A Bíblia... No Início

Spectacular as well as extravagant production of the first part of the book of Genesis and dealing with five of the early stories in the Old Testament .The title is a bit of a misnomer as the film only covers the first 22 chapters of the first book of Genesis . It covers various Biblical episodes and and open with the Creation of the World and arrive at the Garden of Eden with Adam (Michael Parks) and Eve, Cain and Abel (Richard Harris and Franco Nero play brothers-turned-enemies) Noah (John Huston , though Charles Chaplin and Alec Guinness was also offered the role ) and the Flood and the story of Nimrod (Stephen Boyd) , King of Babel and the emergence of man's vanity . Furthermore , Lot (Gabriele Ferzetti) , Lot's Wife (Eleonora Rossi Drago), Sodomah and Gomorra destruction , and three such Heavenly Messengers (Peter O'Toole) appeared in the course of events along with Abraham (George C Scott) , Sarah (Ava Gardner) , his slave Hagar and sons Isaac and Ismael.

This overblown all-star cast Biblical treatment contains emotion , religious feeling , human touch and grandeur events . The best episode results to be Noah tale in which John Huston gives an intelligent as well as sympathetic acting ; when God talks to Noah, that's actually the voice of John Huston speaking to the actor John Huston . Filming of The Tower of Babel sequence was disrupted when Egyptian extras staged a rock-throwing riot . One of the first mainstream American films to feature male and female nudity -albeit artfully filmed in a light-and-shadow style- in the Garden of Eden sequences . Reportedly , neither Michael Parks nor Ulla Bergryd used body doubles for these scenes . Lavishly produced by Dino De Laurentiis , he originally announced that this would be the first in a series of feature films based on the books of the bible ; however it didn't take place . Rousing and extraordinary musical score by Toshirô Mayuzumi and uncredited Ennio Morricone ; though Huston wanted Igor Stravinsky to score the film . As with many epics of the 1950s and 1960s Paul Francis Webster was called in to supply promotional lyrics to the main theme. The song was entitled "Song of the Bible" and Webster devised the following lyrics to fit Mayuzumi's opening theme music . Colorful as well as evocative cinematography by Giuseppe Rotunno , Fellini's ordinary ; this was the first film shot in the Dimension 150 process. This process was credited as simply "D-150" .

This luxuriously mounted production was well directed by John Huston who gives the feel of a Cecil B De Mille spectacle . However , French director Robert Bresson was firstly hired in 1964 and wen he shot the deluge, he requested the use of all the animals in Rome city zoo , but the only thing Bresson filmed was the tracks of the animals upon a sandy beach , then Bresson was fired, John Huston took over the project, delaying production a further six month. Rating : 6,5/10 . Well worth watching . Better than average . The movie will appeal to religious and epic films buffs .-

a beautiful music score, and some interesting segments but this film suffers from sluggishness and some serious miscasting. Even with it's all-star cast it tends to drag, from a script that hasn't achieved the best pacing. The Noah segment is by far the best, with Huston himself playing both Noah and the voice of God. Peter O' Toole is very otherworldly as the angels, but George C. Scott (an actor I admire very much) is really out of his element as Abraham. And the script has been cursed with one of the great failings of the Bible itself. Translated into English of early seventeenth century England, the language used by the people in the bible has remained in that stilted form. As our language has evolved and changed over the centuries the Bible hasn't and it becomes truly tedious in a motion picture of this length. Even Hollywood realized this with most of the great religious epics they dropped the "thees" and "thous" and "thys" and "thines" which are no longer in general practice since the days of the puritans. Still it is a fair and reverent look at the book of Genesis.

I've always noticed an interesting trend among critics when they review a Biblical movie. Since most critics are of a skeptical nature, they usually carry with them the bias that unless the movie deviates from a traditional telling of what the Bible says it is somehow dull cinema. That somehow there can't be anything compelling in seeing the stories of the Bible dramatized in a straightforward manner with no inane attempts to "humanize" the tales through the lens of a modern, secular society.

Well, I make no apologies for being one of the devout and saying that I prefer my Bible stories straight, without any modernistic elements that are meant to make hidden slams at why the stories are important to begin with. For me, "The Bible" is one of the best Biblical epics precisely because it takes its subject material seriously and only alters a few details (Nimrod for instance is not identified as the king at the time of the Tower of Babel) to get a coherent cinematic presentation in place. Christopher Fry, whose uncredited rewrite of "Ben Hur's" screenplay helped make that film a literate masterpiece of cinema brings the same touch here. And Huston does a fine job of directing.

Those who bash this film, much like those who are given to bashing movies like "The Greatest Story Ever Told" while praising garbage like "The Last Temptation Of Christ" are often saying more about themselves than they are about the film they've just reviewed. What they regard as "boring" I regard as a noble effort to give a visual understanding to the events of the Bible. And "The Bible" despite only covering the first half of the book of Genesis succeeds brilliantly at it.

Maybe it's because I consider myself one of the devout, but I think this last of the great Biblical epics that began in 1949 with "Samson And Delilah" works very well. Christopher Fry, who was responsible for making "Ben Hur's" script literate and compelling manages to do the same here, and Huston does a fine job of directing as well as providing a noble touch as narrator/voice of God and Noah.

About the only ineffective touch comes at the end, where it is all too clear that the fire is causing George C. Scott's age makeup to run.

Seemingly eposodic, there is little segue between the "stories." Even the title is misleading, since this film only covers from Creation through the story of Abraham - the first 22 chapters. But if the whole book was made into a movie it would be 162 hours at this rate. Too long for most audiences! (Hint - hint - miniseries).

Most of the acting comes across as stilted, except Huston, who's tongue-in-cheek portrayal of Noah wavers between refreshing and cloying. The highly touted "nude" scene of Adam and Eve may have raised a few eyebrows in 1966 but seems pretty tame by today's standards thanks to a few well-placed fern fronds. Scotts's rendering of patriarch Abraham was strong but uninspired.

This pic is adequate if you're not looking for in-depth religious interpretations. More could have been done with characterizations, but in the time given, was satisfactory. Just watch and enjoy for its face value.