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Uma aspirante a atriz se muda de sua cidade natal, Brewster, para tentar chegar a Nova Iorque, tendo que aceitar vários trabalhos "temporários" não convencionais para se manter entre suas vá... Ler tudoUma aspirante a atriz se muda de sua cidade natal, Brewster, para tentar chegar a Nova Iorque, tendo que aceitar vários trabalhos "temporários" não convencionais para se manter entre suas várias audições e papéis.Uma aspirante a atriz se muda de sua cidade natal, Brewster, para tentar chegar a Nova Iorque, tendo que aceitar vários trabalhos "temporários" não convencionais para se manter entre suas várias audições e papéis.
- Indicado para 7 Primetime Emmys
- 3 vitórias e 11 indicações no total
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One TV Encyclopedia I consulted claims that since THAT GIRL was canceled in mid-season in 1971, there are "lost episodes" which were never aired, having to do with Ann and Don's wedding plans. IS ABC/TVLAND holding out on us? Can any one confirm or debunk this? As I recall-being 10 years old at the time---the couple spend that entire season looking at furniture, dreaming of a new house, pricing the wedding dress, etc. Also, I find it strange, given that the two are engaged during the last season, that Marlo Thomas supposedly demanded the marriage never take place? What was she going to do; have Ann leave Don at the altar?
Ann Marie (Marlo Thomas, Danny Thomas' daughter in case you've never heard) is a single lady living in Manhattan. Her ambition is to make it as an actress on Broadway but between small gigs on children's television, commercials and experimental theater, she must work other jobs. These include news stand salesclerk (where she meets someone special), waitress, door-to-door shoe hawker, and more. On one of her first days in NYC, she meets Don Hollinger (Ted Bessell) and its an auspicious beginning. They both want to buy the same rolltop desk for sale in the same building and Don interrupts a commercial Ann is shooting after hours. But, in short order, they go to dinner. Pretty soon, they are stepping out steadily and, after a disastrous picnic, meet Ann's folks. While Ann's mother (Rosemary DeCamp) is loving and kind, Ann's father, Lew (Lew Parker, hilarious) is a prickly restaurateur. He, Ann, and Don often clash on many topics. Also, Ann is on very friendly terms with the couple across the hall, Judy and Leon, and Don's co-workers include Bernie (Bernie Kopell) before he went to the Love Boat. By the fifth season, will Ann and Don finally tie the knot? This will always be one of my favorite shows from childhood. First, it was and is very funny, with Thomas exhibiting very comedic talents as zany Ann. Bessell is a perfect foil and Parker is a delight, too. Secondly, Ann was a single lady decorating her own apartment, pursuing her own dreams, choosing her own friends and more. Yes, most gals like me wanted to get married AT SOME POINT but, first, we wanted to live the good life by our own merits! Naturally, Ann's costumes are terrific, her hairstyle was one we tried to copy, and her tastes became our tastes. Dear Marlo Thomas, as Ann's alter ego, YOU WILL ALWAYS BE A HEROINE TO ME. After all, you were one of the first to show women everywhere that women's goals and ambitions MATTERED!
... or if not that, Ted Bessell as one of the most sexually frustrated men of 1960's New York City. If the Mary Tyler Moore show had first aired in 1966 instead of 1970, it would have been this show. American culture changed that quickly. Marlo Thomas plays a young woman, Ann Marie, from the village of Brewster, New York who comes to the big city to become an actress, which is a tough career to break into, thus she takes a series of quirky jobs to get by which often become the central theme of certain episodes. In the very first episode she meets Donald (Ted Bessell), a writer for a magazine, and they are a couple for the next five years, a couple that - apparently - never has sex.
Back home, Ann's dad (Lew Parker) never quite trusts Donald's intentions with his daughter, and believes that girls should live at home until married. Thus a mainstay of the show is dad bursting in on Ann and Donald, either incidentally or intentionally, only to find them in what appears to be a compromising position (Ah ha! I've got him!) that in the end has a logical and platonic explanation.
If you didn't live through this period in history, you might think of the 1960's and believe it was nothing but an endless parade of hippies, pot smoking, and student/police confrontations over the Vietnam War. The fact is, most people in 1960's America were still living in the 1950's at the time, and women were still largely accepted only in traditional professions - teaching, nursing, secretarial work, acting - you know, jobs that involve either serving men or children. So That Girl was about as far as network TV could go with this topic - a young woman living in her own apartment pursuing a career in ANYTHING in New York City - without raising middle class eyebrows.
