AVALIAÇÃO DA IMDb
5,6/10
360
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with anot... Ler tudoAfter an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.After an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Hiroshi Nihon'yanagi
- Colonel Kawachi
- (as Kan Nihonyanagi)
Gunter Braun
- Unnamed
- (não creditado)
Avaliações em destaque
Yes, Hubert Bonisseur de la Bath is based on novels by Jean De Bruce. However, he is so similar to Ian Fleming's very well known English spy James Bond who is, by the way, funnier and more advanced.
In this Bond-ish movie, the action is not so good, it's average. The direction is not that well done; you'll watch the camera more than once (in the glass of some bus, and in the bathroom's mirror of the submarine..), plus the stunt man's face was visible too, and so on. The music isn't any fine. Frederick Stafford is trying to be, or forced to be, another Connery, and that dubbed voice was unfunny, but I think with some other director and writer, he would've done much better work.
You won't have a lot of exciting spying devices; only a little microphone and sunglasses which had a camera in it. And although it's French-Italian production, but it's not BIG one by all means, especially when all of the events take place just in Tokyo. The writing was mediocre, or maybe the surprises of 1966 are corny in 2007. For instance, someone shot Hubert in his bed to discover that it wasn't him; it was a doll under the blanket. Then, chasing Hubert to discover later that he was a harmless policeman.. etc.
The positive points were 2. The cinematography by Marcel Grignon, which was the classic rich shooting of the era. And Marina Vlady who stole the show despite not being the lead.
All in all, this movie is poor when you compare it to Bond movies. But if you measure it by its own desire to be amusing, then you'll find that it's a nice humble espionage movie, not too boring, silly or bad.
However, most of the global taste or mood will innately compare that French spy to the original English one, hence he'll be some sort of the fool cousin from France who imitates desperately his uncle's famous clever son!
In this Bond-ish movie, the action is not so good, it's average. The direction is not that well done; you'll watch the camera more than once (in the glass of some bus, and in the bathroom's mirror of the submarine..), plus the stunt man's face was visible too, and so on. The music isn't any fine. Frederick Stafford is trying to be, or forced to be, another Connery, and that dubbed voice was unfunny, but I think with some other director and writer, he would've done much better work.
You won't have a lot of exciting spying devices; only a little microphone and sunglasses which had a camera in it. And although it's French-Italian production, but it's not BIG one by all means, especially when all of the events take place just in Tokyo. The writing was mediocre, or maybe the surprises of 1966 are corny in 2007. For instance, someone shot Hubert in his bed to discover that it wasn't him; it was a doll under the blanket. Then, chasing Hubert to discover later that he was a harmless policeman.. etc.
The positive points were 2. The cinematography by Marcel Grignon, which was the classic rich shooting of the era. And Marina Vlady who stole the show despite not being the lead.
All in all, this movie is poor when you compare it to Bond movies. But if you measure it by its own desire to be amusing, then you'll find that it's a nice humble espionage movie, not too boring, silly or bad.
However, most of the global taste or mood will innately compare that French spy to the original English one, hence he'll be some sort of the fool cousin from France who imitates desperately his uncle's famous clever son!
André Hunebelle was a good craftsman when it came to making popular swashbucklers whose hero was Jean Marais ("le Bossu" "le Miracle des loups" ).The spy thriller had the wind in its sails thanks to James Bond....
So Hunnebelle ditched his previous genre for the more lucrative spy stuff.It was his second OSS 117 effort(the first one featured Kervin -Simbad/Jack-Matthews ) and it's not really an improvement on the first one.There is a true actress here ,Marina Vlady (oddly,she plays on the boat almost the same part as Domino and her camera in "Thunderball" ).And Henri Serre,whose career ran into difficulties after "Jules et Jim".And Frederick Stafford future "Topaz " star. It's not much.
So Hunnebelle ditched his previous genre for the more lucrative spy stuff.It was his second OSS 117 effort(the first one featured Kervin -Simbad/Jack-Matthews ) and it's not really an improvement on the first one.There is a true actress here ,Marina Vlady (oddly,she plays on the boat almost the same part as Domino and her camera in "Thunderball" ).And Henri Serre,whose career ran into difficulties after "Jules et Jim".And Frederick Stafford future "Topaz " star. It's not much.
Frederick Stafford's second and last adventure as Hubert Bonniseur de la Bath a.k.a. OSS 117 is a well made but ultimately disappointing feature. The film starts out with a nifty car chase but unfortunately that level of excitement is never regained and the result is a rather dull film. The self-assured Stafford is never allowed to showcase the talents he displayed in OSS 117 Mission For a Killer and even the lovely Marina Vlady isn't enough to perk things up.
Director Michel Boisrond does what he can with the material but the lack of a good story dooms this from the start. Michel Magne's score is appropriately flavored with Asian spice but is otherwise forgettable. You can skip this one as an also ran that doesn't measure up.
