Amargo Despertar

It seems to me that this movie was an adaptation of Thomas Mann " The Magic Mountain " but i see no credit. I just couldn't help but notice the strong comparisons between the book/movie however although i did prefer the book, the movie should be recommended....if you can find it!!.

Those viewers who are feeling a little down about their own particular life situation may be a bit cheered when they see what Clara Mataro's daily grind is like, in Vittorio de Sica's 1973 offering "A Brief Vacation." The sole breadwinner in her family, living in a dingy, cramped apartment on the outskirts of Milan with her loutish husband, thuggish brother-in-law, waspishly senile mother-in-law and three young sons, her torturous job at a rubber factory is just another element in her daily hell. No wonder that when the National Health clinic forces her to go to a sanatorium in the Italian Alps to cure her incipient TB, Clara views this as the titular brief vacation. (If only the U.S. had a health care system like this!) Away from her usual troubles and surrounded by new friends, Clara inevitably blossoms, and that metamorphosis is wonderful to see. Florinda Bolkan, who had greatly impressed me in such marvelous gialli as "Lizard in a Woman's Skin" and "Don't Torture a Duckling," is superb here as Clara, especially when the prospect of a possible love affair at the sanatorium arises. Clara's fellow patients are a very interesting bunch; de Sica, the old neorealist master, directs winningly yet unobtrusively; son Manuel de Sica's theme song "Stay" is lush and superromantic; and the snowy backdrop of the Alpine countryside is often quite spectacular. So, does the film give poor Clara the reward of a happy ending? I would never dream of telling, but those who have seen such earlier de Sica classics as "The Bicycle Thief" and "Umberto D" might be able to guess. Clara Mataro is a remarkably well-drawn character, and my feeling is that most viewers will be very happy that they have spent a few brief hours with her....

Vittorio De Sica collaborated again on this excellent film with screenwriter Cesare Zavattini, as he had in the postwar "Shoe Shine," "The Bicycle Thief," Umberto D," and their 60s French film "A Young World." They have fashioned, from a story by Rodolfo Sonego, a realistic and at times romantic drama about an Italian housewife (Florinda Bolkan in an amazing performance), living in a Milan suburb and married to a crass husband (Renato Salvatori) who treats her like a pack animal.

She supports the husband, unemployed because of an accident as well as her three sons and several in-laws, by working in a grim factory worse than that in Petri's "The Working Class Goes to Heaven" or Rossellini's "Europa '51."

She collapses from exhaustion and TB and is sent at company expense for "una breve vacanza" at a sanatorium in the Dolomites. Here she experiences a major change and awakening, not merely physical and emotional (as in a tender relationship with a machinist) but a profound radical change in which she examines for the first time her fundamental nature as a human being and as a woman. She can never be the same after she returns home.

Italian class and sex attitudes are perceptively analyzed here, and there is un unforgettable characterization by Adriana Asti as a foul-mouthed yet compassionate woman in the last days of a terminal illness. (Remember her in Bertolucci's "Before the Revolution"?)

I find it ironic that though this great "feminist" movie was written and directed by men, it is more effective in that regard in ways that its contemporary "Swept Away," made by a woman, is not.

Finally available on DVD. I had been wanting to share this movie with friends for more than 30 years. It has always been on my top 10 list of best movies ever seen.What I remember most are the subtle scenes which communicate so much, the woman wrapping her meat patty from her factory provided lunch in a napkin and slipping it into her purse in order to be able to give it to her son later on. Or after finally going to see a doctor, first making a last-minute detour into a department store to buy new underwear, too embarrassed that the doctor would see her in what she had on. Or at the very end, when the train passes by the billboard with the Mao graffiti on it (the most subtle of political comment). This is a splendid and brilliant movie, exposing the complexity of social circumstance without ever taking the easy way out, or suggesting there is ever an easy answer, in this case just a brief vacation.

This is an amazingly beautiful film. The story of a woman of little means and a horrendous family life who learns much about the world in a sanatorium in the Italian alps. It gives her a brief vacation from a hard life. And understanding. And hope. Truly wonderful. Florinda Bolkan is a great actress ... emoting without emotion. This movie has many levels of plot and story rolled into a single, seemingly simple story. There are many levels of relationships in the movie. Of particular interest is the set of relationships formed between patients from the upper class, the 'paying' patients and those who are in the sanatorium paid for by the national health. The juxtapositions between have and have not, happy and sad, sick and healthy, doctor and patient, hardworking and lazy and many others form the basis of what we see as Clara's learning process and set of life dilemmas.

Hard to find but worth it. Belongs on the top 250 list....but not enough people have seen it to vote.