It was bright, funny, and innocent, sometimes to the point of being naive, but I'll always look back fondly on "That Girl" of my youth.
Back home, Ann's dad (Lew Parker) never quite trusts Donald's intentions with his daughter, and believes that girls should live at home until married. Thus a mainstay of the show is dad bursting in on Ann and Donald, either incidentally or intentionally, only to find them in what appears to be a compromising position (Ah ha! I've got him!) that in the end has a logical and platonic explanation.
If you didn't live through this period in history, you might think of the 1960's and believe it was nothing but an endless parade of hippies, pot smoking, and student/police confrontations over the Vietnam War. The fact is, most people in 1960's America were still living in the 1950's at the time, and women were still largely accepted only in traditional professions - teaching, nursing, secretarial work, acting - you know, jobs that involve either serving men or children. So That Girl was about as far as network TV could go with this topic - a young woman living in her own apartment pursuing a career in ANYTHING in New York City - without raising middle class eyebrows.
It was bright, funny, and innocent, sometimes to the point of being naive, but I'll always look back fondly on "That Girl" of my youth.
To many of us born in the fifties and becoming teen-age girls by the mid-late 60's, THAT GIRL was THE show to tune in to and see the hair and fashions and enjoy the comedy. My very favorite episode is when Donald tries to teach Ann to drive his manual (stick) shift car!!! The chemistry between the two actors is just great. Marlo Thomas is adorable in this series. The show was well casted and polished. My best friend in the 60's and I never missed an episode on Tuesday nights and now they are available on wonderful DVDs to enjoy again and again. Hollywood did not spoil Marlo, as she went on to author several wonderful books and of course, carry on her father's work for St.Jude Hospital for the children. She is to be admired.
'That Girl' is a 60s sitcom that holds up much better than most when viewed almost 40 years later.
Altho Marlo Thomas provides most of the zaniness that sitcoms often seek to provide, my favorite role was actually Ted Bessel's Don Hollinger. The character of Don was, for the most part, a very calm, composed influence on the show. He seldom got flustered in the face of Ann's occasional hysterics or her father's often stern disapproval. Despite the 'character of his character', he was no straight man. Each episode has several intelligent witticisms or truly amusing wry comments from Don.
The series stayed remarkably consistent through the entire run, in my opinion never 'jumping the shark', as so many long running sitcoms are prone to.
Don and Ann set a good example for a mature and caring relationship, even in the face of comedy script episodes and antics.
Highly recommended.
Altho Marlo Thomas provides most of the zaniness that sitcoms often seek to provide, my favorite role was actually Ted Bessel's Don Hollinger. The character of Don was, for the most part, a very calm, composed influence on the show. He seldom got flustered in the face of Ann's occasional hysterics or her father's often stern disapproval. Despite the 'character of his character', he was no straight man. Each episode has several intelligent witticisms or truly amusing wry comments from Don.
The series stayed remarkably consistent through the entire run, in my opinion never 'jumping the shark', as so many long running sitcoms are prone to.
Don and Ann set a good example for a mature and caring relationship, even in the face of comedy script episodes and antics.
Highly recommended.
Você sabia?
- CuriosidadesThe running gag of having the pre-credit sequence ending with a character referring to Ann as "that girl" was originally only supposed to be used in the pilot as it was believed that they would never be able to keep finding ways to work it into the conversation. It ended up being used in almost all the episodes.
- Erros de gravaçãoAnn Marie moves to New York City from Brewster, NY, which is on the Metro North Railroad's Harlem Line to Grand Central Terminal. The footage behind the credits was shot on New Jersey Transit's Northeast Corridor Line (photographed from the rear of a train leaving New York and then shown backwards so the train appears to be going to New York, although on the wrong track).
- Cenas durante ou pós-créditosThe opening for season 1 only is not the famous train tracks, but a breathless and beautiful Ann Marie running across a NY street to a building, dressed in a pale blue coat, white gloves and shoes, white pocketbook under her arm. The train tracks don't come until seasons 2, 3, & 4, and season 5 adds lyrics to the up-tempo opening music ("Diamonds, daisies, snowflakes...").
- ConexõesFeatured in 7 Nights to Remember (1966)
- Trilhas sonorasMinnie the Moocher
Lyrics by Irving Mills and Clarence Gaskill
Music by Cab Calloway
Performed by Lew Parker
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- How many seasons does That Girl have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- That Girl
- Locações de filme
- Downtown Manhattan Heliport, Manhattan, Nova Iorque, Nova Iorque, EUA(Closing theme; Seasons 2 thru 5)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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