Faraó

an important Polish novel. a special film, precise adaptation of the first. and atmosphere of an old empire. short - a kind of parable about power, illusion and generous plans. after decades, its basic force source is the delicacy of details and performances. the slow images, the links between politic and religion, economy and need of change, the supremacy of a group against the king will , the fragility of a young leader and the fall of each great state. the music, the images and the hard work to create a remarkable film. the emotions and the spirit of lost world. more than adaptation of Prus masterpiece, it is reflection of profound roots of each period. and that fact does it not only a form of history lesson but a seed for reflection about present.

This is the kind of movies which impression lasts more than you may expect. That is because FARAON throws fundamental questions about power, religion and a not so usual element in the movies, economy. And from a very realistic approach, surrounded by intrigues and superstition. That was, probably, the world in Ancient Egypt.

The cinematography goes flawless, with powerful visuals, and slow pace. Performance conveys audience to states of anguish, uncertainty, fear, rage, and often sensuality, with a perfect theatrical top class acting, and economy of means.

Only the music from Adam Walacinski lags a bit behind, and would benefit from some more ambition.

A classic from 1966 which track no other movie has followed.

FARAON, aka PHARAOH, is about a power struggle between Rameses XIII, heir to the throne of an impoverished Egypt, and the temple priests, who are hoarding a vast treasury of gold (tribute to their gods). The film lacks the grand spectacle of Cecil B. DeMille, which is to say that it's probably a much more accurate depiction of ancient Egypt than the Hollywood versions you're used to seeing. Lots of political intrigue, several good battle scenes, and some really wild wigs! The liner notes to the DVD say that this was the most important film in the career of director Jerzy Kawalerowicz.

a subtle, bitter, cruel, cold story about the power. admirable adaptation of one of the important Polish novels of XIX century. and support of reflection about force of decisions and the value of good intentions. short, a great fascinating work. who impress not only for acting or costumes, fights and tension but for the realistic rebuild of an Egypt who becomes more than historical lesson. its grace, its terrible force of image and dialog, the new sense of a language who is perfect cloth for the story are virtues of a film who remains, almost half century, fascinating. and useful for understand history as a strange vehicle.

This film is a lovingly rendered meditation on the dissolution of an ancient dynasty. The slow and stately pace matches centuries of the oppressive weight of ossified tradition bearing down on a dying culture, symbolized by the dead stone colossi and gargantuan architecture. There are moments of great beauty realized in its passing, such as the lovely sequence of fowling from a punt in the marshes, and the opening scene of divination on the battlefield by means of observing the movements of the sacred scarab dung beetles. Without a doubt, the most convincing depiction of those fascinating past people to date on the screen