AVALIAÇÃO DA IMDb
5,4/10
770
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.
- Prêmios
- 3 indicações no total
Mathilda Calnan
- Cecile
- (as Matilda Calnan)
Michèle Montau
- Elise
- (as Michele Montau)
Count Basie and His Orchestra
- Count Basie and His Orchestra
- (as Count Basie and His Octet)
Mongo Santamaria
- Mongo Santamaria
- (as Mongo Santamaria and His Band)
Leon Alton
- Passerby
- (não creditado)
Don Anderson
- Nightclub Patron
- (não creditado)
Robert Banas
- Dance Partner
- (não creditado)
Majel Barrett
- Mrs. David Prentiss
- (não creditado)
Avaliações em destaque
TCM ran this tonight, and I had to wander why. There's plenty of talent here, but not in the script or the direction.
Poor Ann-Margret, who was an accomplished dancer - and, of course, a very attractive woman - gets stuck in a role where her only dancing is a very bad knock-off of what made her famous in Bye, Bye Birdie. She plays someone so naive and puritanical that all her sex appeal fails to overcome the impression that she's one frigid, repressed basket case.
The rest of the movie isn't much better. Good to very good actors get stuck in roles that barely have two dimensions.
And don't let the "Paris" in the title fool you. Most of this movie was filmed not just on sets - after all, that was true of An American in Paris as well, and that is a stupendous movie - but uninteresting sets, hotel rooms that may have been left over from MGM's 1939 Ninotchka. The only atmospheric moment is an embarrassment. AM and Louis Jourdain appear on the set used for Gene Kelly and Leslie Caron in AAIP, the great Seine River scene where the two great dancers dance and fall in love. This time, however, that same set is shot without any of the poetry that has immortalized it in AAIP. The song is not great Gershwin, but an forgettable flop. And there is no dancing. Even though AM was a great dancer. Talk about wasting an opportunity! In short, there really is nothing to recommend this movie. Those in it all did better, much better, elsewhere. It's often embarrassing to watch them here.
Skip it.
Poor Ann-Margret, who was an accomplished dancer - and, of course, a very attractive woman - gets stuck in a role where her only dancing is a very bad knock-off of what made her famous in Bye, Bye Birdie. She plays someone so naive and puritanical that all her sex appeal fails to overcome the impression that she's one frigid, repressed basket case.
The rest of the movie isn't much better. Good to very good actors get stuck in roles that barely have two dimensions.
And don't let the "Paris" in the title fool you. Most of this movie was filmed not just on sets - after all, that was true of An American in Paris as well, and that is a stupendous movie - but uninteresting sets, hotel rooms that may have been left over from MGM's 1939 Ninotchka. The only atmospheric moment is an embarrassment. AM and Louis Jourdain appear on the set used for Gene Kelly and Leslie Caron in AAIP, the great Seine River scene where the two great dancers dance and fall in love. This time, however, that same set is shot without any of the poetry that has immortalized it in AAIP. The song is not great Gershwin, but an forgettable flop. And there is no dancing. Even though AM was a great dancer. Talk about wasting an opportunity! In short, there really is nothing to recommend this movie. Those in it all did better, much better, elsewhere. It's often embarrassing to watch them here.
Skip it.
Overall, this grab-bag of 60s genres really doesn't work very well. The MGM gloss is clearly evident, however, and some of the set pieces are not to be missed.
Two-thirds of the way through this flick, I realized that I had lost interest, mainly due to weak characterizations, and stupid plot contrivances. The AM dance number and subsequent vocal come out of nowhere - this is definitely an everything-but-the-kitchen-sink script.
AM's performance is unsubstantial, although LJ provides his usual touch of sophistication. RC and CE are completely inconsequential.
Recommended only for set and costume design......and perhaps for the chance to see AM in her prime.
Two-thirds of the way through this flick, I realized that I had lost interest, mainly due to weak characterizations, and stupid plot contrivances. The AM dance number and subsequent vocal come out of nowhere - this is definitely an everything-but-the-kitchen-sink script.
AM's performance is unsubstantial, although LJ provides his usual touch of sophistication. RC and CE are completely inconsequential.
Recommended only for set and costume design......and perhaps for the chance to see AM in her prime.
Ann-Margret, Louis Jourdan, Chad Everett, and Edie Adams star in this light film which when seen today sets the #metoo movement back 50 years.
Ann-M, whom the boss' son (Everett) is in love with, plays a courtier buyer for a department store, in Paris on her first job. She is replacing another buyer (Edie Adams). Now in the corporate apartment, Ann-M doesn't realize that her predecessor was having a mad fling with one of the designers (Jourdan) as part of their contract.
This is just a frothy romance that is a showcase for the gorgeous, sexy Ann-Margret in glamorous Helen Rose outfits. If you're an Ann-Margret fan, you don't want to miss this.
Ann-M, whom the boss' son (Everett) is in love with, plays a courtier buyer for a department store, in Paris on her first job. She is replacing another buyer (Edie Adams). Now in the corporate apartment, Ann-M doesn't realize that her predecessor was having a mad fling with one of the designers (Jourdan) as part of their contract.
This is just a frothy romance that is a showcase for the gorgeous, sexy Ann-Margret in glamorous Helen Rose outfits. If you're an Ann-Margret fan, you don't want to miss this.
Made In Paris is not referring to something that happens to Ann-Margret while in Paris. Not that there aren't three men willing to take on that assignment. No in fact it refers to Ann-Margret's first assignment taking over as a department store buyer in place of Edie Adams who is going to get married. No Ann's in Paris to get designer clothing for her store with that all important label in the fashion industry.
The three men in her life are designer Louis Jourdan, reporter Richard Crenna and the son of the store owner Chad Everett. Jourdan and Everett are in heat over her, Crenna just sits back and offers cynical comments hoping the other two kill each other off.
Ann-Margret was just a wee bit too innocent for this comedy with pretensions of sophistication. Not the best films for any of her leading man for that matter either. But entertaining and pleasant enough for a Saturday afternoon.
The three men in her life are designer Louis Jourdan, reporter Richard Crenna and the son of the store owner Chad Everett. Jourdan and Everett are in heat over her, Crenna just sits back and offers cynical comments hoping the other two kill each other off.
Ann-Margret was just a wee bit too innocent for this comedy with pretensions of sophistication. Not the best films for any of her leading man for that matter either. But entertaining and pleasant enough for a Saturday afternoon.
Ann-Margret is simply irritating trying to play a naive and coy young lady wandering into Paris for her very first time with two (2) men both trying to woo her affections. I could not help but compare it to the earlier 196 film Gidget Goes to Rome starring James Darren, and Cindy Carol which was a more genuine adorable movie for young first time lovers.
Made in Paris was a big disappointment. It also reminded me of any number of Jerry Lewis's 1960's slapstick films. So for a so called Romance genre film it tanked big time.
I give it a lowly 4 out of 10 IMD rating.
Made in Paris was a big disappointment. It also reminded me of any number of Jerry Lewis's 1960's slapstick films. So for a so called Romance genre film it tanked big time.
I give it a lowly 4 out of 10 IMD rating.
Você sabia?
- CuriosidadesAnn-Margret got to keep whatever she wanted of the wardrobe created for her by Helen Rose as part of her contract to do the movie.
- Erros de gravaçãoGlass of water appears and disappears during Paris bedroom scene.
- Citações
Ted Barclay: That was sent to Lilly LaRue for her strip tease act at the Body Shop.
- ConexõesFeatured in Made in Paris (1966)
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- How long is Made in Paris?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Hecho en París
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 43 min(103 min)
- Proporção
- 2.35 : 1
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