Kojak

Theo Kojak was and IS the epitome of cool. He was a top cop, he kicked major criminal ass, he sucked on lollipops to kick his smoking habit, and best of all, he maintained a crome-dome so cool and fashionable, Vin Diesel doesn't even come close! The late, great Telly Savalas brought to life Det. Kojak, and thus this creation was the precursor to all those hip "supercop" TV shows to come, with NASH BRIDGES bearing in mind. Who loves ya, baby? Kojak does.

The technical adviser, Detective Burton Armus was the guy that gave Telly the idea about the lolly pop. Burton was a detective working out of the 7th district homicide squad and advised the show. He went on in the film and TV industry as writer and director. A very special gut and I was proud to work with him for the short time I was there( the squad ). I met Telly on two occasions and when I told him that I was NYCPD he shook my hand and said he liked and respected our department. He was much like Jack Webb, anyone who met him , liked him because he was real. Hope the new show will be worth watching. We know it won't be the same, what re-make is?

Telly Savalas was a grizzled film and TV veteran when he got the spotlight in 1973, with KOJAK. It was a most deserved turn in the sun. Telly took this character and made it his own...the ethnicitity, the old world charm, the brains behind the tough NYPD detective lieutenant that had a genuine compassion for the crime victims he encountered. Telly was the man! The scripts were outstanding, especially in the first season, when penned by Jack Laird, Robert Foster and Halston Wells. The direction was cineamatic quality by the likes of Leo Penn, Jeannot Szwarc and Joel Oliansky. Memorable episodes as SIEGE OF TERROR, DEAD ON HIS FEET, LAST RITES FOR A DEAD PRIEST, THERAPY IN DYNAMITE...I could go on and on. It's also the breeding ground where James Woods, Steven Keats, Harvey Keitel and David Proval cut their small screen dramatic teeth. It's time for this TV legand to be released uncut and unedited on video.

This series, a vehicle for star Telly Savalas, stands out in my mind as becoming more as it developed. The location filming in NY jogs memories of those who visited or lived in the city at that time. The plots frequently involved The Mob, which reflects the time. Some stories were patently unrealistic, but every time I'd complain about such, the camera would move into the street and that winter grating steam would wind around the sound of shoe leather, giving a pretty good suggestion of Dashielle Hammett (sp?). Interesting guest stars would occasionally show up, George Savalas proved a very natural actor and some of the humor appeared unforced and ad lib. A better show than much of the drivel in that decade.

it is the role of Telly Savalas. this fact is so obvious than is very difficult to ignore it. because his Theo Kojak is always surprising and gives the right expected portrait of unconventional detective against the crime world. because it is the hero in his way, far by others recipes and formulas. the face, the gestures, the voice. Telly Savallas works each detail with huge and precise care and efficiency. and this is the basic virtue of a series who remains, decade by decade, spectacular.