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IMDbPro

Armadilha do Destino

Título original: Cul-de-sac
  • 1966
  • Not Rated
  • 1 h 52 min
AVALIAÇÃO DA IMDb
7,0/10
15 mil
SUA AVALIAÇÃO
Armadilha do Destino (1966)
Three Reasons Criterion Trailer for Cul-de-sac
Reproduzir trailer1:31
1 vídeo
96 fotos
ComedyDramaThriller

Em busca de ajuda, dois gângsteres feridos em fuga encontram refúgio no castelo isolado de um homem fraco e sua esposa; no entanto, sob a ponta de uma arma, nada é como parece.Em busca de ajuda, dois gângsteres feridos em fuga encontram refúgio no castelo isolado de um homem fraco e sua esposa; no entanto, sob a ponta de uma arma, nada é como parece.Em busca de ajuda, dois gângsteres feridos em fuga encontram refúgio no castelo isolado de um homem fraco e sua esposa; no entanto, sob a ponta de uma arma, nada é como parece.

  • Direção
    • Roman Polanski
  • Roteiristas
    • Roman Polanski
    • Gérard Brach
  • Artistas
    • Donald Pleasence
    • Françoise Dorléac
    • Lionel Stander
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Roman Polanski
    • Roteiristas
      • Roman Polanski
      • Gérard Brach
    • Artistas
      • Donald Pleasence
      • Françoise Dorléac
      • Lionel Stander
    • 74Avaliações de usuários
    • 74Avaliações da crítica
    • 75Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 1 vitória e 1 indicação no total

    Vídeos1

    Cul-de-sac: The Criterion Collection [Blu-Ray]
    Trailer 1:31
    Cul-de-sac: The Criterion Collection [Blu-Ray]

    Fotos96

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    Elenco principal12

    Editar
    Donald Pleasence
    Donald Pleasence
    • George
    Françoise Dorléac
    Françoise Dorléac
    • Teresa
    Lionel Stander
    Lionel Stander
    • Richard
    Jack MacGowran
    Jack MacGowran
    • Albie
    Iain Quarrier
    Iain Quarrier
    • Christopher
    Geoffrey Sumner
    Geoffrey Sumner
    • Christopher's Father
    Renee Houston
    Renee Houston
    • Christopher's Mother
    Robert Dorning
    Robert Dorning
    • Philip Fairweather
    Marie Kean
    Marie Kean
    • Marion Fairweather
    William Franklyn
    William Franklyn
    • Cecil
    Jacqueline Bisset
    Jacqueline Bisset
    • Jacqueline
    • (as Jackie Bisset)
    Trevor Delaney
    • Horace
    • Direção
      • Roman Polanski
    • Roteiristas
      • Roman Polanski
      • Gérard Brach
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários74

    7,014.5K
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    Avaliações em destaque

    Infofreak

    This odd black comedy is one of Polanski's most underrated movies.

    As 'Cul-de-sac' was Polanski's first movie after his brilliant psychological thriller 'Repulsion' it can't help but be a slight disappointment. Even so, I thought it was an interesting movie and I found it to be much more enjoyable than his next one the totally unfunny spoof 'The Fearless Vampire Killers'. 'Cul-de-sac' is quite difficult to catergorise. In some ways it reminded me of Pinter's 'The Birthday Party' (filmed much later than this but originally staged in the late 1950s), in others of Jack Hill's cult favourite 'Spider Baby' (made earlier but not really released until afterwards), and you could almost see it as prefiguring 'Performance' (old school gangsters meet the new world of the swinging 1960s). But really it quite an odd and unique black comedy. It may not be 100% successful, and it does have a few dull spots, but overall it's worth tracking down if you want to see something different. The main reason it succeeds for me is the unusual location of Lindisfarne, England (which I have visited), and the performances of Donald Pleasence, Francoise Dorleac and Lionel Stander. Pleasence was one of Britain's most underrated character actors, the beautiful and doomed Dorleac had appeared alongside Jean-Paul Belmondo in the entertaining thriller 'That Man From Rio', and Standish, who later appeared in movies by Leone and Spielberg, is best remembered as Max, the craggy manservant on the popular 1980s TV show 'Hart To Hart'. All three are excellent in this movie, and their interaction make it fascinating viewing. The supporting cast also includes Jack MacGowran ('The Exorcist') and an early appearance by 1970s sex symbol Jacqueline Bisset. 'Cul-de-sac' is without a doubt Polanski's most underrated movie, and fans of the unusual and the off beat will enjoy it very much. A DVD with a commentary from Polanski would would be wonderful. Any chance?
    6Wuchakk

    Mid-60's art house flick is dramatically tedious, but has interesting themes

    A diminutive artist (Donald Pleasence) lives with his much-younger French wife (Françoise Dorléac) in a castle on a tidal island in northern England. When a gruff gangster (Lionel Stander) shows up on their doorstep havoc ensues. Iain Quarrier, William Franklyn and a young Jacqueline Bisset show up for peripheral parts.

    "Cul-de-Sac" (1966) is one of Roman Polanski's early experiments, a freestyle B&W psychological crime dramedy that takes elements of "The Damned" (1963), "Touch of Evil" (1958) and "A Streetcar Named Desire" (1951) and mixes them with black humor and the theme of the later "Straw Dogs" (1971). Jack Nicholson cited it as his favorite film, which makes sense when you consider Nicholson's "The Shooting" (1966). In tone, it's the precursor to Altman flicks like "The Long Goodbye" (1973).

