job that will improve your circumstance, then you find one you enjoy, look after a girl, and two boys, for a family who originate from France. When the people then move back, to their homeland, you're summoned to join them, and lend a hand, now you're cook, cleaner and servant, a skivvy slave, toiling emigrant, no illusion of the one who's in command. You endure abuse, and the constant criticism, but your boss is so devoid of altruism, there's no escape, there's no away out, inside you scream and shriek and shout, the only option that remains, involves incision.
    7planktonrules

    While the film is far from perfect, it is very important...

    This Senegalese film is very important. It's a film made by black filmmakers and espouses a very strong black nationalist attitude. Because of this, it must have really struck a chord for African film patrons.

    "Black Girl" is a film about a young woman from Senegal that has taken a job working for a white French family. She thinks she was hired to take care of the children but the woman of the house sees Diouana as a personal servant and soon this young lady finds herself working as a maid--and an under-appreciated on at that. Part of the problem is a communication barrier between the white family and Diouana as often neither quite understands the other's expectations. Part of it is the wife is rather cold and sees the Africans as being dumb and beneath her. Where does all this end up? Well, in a sad way it's a giant 'I'm not gonna take it any more' from Diouana--much like the attitude through the continent towards their colonial or former colonial masters.

    While this is a very important film and it would be great to use in a class about African cinema or world history, technically speaking it has a few small shortcomings. It's not the smoothest or highest quality production--but considering its humble roots, I can easily look past that and it's still worth seeing if you are patient and can appreciate the context for when it was made (such as the Patrice Lumumba banner briefly seen in a tiny portion of the film).

    Mais itens semelhantes

    O Carroceiro
    7,2
    O Carroceiro
    Touki Bouki - A viagem da hiena
    7,0
    Touki Bouki - A viagem da hiena
    Emitaï
    7,1
    Emitaï
    Camp de Thiaroye
    7,7
    Camp de Thiaroye
    Xala
    6,7
    Xala
    Moolaadé
    7,6
    Moolaadé
    Mandabi
    7,3
    Mandabi
    Black Girl
    6,8
    Black Girl
    Ceddo
    6,6
    Ceddo
    Notícias de Casa
    7,3
    Notícias de Casa
    Guelwaar
    7,3
    Guelwaar
    Wanda
    7,1
    Wanda

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This is believed to be the first feature film made by a black African in sub-Saharan Africa.
    • Erros de gravação
      When Diouana goes to bed, she is wearing her wig. When wakes up, she is in curlers.
    • Citações

      Diouana: Never again will the mistress scold me. Never again will she say: "Diouana make coffee." Never again: "Diouana, make rice." Never again: "Diouana, take off your shoes." Never again: "Diouana, wash this shirt." Never again: "Diouana, you're lazy." Never will I be a slave. I did not come here for the apron or the money. Never will she see me again. Never will she scold me again. Never again Diouana. Never will I see them again.

    • Versões alternativas
      A 70 min. version includes a color sequence. It was cut to adjust to the length requirements of the French producers.
    • Conexões
      Featured in Câmera da África (1983)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes14

    • How long is Black Girl?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 17 de março de 1966 (Senegal)
    • Países de origem
      • Senegal
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • Black Girl
    • Locações de filme
      • França
    • Empresas de produção
      • Filmi Domirev
      • Les Actualités Françaises
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 5 minutos
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    Mbissine Thérèse Diop in A negra de... (1966)
    Principal brecha
    What is the Spanish language plot outline for A negra de... (1966)?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.