Um Anjo para Satã

A beautiful b&w mystery movie, shot in 1966, but looks like having been made in the 40s - which is perfectly alright for me in this case. Sculptor Roberto (Anthony 'Django' Steffen) arrives in a small village to restore an ancient statue. He meets a woman (Barbara 'Mask of Satan' Steele) who bears an amazing resemblance to the statue. Mysterious cases of death happen, and soon she is supposed to be a reborn witch by the superstitious villagers. Roberto doesn't believe that and starts looking for another explanation... In case you were worried because Jan de Bont's 'The Haunting' used too many computer FX, you should check out this movie instead (that is, if you ever find a copy of this rare gem), because you'll realize how well this kind of story works without digital toys.

Very glad to see this after so many years just reading about it. Was still operating under the impression that it was only available without subtitles, but seeing that Netflix was offering it, I added it to my queue and was very happy to find that it arrived with English subtitles.

It's beautiful, evocative, violent, and puzzling with Steele cutting quite the figure of death and destruction as Harriet fresh out of England to claim her inheritance somewhere on the Continent. For a film that I thought was going to be wearisome and talky considering its first 15 minutes or so of weary talk, it definitely found its stride and delivered on its promise once Steele's machinations--or Belinda's or...?--unfolded.

A great end of the week, Friday night flick and now one of my top three favorite Steele films.

In AN ANGEL FOR SATAN, Sculptor Roberto Merigi (Anthony Steffen) arrives at a small village to restore a mysterious statue of a woman, rescued from the bottom of a lake.

Enter Harriet Montebruno (Barbara Steele), who just happens to bear a striking resemblance to the statue in question. Working together on the restoration, the seemingly supernatural spookiness begins almost immediately. When Harriet starts acting... differently, the real story unfolds.

Filmed in glorious black and white, the restored version of this movie is magnificent! Ms. Steele is at her wicked best here, playing her dualistic character with innocence and sadistic glee by turns. Her bewitching eyes add extra darkness to this, her most lascivious role.

A classic of the genre with a shocking double-twist ending!...

1966's "An Angel for Satan" (Un Angelo per Satana) marked the final chapter in the Italian Gothic career of Barbara Steele, whose acting roles would decrease over the years, with occasional projects as producer for television director Dan Curtis. Playing to type as a bewitching beauty who casts spells over every male of the tiny lakeside village where a sculptor (Anthony Steffen) has been hired to restore a statue tainted by tragedy 200 years before, her features an exact likeness of its partially naked marble form. A shy schoolteacher, a bulky father of five, a mute gardener, and the captivated sculptor all become willing pawns in this game of bitterness and death, only to have a pair of plot twists wreck the finale after such a promising buildup. Barbara's Harriet is first introduced at the 16 minute mark, and so swiftly transforms into the wicked, luminous Belinda that we never really get to know her in either role, but she proves yet again to be an undeniably powerful presence on screen, actually removing her clothes in one scene, while later showing off her breasts through a sheer nightgown. Coming full circle since Mario Bava's "Black Sunday," effective performing either angelic innocence or seductive sorceress, this was as far as censorship would allow in the mid 60s, perhaps the right time for her to call it quits. This was one of the last films for director Camillo Mastrocinque, best remembered for the Christopher Lee vehicle "Crypt of the Vampire," reunited with pretty Ursula Davis, in a more benign role than before as Harriet's submissive maid. Decades passed before the dubbed version finally came to light, making this usually the last Steele vehicle that buffs got to see, now easily available in a pristine print that looks as though it was shot yeserday, even in black and white.

Perhaps inspired by Mérimée's short story "La Venus D'Ille

and even more by French miniseries "Belphegor" ,"Un Angelo per Satana" is solid horror movie stuff;anyway with Barbara Steele,the most fascinating actress of the genre ,you cannot be wrong.Even when the screenplay is weak,she saves something from the wreckage.

Anyway the screenplay is well-constructed,with two final unexpected twists;the first pictures ,on the lugubrious lake, almost show a Dreyeresque influence .Steele is so subtle an actress you never know whether she is an angel or a demon who causes crimes,drownings,suicides and other horrors;this is a Gothic atmosphere with the De Rigueur events which happened a long time ago and became a curse for the inhabitants of the island .Recommanded for horror buffs.