O Chefão de Nova York

'Black Caesar' is one of the most underrated movies of the early 70s blaxploitation boom. Fred "the Hammer" Williamson was one of the most charismatic and cool male stars of the period. Added to that writer/director Larry Cohen ('Q', 'The Stuff', 'Maniac Cop', 'It's Alive!, 'God Told Me To',etc.) and you've got yourself movie dynamite! This gritty rise and fall crime saga will not only appeal to fans of 'Superfly' and 'Coffy' but also to fans of 'Scarface', 'Goodfellas', 'The King Of New York' and even 'The Godfather' trilogy. Williamson plays Tommy Gibbs, a crippled ghetto kid who grows up with one thing in mind - revenge. He ingratiates himself with a local mobster Cardoza (Val Avery, 'The Anderson Tapes') then works his way up until one day he seizes power and becomes "the black Godfather". Along the way he uses and discards many people including his girlfriend Helen (Gloria Hendry, 'Black Belt Jones'), and creates many enemies, not least of which is corrupt cop McKinney (Art Lund, Junior Jackson's Dad in 'The Last American Hero'), a man he has a long history with. The supporting cast in this one is really strong and also includes Julius Harris ('Superfly') as Gibbs' estranged father and D'Urville Martin ('Dolemite') as his childhood friend, the now Reverend Rufus. 'Black Caesar' is gritty, exciting and raw. Williamson's performance is unforgettable and the whole thing is brilliant entertainment. Highly recommended!

Not one to miss on an opportunity, Larry Cohen's second feature film utilised the explosion of blaxploitation cinema after the successes of Sweet Sweetback's Baadasssss Song (1971) and Shaft (1971), and crafted his own "black" action film, modelled on the 1931 film Little Caesar. Fred Williamson plays the titular role, a boy from the streets, witnessing and being victim of brutality from the white community, and particularly a local police officer, McKinney (Art Lund). As an adult, Caesar's goal is to become kingpin of Harlem, and he won't let anything stand in his way.

The narrative is a story told over, which focuses on a person who looses everything in the pursuit of power, including childhood friends, wives, and particularly looses sight of the person that they are. It's always great to watch a Cohen movie from this period. When filming in the streets (in this case New York - of which is his usual setting), his guerilla-style is self evident: clearly in the making of these films, Cohen does not get any kind of permission to film, he simply turns up and does it. In one scene, Williamson has been shot, the camera follows him down the busy street from a roof top, and passers by seem to want to help him. It's these elements of exploitation cinema that I embrace.

Whilst this is certainly not one of Cohen's greatest (check out his horror output for some terrifically socio-political subtexts), the film oozes charm. Not only do we have the easy-cool of Fred Williamson, the film also has the ubiquitous Gloria Hendry , although not in her usual kung-fu-influenced fighting mode. Even though this film is less well known than Shaft or Superfly (1972), who's soundtracks were composed by soul giants Isaac Hayes and Curtis Mayfield respectively, Black Caesar's soundtrack is provided by the godfather of soul himself, James Brown: Break it down! Heeyyyyaa!!

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In 1953, the delinquent teenager Tommy is raised in Harlem in a period of a racist American society. When he grows up, he becomes a hitman (Fred Williamson) working for the Italian mafia. When he steals accounting ledgers from the mafia, he becomes a powerful kingpin in Harlem, keeping the mobsters and the dirty police commissary McKinney (Art Lund) under his control. But his fall begins when he learns that his mistress Helen (Gloria Hendry) is betraying him with his best friend.

"Black Caesar" is an American action film by Larry Cohen, with the dramatic story of the rise and fall of a black gangster in Harlem. The plot may be dated in the present days, but in 1973 it was a full of action classic of blaxploitation. My vote is six.

Title (Brazil): "O Chefão do Gueto" ("The Big Boss of the Ghetto")

Larry Cohen´s "Black Caesar" is next to the amazing "Foxy Brown" one of my absolute favorite Blaxploitation movies! It´s full of heavy gun violence, cynical humor and Fred Williamson in the lead is probably the coolest male Afro American actor of the 1970s! Take also note of the funky disco soundtrack by the Godfather of Soul James Brown! Will catch the indirect sequel "Hell Up in Harlem" soon, so watch out for my upcoming review!

BLACK CAESAR is only the first half in the gangster epic of Tommy Gibbs (Fred Williamson). It has attitude, and comes up strong in detailing the urbanized ghetto culture in a gritty style. Compare this to THE GODFATHER, if you will, because there isn't a lot going on here that its second-half sequel HELL UP IN HARLEM actually offers much more to the story (Maltin, take note of this!). Both films gave Williamson the spotlight he deserved in show business with his mean, dirty style of action-packed influence. This one's just warming up. Best scene to remember: Gibbs putting on the shoe polish of a white man's face to resemble Al Jolson, only in beating the living daylights out of him as he shouts "Mammy! Mammy!". As you'd normally expect for a "blaction" classic, it's pure entertainment, and James Brown's soul music score (absent in the sequel) is the best I've heard. There is a call for examination on Gibbs' "superior" gang who wants to rule over the opposing race, a plot that sometimes goes overboard and needs to be studied. You need to check out and watch BOTH of these titles simultaneously to avoid instant confusion, letting them stick together into a three-hour movie on its own.