Arabesque

As has been duly noted before, "Arabesque" is essentially an update of Stanley Donen's own "Charade." This time, however, the plot twists are more convoluted, the camerwork is decidedly more "mod" (shooting through chandeliers, reflections in sunglass lenses, etc.) and there is an even greater emphasis on the female star's wardrobe. If the story is more confusing and less compelling than "Charade," it certainly isn't at the expense of entertainment. Its derivative nature (it not only incorporates parts of "Charade," but also the drunk and cropdusting scenes from "North by Northwest") prevents "Arabesque" from entering the elevated realm of its predecessor, but it's a delight, nevertheless. Its strongest selling point, really, is the utterly delectable Sophia Loren as Yasmin, the side-switching enigma. It is a strong statement to declare that the glorious Miss Loren has never appeared more beautiful, before or since, than in this film--but I'm willing to take the risk. Her huge, almond, almost Egyptian eyes; tawny, caramel-colored skin; lustrous hair; and world-famous curves have never been seen to better advantage. (Her stunning Christian Dior costumes certainly add to her already formidable allure.) She also displays a very nice light comedic touch; it wouldn't be difficult to dislike someone so supernaturally gorgeous, but instead, Loren's natural warmth and humor shine through. Gregory Peck, on the other hand, looks more than a little ragged around the edges; Cary Grant obviously didn't lend Peck any of his age-defying secrets. His performance isn't nearly as bad or hammy as some other reviews have indicated, but where Loren's charisma and beauty aid her in creating a completely different character than Audrey Hepburn's in "Charade," Peck comes off as an unfortunately blurred carbon coby of Grant in that earlier film. Having said that, "Arabesque" still stands on its own merits as a cracking good comedy-thriller; the final few scenes are terrifically suspenseful. Alan Badel makes a wonderfully oily villain (love the shades!), and Kieron Moore adds a healthy shot of dated humor as a jive-talking Arabian (!). Although the twists and turns might be confusing for some, just sit back and bask in the glory that is Sophia Loren. You know the good guys will win in the end, anyway.

This film is a bit dated (1966) but the plot twists and turns keep you watching. With Gregory Peck knocking off one liners and Sophia Loren for eye candy, this film is a good one to catch if you have never seen it before...The villains in the film are a bit over the top and a tad campy but this only adds to the charm of the film.

This movie is reminiscent of Charade in that it is a thriller that is lighthearted in places. Highlights of Arabesque are Gregory Peck playing the somewhat bumbling type, Sophia Loren's exotic beauty, and some memorable humorous situations like Pollack hiding in the shower with Jasmin while being questioned and later the two of them trailing the guy who drops the candy wrappers. The ending action sequence with the press conference, the horse chase, and the helicopter were also well done. All in all, very good entertainment, 7/10.

A man kills Professor Ragheeb (George Coulouris) and takes a hieroglyphic from his glasses. Then he seeks out the American Professor David Pollock (Gregory Peck), who is an expert in hieroglyphics at the Oxford University, and tells that his name is Major Sylvester Pennington Sloane (John Merivale). He invites Pollock to travel to London to meet the wealthy Nejim Beshraavi (Alan Badel) to translate a cipher in a hieroglyphic, but Pollock refuses the work.

Soon Pollock is summoned by the Arabian Prime Minister Hassan Jena (Carl Duering), who is unofficially in England and asks him to accept the assignment and spy the activities of Beshraavi that might be plotting something evil.

Beshraavi offers 30,000 dollars to Pollock to work in his mansion deciphering the hieroglyphic. Pollock meets Beshraavi's mistress Yasmin Azir (Sophia Loren), who tells him that he is in danger and Beshraavi will kill him in the end of his work the same way he did with Professor Ragheeb. Pollock and Yasmin flee from the mansion with the hieroglyphic, but he is double-crossed by Yasmin and captured by Yussef Kasim (Kieron Moore). Soon the professor is deeply involved in an international conspiracy where everybody wants the cipher and he does not know who is trustworthy.

"Arabesque" is a funny rip-off of "007" movies combined with "North by Northwest". The story of a clumsy professor from Oxford that is involved in an international conspiracy in London has hilarious moments, like for example the shower scene with Sophia Loren that makes this movie worthwhile. My vote is seven.

Title (Brazil): "Arabesque"

Modern espionage escapism story of international intrigue involving a college professor , an Arab prime minister , a ruthless businessman , an ambiguous spy and hieroglyphics . Ingenuous Gregory Peck and enigmatic Sophia Loren involved in sinister goings-on around . Both of them adrift in a tourist-eye as well as beautifully photographed London and on the run from sinister crooks and death-dealing , double secret agents who want to take a hieroglyph .

This is a sparklingly sophisticated comedy/thriller/romance with Donen's stylish direction and full of plot twists , suspense , fast moving , red herrings and adding enough effects gimmicks . Exciting and clever ¨pursuit film¨ about a naive professor and his unsettling involvement with all kind of baddies along with a beautiful as well a suspicious woman . From the opening credits by Maurice Binder to the ending entertainment and amusement are well provided . It is thrilling and intelligent at times , but results to be pretty amusing , being very sub-Hitchcock and in James Bond style . Interesting screenplay by Peter Stone , alias Pierre Marton , being much flashier than Donen's earlier ¨Charade¨ also written by Stone . Although the part of David Pollock was originally scripted for Cary Grant . Stanley Donen is prepared to resort to all the tricks in the cinematic trade to make this a fascinating thriller and he carries out a conscious effort to capture the peculiar look of the sixties . It packs fun scenes with Gregory Peck in the shower , along with moving action sequences . Peck is perfect as a botcher professor who is drawn into espionage . However , Gregory found the stunts particularly difficult because of an old leg injury due to horseback riding . This was last picture Peck made for three years while he concentrated on his humanitarian efforts that included the American Cancer Society . Gorgeous Sophia Loren is amusingly enigmatic and provides the glamorous mystery element in the plot , she manages to change her Christian Dor's dresses at various scenes . Support cast is frankly good , such as Alan Badel , George Coulouris , Carl Duering , Duncan Lamont and last feature of John Merivale . Colorful and glimmering cinematography in Panavision by Christopher Challis . Enjoyable score by Henry Mancini , including catching musical leitmotif .

This espionage adventure picture was stunningly directed by Stanley Donen who made in similar style ¨Charade¨ with Gary Grant and Audrey Hepburn who was never more beautiful . Donen directed some of the best musicals of history such as ¨On the town¨, ¨Singing in the rain¨, ¨Royal Wedding¨ , ¨It's always fair weather¨, ¨Seven brides for seven brothers ¨, ¨Funny face¨ , among others . The posterior Donen films were heavy-handed , exception of ¨Two for the road¨ again with Hepburn , and too few to show if the magic had really gone . ¨Arabesque¨ rating : 6,5/10 . Agreeable film , enough to entertain young and eldest people . It is essentially a hollow and calculated attempt to cash on the Continental spy trend -the Eurospy Subgenre- of the time .