A Bíblia... No Início

I was impressed by the various settings of the book, and the depicting of various accounts in the Bible, all the way from beginning to end. And as a minister I'm sensitive to this. Seldom if ever have I seen, in particular, the accounts of Adam and Eve in the garden of Eden, and then the slaying of Abel by Cain. (As Cain, Richard Harris was his hostile, feisty self, perfect for the role of the vindictive brother.) Also, I have never seen any depicting of the flood of Noah, nor of the fall of the tower of Babel. I have seen the depicting of Sodom and Gommorah, but this was unusually well-done here. All the scenes appeared to be authentic.

And I liked the cast. Michael Parks was adept at playing Adam, and his female counterpart was excellent as Eve. I was impressed with, again, the flood of Noah, though in places it maybe was a bit more comical than it was intended to be. John Huston performed well his part of Noah, and he had a good voice, that of God and his narration voice was excellent. Stephen Boyd was as mean as ever as Nimrod. George C. Scott conveyed well an aging Abraham, Peter O'Toole acted well his triple role (that of the three angels who visited Sarah,) and Ava Gardner was her beautiful self as she betrayed to the screen that Sarah was still a beautiful lady even in her older years. But I do have one objection to the production. While I liked the scenes and, again, the manifestation of the various Biblical stories, I frankly thought the acting left something to be desired. I'm not trying to rescind, but while I still think the actors came across well in their individual roles, they seemed to just say their lines and, thus, in places did not put much feeling into what they said.

But overall, it was an outstanding work for Dino DeLaurentiis and John Huston, and is highly recommendable.

I've always noticed an interesting trend among critics when they review a Biblical movie. Since most critics are of a skeptical nature, they usually carry with them the bias that unless the movie deviates from a traditional telling of what the Bible says it is somehow dull cinema. That somehow there can't be anything compelling in seeing the stories of the Bible dramatized in a straightforward manner with no inane attempts to "humanize" the tales through the lens of a modern, secular society.

Well, I make no apologies for being one of the devout and saying that I prefer my Bible stories straight, without any modernistic elements that are meant to make hidden slams at why the stories are important to begin with. For me, "The Bible" is one of the best Biblical epics precisely because it takes its subject material seriously and only alters a few details (Nimrod for instance is not identified as the king at the time of the Tower of Babel) to get a coherent cinematic presentation in place. Christopher Fry, whose uncredited rewrite of "Ben Hur's" screenplay helped make that film a literate masterpiece of cinema brings the same touch here. And Huston does a fine job of directing.

Those who bash this film, much like those who are given to bashing movies like "The Greatest Story Ever Told" while praising garbage like "The Last Temptation Of Christ" are often saying more about themselves than they are about the film they've just reviewed. What they regard as "boring" I regard as a noble effort to give a visual understanding to the events of the Bible. And "The Bible" despite only covering the first half of the book of Genesis succeeds brilliantly at it.

Seemingly eposodic, there is little segue between the "stories." Even the title is misleading, since this film only covers from Creation through the story of Abraham - the first 22 chapters. But if the whole book was made into a movie it would be 162 hours at this rate. Too long for most audiences! (Hint - hint - miniseries).

Most of the acting comes across as stilted, except Huston, who's tongue-in-cheek portrayal of Noah wavers between refreshing and cloying. The highly touted "nude" scene of Adam and Eve may have raised a few eyebrows in 1966 but seems pretty tame by today's standards thanks to a few well-placed fern fronds. Scotts's rendering of patriarch Abraham was strong but uninspired.

This pic is adequate if you're not looking for in-depth religious interpretations. More could have been done with characterizations, but in the time given, was satisfactory. Just watch and enjoy for its face value.

Maybe it's because I consider myself one of the devout, but I think this last of the great Biblical epics that began in 1949 with "Samson And Delilah" works very well. Christopher Fry, who was responsible for making "Ben Hur's" script literate and compelling manages to do the same here, and Huston does a fine job of directing as well as providing a noble touch as narrator/voice of God and Noah.

About the only ineffective touch comes at the end, where it is all too clear that the fire is causing George C. Scott's age makeup to run.

Whatever religious beliefs John Huston did or did not have, he treated the Scriptures with a great deal of respect. I don't see why an atheist would do a movie like this in the first place. I would think he wouldn't have wanted to touch it. But the beauty and poetry of this film is simply awesome. I would have given it ten stars, but he did take some artistic license with Scripture and he did kind of ham it up in the Noah's Ark sequence. Also, he left out the part where Noah got drunk after the flood and cursed one of his sons because they made fun of his nakedness. Otherwise, this is a beautiful film. It reminded me a little bit of HOW THE WEST WAS WON, in that he chronicled a few generations in this story, and many of the actors had little more than cameo appearances. The Creation scenes were absolutely gorgeous. I read somewhere that he didn't want to use animation drawings for the Creation, because he felt that the world was in a constant state of creation, and he had a crew film some of the wonders of the world at work. The results are stunning. The world really looks fresh and new in this film. You can tell he put a lot of care in making this film.

As a musician, I have to comment on the music in this film. It is as beautiful as the film. Too bad the soundtrack is out of print now. I had the album when I was younger and I played it nearly every chance I got. I never knew until I saw on this site that Ennio Morricone had a hand in writing some of this score (don't know which parts) but was uncredited. Instead, a Japanese composer named Toshiro Mayuzumi did most of this score, a composer I haven't heard of since.

Until PASSION OF THE Christ, this was the last of the big Bible epics and is an underrated masterpiece worth seeing. (THE LAST TEMPTATION OF Christ doesn't count because it took the Scriptures and butchered them.) 9 out of 10.