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IMDbPro

Loucuras de Verão

Título original: American Graffiti
  • 1973
  • 14
  • 1 h 50 min
AVALIAÇÃO DA IMDb
7,4/10
103 mil
SUA AVALIAÇÃO
POPULARIDADE
1.699
35
Ron Howard, Richard Dreyfuss, Charles Martin Smith, Candy Clark, Paul Le Mat, Mackenzie Phillips, and Cindy Williams in Loucuras de Verão (1973)
A couple of high school grads spend one final night cruising the strip with their buddies before they go off to college.
Reproduzir trailer2:47
5 vídeos
99+ fotos
Coming-of-AgeTeen ComedyTeen DramaComedyDrama

Steve e Curt, dois amigos recém-formados, saem para se divertir na última noite com os amigos do ensino médio antes de irem para a faculdade.Steve e Curt, dois amigos recém-formados, saem para se divertir na última noite com os amigos do ensino médio antes de irem para a faculdade.Steve e Curt, dois amigos recém-formados, saem para se divertir na última noite com os amigos do ensino médio antes de irem para a faculdade.

  • Direção
    • George Lucas
  • Roteiristas
    • George Lucas
    • Gloria Katz
    • Willard Huyck
  • Artistas
    • Richard Dreyfuss
    • Ron Howard
    • Paul Le Mat
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    103 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.699
    35
    • Direção
      • George Lucas
    • Roteiristas
      • George Lucas
      • Gloria Katz
      • Willard Huyck
    • Artistas
      • Richard Dreyfuss
      • Ron Howard
      • Paul Le Mat
    • 390Avaliações de usuários
    • 135Avaliações da crítica
    • 97Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 5 Oscars
      • 9 vitórias e 13 indicações no total

    Vídeos5

    Official Trailer
    Trailer 2:47
    Official Trailer
    American Graffiti
    Clip 2:24
    American Graffiti
    American Graffiti
    Clip 2:24
    American Graffiti
    What Roles Has Harrison Ford Turned Down?
    Video 4:33
    What Roles Has Harrison Ford Turned Down?
    American Graffiti | Anniversary Mashup
    Video 1:48
    American Graffiti | Anniversary Mashup
    Ron Howard Talks 'American Graffiti' and Meeting George Lucas and Harrison Ford
    Video 1:10
    Ron Howard Talks 'American Graffiti' and Meeting George Lucas and Harrison Ford

    Fotos173

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    + 167
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    Elenco principal63

    Editar
    Richard Dreyfuss
    Richard Dreyfuss
    • Curt
    Ron Howard
    Ron Howard
    • Steve
    • (as Ronny Howard)
    Paul Le Mat
    Paul Le Mat
    • John
    Charles Martin Smith
    Charles Martin Smith
    • Terry
    • (as Charlie Martin Smith)
    Cindy Williams
    Cindy Williams
    • Laurie
    Candy Clark
    Candy Clark
    • Debbie
    Mackenzie Phillips
    Mackenzie Phillips
    • Carol
    Wolfman Jack
    Wolfman Jack
    • Disc Jockey
    Bo Hopkins
    Bo Hopkins
    • Joe
    Manuel Padilla Jr.
    Manuel Padilla Jr.
    • Carlos
    Beau Gentry
    • Ants
    Harrison Ford
    Harrison Ford
    • Bob Falfa
    Jim Bohan
    • Holstein
    Jana Bellan
    Jana Bellan
    • Budda
    Deby Celiz
    • Wendy
    Lynne Marie Stewart
    Lynne Marie Stewart
    • Bobbie
    Terence McGovern
    Terence McGovern
    • Mr. Wolfe
    • (as Terry McGovern)
    Kathleen Quinlan
    Kathleen Quinlan
    • Peg
    • (as Kathy Quinlan)
    • Direção
      • George Lucas
    • Roteiristas
      • George Lucas
      • Gloria Katz
      • Willard Huyck
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários390

    7,4102.9K
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    Avaliações em destaque

    jantoniou

    The great, seminal '60s nostalgia flick

    I was born at the beginning of the next decade--1970--yet "American Graffiti" was a chord that rippled throughout my life.

    My father, who, like George Lucas, grew up in California's Central Valley, said this movie perfectly captured what it was like to grow up there--street cruising, hot rodding, picking up chicks, pulling pranks. Though this movie necessarily sidesteps the boredom inherent in growing up in the pesticide-choked San Joaquin Valley, the place itself is not as important the time it explores. It was a time just before the 1960s descended into the beginning of the end of American culture--the prototypical middle America that existed in almost all its small towns and now has substantively disappeared thanks to the urbanization and suburbanization of much of this country.

