Adicionar um enredo no seu idiomaSidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through... Ler tudoSidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through disruption tactics.Sidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through disruption tactics.
Avaliações em destaque
Bresslaw is inspired as the cross dressing Peter/Paula Potter in a time of much lower political sensitivity.
Harmless postcard humour - enjoy it!
Above average farce in that it is often hilariously funny despite retreading every British sex joke in the book - very saucy and all the better for it. There is one hilarious moment where Sid James has Barbara Windsor in his room in her nighty and his nagging wife Joan Sims comes in and Sid has to hide her. However, he overlooked the nighty and puts it on in a pathetic attempt to persuade his wife that it's his. Cracking stuff! The Carry On team was beginning to break up by this stage, but while Sid James, Joan Sims, Barbara Windsor and Kenneth Connor were still there, they could carry the film without Charles Hawtery and Kenneth Williams though they are sadly missed.
The story is some silly thing about scheming councillors (Sid James playing himself, and a delightfully stuffy Kenneth Connor) arranging a beauty contest only to have their efforts thwarted by the local women's lib, led by an enjoyable June Whitfield. In reality, though, what we get are endless innuendos, risqué sight gags, and plenty more besides. It's a film in which Peter Butterworth's groping old bloke is played for laughs, so what more can you say?
Yes, the format feels a little tired and stale by now, with Bernard Bresslaw's cross-dressing antics bringing to mind those of Kenneth Cope in CARRY ON MATRON and a general seen-it-all-before sense to the proceedings. But, for better or worse, CARRY ON GIRLS provides one of the most unforgettable set-pieces of all the franchise, and I'm talking about THAT eye-popping cat-fight between Barbara Windsor and Margaret Nolan. People always remember the exercise scene from CARRY ON CAMPING but this goes considerably further and once watched is difficult to erase from the memory banks.
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- CuriosidadesValerie Leon was dubbed throughout the entire film by June Whitfield. Although the lip-syncing/ADR, and vocal styling choice of the two character voices June Whitfield uses, along with the sound recording acoustics, makes it hard to tell she's doing two voices, even in the same shot. Many years later, "Carry On" historian Robert Ross stated that when asked about it, Whitfield said she had no recollection of dubbing Leon's voice in this picture.
- Erros de gravaçãoWhen the girls are fighting in the Hotel Lobby they jump onto a sofa and it falls backwards. The lady seated on the sofa can be seen helping it fall backwards with her foot.
- Citações
Connie Philpotts: It's your girls I'm talking about, I've heard them all night long, doors banging...
Sidney Fidler: Blimey, when you've got young dollies around you have to expect a bit of banging.
Connie Philpotts: Well, I expect you to get them into bed at a reasonable hour.
Sidney Fidler: I promise you, I'll do my very best!
- Versões alternativasAs with many of the Carry On films the cinema version was cut by the BBFC to receive an 'A' (PG) certificate. Some dialogue was replaced, including 'knee trembler' (which was changed to 'snogging') and the fight between Hope and Dawn was reduced to remove shots of Hope attempting to pull Dawn's underwear off. The latter scene was fully restored in later video/DVD releases.
- ConexõesEdited into Carry on Laughing: Episode #1.13 (1981)
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