Director Michel Boisrond does what he can with the material but the lack of a good story dooms this from the start. Michel Magne's score is appropriately flavored with Asian spice but is otherwise forgettable. You can skip this one as an also ran that doesn't measure up.
Polished but lacking some vital spark of energy, or perhaps it was just that I found it tiring having to read subtitles, as there doesn't appear to be a dubbed version available, unlike most of the Italian and German ones. I much prefer dubbing because it means I'm free to use my eyes for fully appreciating the visual aspects of the film. I'm just not much of a multi-tasker I guess.
However after a second viewing, I think I've put my finger on the problem, it's with the sound track. The on screen action is fine, but the music rarely provides any assistance to help generate suspense or tension. Even if most Eurospy themes are melodramatic and overwrought, they at least bring some energy and help set the appropriate mood, while the music in this one is either non-existent or more like travelogue music, lacking the punch and drama required (the scene where the Combi van is crashed being a classic example, with a cheerful tune played during what should be a moment of great peril.)
Japan provides suitable exotic locations (a year before "You Only Live Twice") and a somewhat stylish super-tanker makes for a decent villain's lair in the finale (although it only has a medium size door in the side, big enough for a launch size boat, rather than a ship swallowing front maw like the one in "The Spy Who Love Me"). There are several excellent fight scenes, the screenplay is good with a decent plot and adequate dialogue.
Frederick makes friends with a couple of attractive women. Marina Vlady brings the beautiful ice queen who eventually melts, and Jitsuko Yoshimura brings the cute and perky, yet sensual local flavour (as when she playfully bites Fred's finger while bidding him farewell).
Eventually, after all the usual spy shenanigans, being followed or chased, chasing or following, getting knocked out, escaping from traps and ambushes, Fred identifies the bad guys, locates the lair and saves the day in suitable fashion.
Overall a solid, if unexceptional, effort
Best quip Marina - "Have you ever been called a cad?" Fred - "No. I kill people before they have time to say it."
However after a second viewing, I think I've put my finger on the problem, it's with the sound track. The on screen action is fine, but the music rarely provides any assistance to help generate suspense or tension. Even if most Eurospy themes are melodramatic and overwrought, they at least bring some energy and help set the appropriate mood, while the music in this one is either non-existent or more like travelogue music, lacking the punch and drama required (the scene where the Combi van is crashed being a classic example, with a cheerful tune played during what should be a moment of great peril.)
Japan provides suitable exotic locations (a year before "You Only Live Twice") and a somewhat stylish super-tanker makes for a decent villain's lair in the finale (although it only has a medium size door in the side, big enough for a launch size boat, rather than a ship swallowing front maw like the one in "The Spy Who Love Me"). There are several excellent fight scenes, the screenplay is good with a decent plot and adequate dialogue.
Frederick makes friends with a couple of attractive women. Marina Vlady brings the beautiful ice queen who eventually melts, and Jitsuko Yoshimura brings the cute and perky, yet sensual local flavour (as when she playfully bites Fred's finger while bidding him farewell).
Eventually, after all the usual spy shenanigans, being followed or chased, chasing or following, getting knocked out, escaping from traps and ambushes, Fred identifies the bad guys, locates the lair and saves the day in suitable fashion.
Overall a solid, if unexceptional, effort
Best quip Marina - "Have you ever been called a cad?" Fred - "No. I kill people before they have time to say it."
The O.S.S. 117 series of films are based on popular spy novels by author Jean De Bruce about an international spy named Hubert Bonisseur de la Bath, the French version of James Bond. Hubert Bonisseur was portrayed by a number of actors (including John Gavin, who was later named Ambassador to Mexico by Ronald Reagan!) which is one of the reasons the series never caught on outside of Europe. Austrian actor took over the role Frederick Stafford took over the role pf O.S.S 117 for the third and fourth films, the latter which was set in Japan and retitled "Terror in Tokyo". In this film, Bonnisseur has to stop a group of industrialists from launching missiles laced with atomic bombs unless the United States government gives into to their ransom demands. Gorgeous actress Marina Vlady plays a woman in the US embassy suspected of leaking secrets to the enemy, and Yoshimura Jitsuko is a Japanese secret agent posing as a nightclub hostess. Bonisseur romances both women and while attempting to save the world from destruction. Not as exciting as the superior 007 films of the era but entertaining in its own way. Look for a great fight scene in which Agent O.S.S. 117 goes up against a humongous sumo wrestler.
Você sabia?
- Erros de gravaçãoCamera crew can be seen reflected in the window of the ambulance.
- ConexõesFollowed by Assassinos de Aluguel (1968)
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- How long is Atout coeur à Tokyo pour OSS 117?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 40 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Código 117 - Sabotagem Atômica (1966) officially released in India in English?
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