    The ensemble cast, including so many that went on to become hugely successful in Hollywood--Ron Howard, Cindy Williams (well, with Laverne & Shirley at least), Richard Dreyfuss, and of course Harrison Ford (not to mention Lucas himself)--is handled with great skill from such a young director and reinforces the mystery why Lucas has so horribly mishandled Star Wars Eps. I and II. Lucas simply has been at the Ranch too long and his brilliant career has arrived parked in the garage at a large, entirely perfunctory business and media empire.

    Anyway, regardless of Lucas' drift far away from the cutting edge, "American Graffiti" still stands as a kind of monument to his precocity. It is the kind of movie that hits every note with effortless precision, which I think is less the effort of great editing as it is a combination of youthful exuberance and actors and a director at essentially the beginning of their ascent as some of the best in the business.

    This movie also withstands the test of time simply because it works magically both for those who have no particular emotional connection to the '60s and for those who were there on nearly equal levels. There is tremendous humor and naturalistic character play and dialog that few can help but be drawn into. Anyone with any sense of history will acknowledge that all the characters are standing at the edge of the deflowering and self-destruction of America in the '60s. It is a time of tremendous innocence, change, and harrowing decisions. The Bay of Pigs, Cuban Missile Crisis, and Vietnam haven't happened yet.

    With Iraq and terrorism chewing at our consciousness every day, it's pretty easy for modern youth to identify and yearn for the nostalgia of such innocence.
    Björn-5

    As it should have been and sometimes was

    While born three years after the events in the film, I could still relate to the plight of being a teenager on the threshold to adult life. I think it takes a pretty insensitive person not to be captivated by this excellent movie (boring? - because just one car blew up, or what?!). This was the 3rd or 4th time I saw it, and it is just getting better. It is unusual to see filmmaking of this caliber coming from Hollywood (not least when considering Lucas' latest offering - blech!), but like movies like "The Year My Voice Broke" and "My Life as a Dog", "American Graffiti" tells us something about where we came from, without being dull or preachy. ***½ out of ****
    7planktonrules

    The right film at the right time.

    Whether you love this movie or not, you have to admire this movie for two reasons. First, its return on the dollar was among the best ever for any film. While the budget was a very modest $777,777.111 (no kidding), it returned $115,000,000 in the United States alone! No wonder this film made George Lucas famous. Second, it was very innovative. While I was not a huge fan of the film's style, it was unique and sure had an impact on the world as well as future films. No one had made a film like this before--chock full of one song after another blaring across the soundtrack and its odd semi-structureless plot was also quite unique.

    The film concerns a bunch of young adults just hanging out and cruising. There really isn't a lot more to it than that. Sure, their stories all reveal a bit about them through the course of the film, but most of the characters have no great depth. It's more like you are a voyeur watching some likable and not especially likable kids doing...well...nothing. Now if you grew up in the early 60s and remember all this, then it's a great stroll down memory lane. If you didn't, I think the movie will be more of a tough sell, as the nostalgia angle is non-existent. As for me, I wasn't even born until 1964, so the nostalgia aspect was less--but I loved the music and great cars. My daughter, while less impressed about EVERYTHING did grudgingly say that the music was great. She also said that she pretty much ignored the plot and just listened to the songs! And, perhaps, this is pretty typical of a person from her generation. As for me, the film was mildly interesting and I respect it--though I did not love it. This isn't really meant as a criticism--just a statement about how this film appealed to this 47 year-old guy. For the right audience, it's the perfect film. Otherwise, you might feels it's all a bit overrated.

    Aside from the nostalgia for the early 60s, the movie also is quite interesting when seen today because so many future stars and super-stars are in it--mostly when they were young unknowns. Ron Howard (a child star but not all that popular yet as an adult), Cindy Williams, Harrison Ford, Richard Dreyfus, Charles Martin Smith, Mackenzie Phillips and Suzanne Somers all appear in the film.
    8The_Void

    A true American classic

    As many people know, George Lucas is most famous for the fact that he wrote a certain series of fantasy films. Most of those films certainly were a great achievement, but one thing that many Star Wars fans overlook is the other entries in Lucas' list of directorial credits; one of which is this film, American Graffiti. The movie tells the story of the last night in town for a bunch of school kids about to leave to go to college. Now, this might not seem like a great base for a classic movie to work from; and it isn't, it's the handling that makes it great. In spite of his latest batch of movies, Lucas has shown with this movie that he has the talent to create an innovative and groundbreaking movie in spite of the plot. It's this fact that made Star Wars work so well, and it's nice to see the same effort transplanted into an earlier film that doesn't have the special effects and grandiose that Star Wars had. The energy and vitality that Lucas gives his multiple stories makes for a great ride, and American Graffiti is a lot of fun throughout.

