O Agente Flintstone

I first remember seeing "The Man Called Flintstone" in 1968 when the elementary school I attended in Warren, Michigan obtained a 16mm print of the film and ran it as an "after-school" movie, complete with popcorn and soft drinks. (My folks never had the time to take my younger sister and I to see it at the theater, but then, in 1966 I was only 4 years old.) Cartoon Network's Boomerang channel ran it a couple of months ago, and it was certainly a treat to see "The Man Called Flintstone" again after so long.

I do agree, the movie's opening with Wilma as the Columbia Pictures torch lady was a riot; her torch exploded into the opening credits. Sadly, current television prints have deleted this opening, since Hanna-Barbera first became part of the Turner Entertainment empire in 1992 and is now a part of the Time Warner empire; Warner Bros. Television now syndicates this film (Sony Pictures Television ceased television syndication of "The Man Called Flintstone" in the mid-1980s). I highly doubt that opening will ever be restored, even if the movie ever appears on DVD.

And I never knew that was Henry Corden, the future voice of Fred Flintstone, singing the duet with Mel Blanc as Barney. I recently discovered (according to a Goldmine record collectors' guide) there was a soundtrack album of "The Man Called Flintstone" - on HBR Records (Hanna-Barbera's record label), naturally - but it is very hard to find. If and when I ever do locate a copy, though, it'll certainly have a place in my record library (I recently found a copy of the soundtrack album of "Hey There, It's Yogi Bear," Hanna-Barbera's first movie musical, and that album is even harder to locate)! Notice to collectors: extant copies of the soundtrack of "The Man Called Flintstone" command $50 and up, depending on the condition of the vinyl (good luck locating it).

I can also hope Warner Home Video will strongly consider putting "The Man Called Flintstone" on DVD soon!

I found the movie a couple years back on a recorded video tape. I watched it and found I was missing around 15-20 minutes of the movie. So for the longest time I had been wanting to buy the DVD and never found the time to do it. I put it on my Christmas list and sure enough got it. I remember growing up with the Flintstones back when Cartoon Network and the Disney channel actually played good classic cartoons and shows (now you have to get Boomerang or Toon Disney in order to see the classics) and I loved the show. I was thrilled to see they would be releasing each season on DVD and have since bought all four seasons that are currently out as well as this DVD. Now back to the movie. It is over all an excellent cartoon. I have always loved it and have found that I can watch it over and over again and never get tired of it (same with the show) One of the few where I can honestly say that. All in all it is a classic and I can't wait until they release the other Flintstone cartoon movies (like a Flintstones Christmas etc.)

There is so much padding here that the movie seems to last three hours instead of one and a half. The plot parts are fine, with some good gags and an okay spy spoof story, but the songs are just interminable. The kids one has cute animation but serves no purpose to the plot and slows the movie to a crawl. If they'd cut out all the songs, you'd have a decent movie here, but with them it's just bleh.

THE MAN CALLED FLINTSTONE was the first-ever animated theatrical feature based on the highly-successful television series THE FLINTSTONES which ended its run in 1966 after six seasons and an astounding 166 episodes when it aired on ABC-TV. The theatrical version came out five months after the television series ended. Today it is rarely seen in some markets,but it was a great follow-up to this TV show. In this version,Peebles and Bamm-Bamm along with Dino are not in this one. This version focuses on Fred Flintstone his wife Wilma,and their neighbors The Rubbles(Barney and Betty). In this version(which in the opening credits of the picture features Wilma Flintstone portraying the Columbia Pictures model is a riot)Fred Flintstone is mistaken for a American secret agent Rock Slag,who was wounded while chasing after international espionage spy Green Goose and his girlfriend,Tanya.

Fred is asked to take Rock's place and fly to Rome(along with Barney and Betty and his wife Wilma of course,leaving the children behind with the babysitter along with the pet dinosaur Dino)to help corral and captured Green Goose once and for all. The whole thing turns out to be a trap for Fred and the real Rock Slag,who comes fully recovered to comes to Fred's rescue and saves the day.

The theatrical version THE MAN CALLED FLINTSTONE,released by Columbia Pictures was released in theatres on August 3, 1966 and produced and directed by William Hanna and Joesph Barbera,who also served as executive producers with the script written by R.S. Allen and Harvey Bullock(based on a story by Harvey Bullock and R.S. Allen with additional story material by William Hanna,Joesph Barbera along with Warren Foster and Alex Lovy) and for this theatrical version,which is by the way was animated of course featured the voices of Alan Reed, Jean Vander Pyl, along with Mel Blanc and Gerry Johnson with additional voices by June Foray,Paul Frees,Janet Waldo,and Don Messick(in fact Janet Waldo,who was also the voice of Judy Jetson and Don Messick were regular voice-over stockplayers for a lot of animated shows and cartoons for Hanna-Barbera). With a Running Time of 87 minutes,it was shown as part of a kiddie matinée feature for Columbia Pictures. However,Columbia Pictures re-released this feature again in the 1970's and during the early 1980's as part of its family matinée series that was to be shown theatrically. After this,it was rarely shown on television in certain markets.

The first movie of the modern Stone Age family came out in the midst of the spy craze that was all through films and TV at the time (and at the end of the series' run in 1966), so given Hanna-Barbera's fondness for leaping on bandwagons it was a given that Fred would become mixed up with spies (as in fact he was in an episode of the TV show).

The film has a plot that would be flattered by the word "skeletal," and as a result it's padded out with endless musical numbers - even Pebbles and Bamm-Bamm get in on the act! The amazing thing is that despite the emphasis on music and the painfully weak plot it's STILL miles ahead of the 1994 movie...