    There's such an improvisational feel that one wonders what the point is: French girls are neurotic and promiscuous? British artists are wussies? Those who live by the gun will die by the gun? No matter how much a person tries to escape the world to focus on fulfilling his/her art (whatever that might be), the corruption of the world will come knocking on your door and might even share your bed? That even a finely cultured man will resort to his primordial nature if backed into a corner?

    The film obviously has its partisans, who deem it a masterpiece. There are some interesting technical things going on, like the 7.5 minute scene on the beach, which was one of the longest continuous sequences in cinema up to that point. But the characters are oddball and unlikable while the story is meandering and dramatically dull. Yet the locations, the cast and the themes are to die for, not to mention the eccentricities.

    The film runs 1 hour, 52 minutes, and was shot at Holy Island of Lindisfarne, off the coast of northeastern England.

    GRADE B-/C+
    6gavin6942

    Black Comedy That Just Seemed to Miss Me

    A wounded criminal and his dying partner take up refuge at a beachfront villa, which (not surprisingly) makes the owners less than thrilled.

    I watched this as part of my quest to see all of Polanski's films in order. After two psychological films, he has switched to comedy... and I am not entirely sure I get it. Visually, this film is quite stunning and it has some good camera work (including one of the longest continuous sequences in cinematic history at the time of release at 7 minutes and 28 seconds).

    Jack Nicholson claimed in an interview in 2007 that this is his favorite film. Not sure what to make of that. I loved Donald Pleasance as the cross-dressing wimp, but beyond that, I just do not think I really got it... the humor was not so strong and the darkness was not all that dark.
    rwint

    Highly Intriguing Polanski Drama

    Two gangsters on the run hide out in a isolated castle that is occupied by Plesance and Dorleac. The two share a rather bizarre passive, aggressive relationship that quickly disintegrates when interrupted by the strangers. Eventually a even more bizarre bonding develops between the couple and Stander, one of the gangsters. Very, very intriguing psychological drama with wonderfully subversive elements lurking just beneath the surface.

    Polanski makes full use of the castle showing it's dark, shadowy interior as a sort of symbolic equation to the dark recesses of the human mind. The characters all have their odd traits yet are still believable and compelling to watch. Wonderfully photographed with a strong visual style that really gives this film a distinct look and personality.

    Stander, who is probably best known as Max on the old HART TO HART series, has one of his finest roles. He plays a brute that mixes both savage and human traits all at the same time. Plesance though is astounding, playing a truly pathetic character that is simply unforgettable
    7elvircorhodzic

    "Get the hell outta my fortress!"

    CUL-DE-SAC is a psychological comic thriller as an unusual set of surreal circumstances in a realistic landscape. The characters are trapped in a confusing context, which is made up of a mafia, art, promiscuity and perversions. The story is peppered with all sorts of antics, but it is not unpleasant. The plots are inconclusive, but its are enriched with a huge dose of black humor.

    A neurotic and effeminate middle-aged Englishman named George lives with his promiscuous young French wife Teresa in a dark castle on a hilltop. Two gangsters, after the unexpected upward tide, invade their messy home and hold them as hostage. Teresa is mad at her timid husband, who does not take any action on the bandits. Gangsters are starting to behave a bit eccentric, while waiting for help from his boss. Uninvited guests come to a visit. Simply, someone has to "boil over"...

    Mr. Polanski, in this film, covers topics such as the alienation and a latent madness, which are closely related to a sexual activity. He has managed to replace an emotional void in this film with a combination of black humor, crime and perversion. The characterization is not bad.

    Donald Pleasence as George is a kinky and fun husband who has his grotesque moments in this film. He is a man who feels comfortable in a transparent nightgown but he, with a huge dose of disgust, takes a gun in his hand. That is a phenomenal paradox of the situation in the world. His cowardice is ambiguous, because, despite everything, he wants to return a harmonious relation in his home. Lionel Stander as Dickey, through his gangster attitude, distinctive voice and eccentric behavior enjoys the general madness. Françoise Dorléac as Teresa is a beautiful, attractive and nude factor of confusion between George and Dickey.

    Mr. Polanski has skillfully managed to balance all segments in this film, but this story still reminds me to a sexy morbid joke.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Roman Polanski shot 16 takes of the scene in which Lionel Stander drinks a pint of milk.
    • Erros de gravação
      When Dickie is pushing the car, the shadow of the camera and the cameraman can be seen on him.
    • Citações

      George: Take back your bloody filthy insinuations and get the hell out of my - fortress. Fortress. Get out! Get out! Get out! Get out! Get out! Get out! Get out.

    • Versões alternativas
      The VHS version released in Brazil by Globo Vídeo has exactly 100 minutes.
    • Conexões
      Featured in Le ciné-club de Radio-Canada: Film présenté: Cul-de-sac (1975)

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    Perguntas frequentes20

    • How long is Cul-de-sac?Fornecido pela Alexa
    • Where was Cul-de-sac set?
    • What music did Teresa play on the record player?

    Detalhes

    Editar
    • Data de lançamento
      • 30 de junho de 1966 (Alemanha Ocidental)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • Official Facebook
    • Idioma
      • Inglês
    • Também conhecido como
      • Cul-de-sac
    • Locações de filme
      • Lindisfarne Castle, Holy Island of Lindisfarne, Northumberland, Inglaterra, Reino Unido(castle)
    • Empresas de produção
      • Compton Films
      • Tekli British Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 1.500
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 52 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.66 : 1

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