    The film is most notable for the way that it captures the American youth of the sixties. It benefits from a great soundtrack that adequately helps to achieve this, and includes the likes of Buddy Holly and The Beach Boys. The film takes place in one night, and makes use of a number of different characters and story lines; all of which are interesting and unique. A lot of which are also really funny, and this is where my favourite part of American Graffiti comes in. The film works because it's such a good time, and the way that Lucas shows us that ensures that we have just as good a time as the characters on screen are having. The events that befall the characters in the movie will no doubt touch a nerve with anyone that has gone through childhood - things such as splitting up with your girlfriend, to being forced into doing things that could get you into trouble...all the way to asking an adult to go into a store to buy alcohol for you are shown with great care, and show that Lucas obviously knew what he was doing when he took on this movie. On the whole...it's very good stuff indeed.
    pooch-8

    The single-greatest teen-age cruising film ever made

    American Graffiti, voted in 1998 to the American Film Institute's list of 100 superlative films, is as good today as it was upon its release in 1973. Countless films (such as Linklater's excellent Dazed and Confused) have borrowed heavily from Lucas' blueprint of multiple characters and storylines punctuated by wall to wall rock music. If possible, you should try to see the 1998 documentary that accompanies the DVD release, as it provides a wealth of information directly from Lucas, Coppola, LeMat, Ford, Clark, Dreyfuss, Howard, and many others about the creation of the film from concept to box-office phenomenon.

    The Life and Times of Harrison Ford

    The Life and Times of Harrison Ford

    Take a look back at Harrison Ford's movie career in photos.
    See more Harrison
    Harrison Ford in Indiana Jones e o Templo da Perdição (1984)
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    Enredo

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    Você sabia?

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    • Curiosidades
      Due to the low budget, George Lucas was unable to pay all of the crew members. He offered to give many of them a screen credit in lieu of payment, and they accepted. Traditionally, only department heads received screen credit. Giving screen credit to all crew members is now standard, which is why closing credits last so much longer now.
    • Erros de gravação
      The movie is set in 1962, but a cinema marquee advertises Demência 13 (1963) (released in 1963). This was done on purpose by George Lucas, because Dementia 13 was Producer Francis Ford Coppola's first movie.
    • Citações

      Curt Henderson: You're the most beautiful, exciting thing I've ever seen in my life and I don't know anything about you.

    • Cenas durante ou pós-créditos
      Worded epilogues prior to the credits shows what happen to the characters following the movie. While this has since become commonplace in films, it was considered innovative at the time.
    • Versões alternativas
      Originally released at 110 minutes; re-edited and re-released in a slightly longer version (112 minutes) in 1978 when many of its then-unknown stars became famous.
    • Conexões
      Featured in Aeroporto 75 (1974)
    • Trilhas sonoras
      At The Hop
      Written by John Madara, Artie Singer and Dave White (uncredited)

      Performed by Flash Cadillac (as Flash Cadillac and The Continental Kids)

      Produced by Kim Fowley

      Courtesy of Roulette Records:

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    Perguntas frequentes21

    • How long is American Graffiti?Fornecido pela Alexa
    • If the action takes place on the last night of Summer Break, how come the school is holding a Freshman Dance? Surely the first dance in the school calendar would be Homecoming a few weeks after the start of semester?

    Detalhes

    Editar
    • Data de lançamento
      • 22 de novembro de 1973 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • American Graffiti: Locura de verano
    • Locações de filme
      • Mel's Drive-in - 140 South Van Ness Ave., San Francisco, Califórnia, EUA(demolished)
    • Empresas de produção
      • Universal Pictures
      • Lucasfilm
      • The Coppola Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 750.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 115.000.000
    • Faturamento bruto mundial
      • US$ 115.006.690
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Color
    • Proporção
      • 2.39 : 1

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