AVALIAÇÃO DA IMDb
6,0/10
1 mil
SUA AVALIAÇÃO
O cão-lobo White Fang auxilia um repórter, um caçador de peles, uma freira, um jovem garoto esquimó e seu pai a livrarem uma cidade mineradora de ouro de um líder criminoso corrupto em 1896,... Ler tudoO cão-lobo White Fang auxilia um repórter, um caçador de peles, uma freira, um jovem garoto esquimó e seu pai a livrarem uma cidade mineradora de ouro de um líder criminoso corrupto em 1896, no Yukon, Canadá.O cão-lobo White Fang auxilia um repórter, um caçador de peles, uma freira, um jovem garoto esquimó e seu pai a livrarem uma cidade mineradora de ouro de um líder criminoso corrupto em 1896, no Yukon, Canadá.
- Direção
- Roteiristas
- Artistas
Carla Mancini
- Prostitute
- (apenas creditado)
Mirko Baiocchi
- Piano Player
- (não creditado)
Angelo Boscariol
- Saloon Customer
- (não creditado)
Tony Casale
- Cowensky - Witness
- (não creditado)
Massimo Ciprari
- Saloon Customer
- (não creditado)
Avaliações em destaque
Fulci's 'White Fang' is a struggle both in terms of its plot and audience participation, the horror maestro bringing his sadistic brand of storytelling to bare upon an overlong tale of an Inuit boy who befriends a wild wolf.
Picturesque but regularly brutal, Rey is a standout as the immoral priest, Brit expat Steiner plays his usual brand of cool, calm and ultimately sadistic villain and Italian siren Lisi features in the supporting role of a nun whose travelled to the gold fever town of Dawson to offer medical services. Also good to see the big Bavarian Raimund Heimstorf as Nero's faithful companion and French-American Carole Andre playing his somewhat tainted love interest.
The savage dog fight between White Fang and Battaglia's prize hound Satan is uncomfortable to watch even if it's perhaps not entirely what it seems, but the bear vs dog fight that soon follows is just plain barbaric.
Fulci's White Fang '73 (followed by 'Challenge' a year later) is little more than a violent spaghetti western set in the Yukon and despite some vague allusions to a positive new frontier theme, it's dark, sombre tone and bloody body count proves you can take the boy out of horror, but not horror out of the boy.
Picturesque but regularly brutal, Rey is a standout as the immoral priest, Brit expat Steiner plays his usual brand of cool, calm and ultimately sadistic villain and Italian siren Lisi features in the supporting role of a nun whose travelled to the gold fever town of Dawson to offer medical services. Also good to see the big Bavarian Raimund Heimstorf as Nero's faithful companion and French-American Carole Andre playing his somewhat tainted love interest.
The savage dog fight between White Fang and Battaglia's prize hound Satan is uncomfortable to watch even if it's perhaps not entirely what it seems, but the bear vs dog fight that soon follows is just plain barbaric.
Fulci's White Fang '73 (followed by 'Challenge' a year later) is little more than a violent spaghetti western set in the Yukon and despite some vague allusions to a positive new frontier theme, it's dark, sombre tone and bloody body count proves you can take the boy out of horror, but not horror out of the boy.
Based on the Jack London story, White Fang was well done. The main drawback is its violence. Lots of fighting and killing, including graphic scenes of shooting, stabbing and animals fighting. My young children (5 and 7) were upset by this. It is surprising that the video had a PG rating.
Otherwise, acting was good, cinematography was excellent. English-language dubbing was a bit slipshod and noticeable.
Otherwise, acting was good, cinematography was excellent. English-language dubbing was a bit slipshod and noticeable.
I watched this movie since i figured out it was directed by one of my favorite directors, Lucio Fulci. And i know there are people who call this a family or kids flick, i can assure you that it's non of the above. It's filled with mean spirited characters and actual animal cruelty, they could've easily rated it R because of the visceous animal fights. An dog obvisousily appears to be "dead" after it fought a bear, i just say what i saw myself. And a dog gets poked at with sticks while it's locked up in a cage, yeah real family entertainment. The story itself looks like an adventure movie because of the relation between an american native child and his dog, but i'm pretty sure the dog had to be replaced a few times if you know what i mean. The story is placed in a western like background, probably in the 1800's, and yes the actors do a great job and some of them are likable. And if they kept it like that the movie could have receive a PG rating which it did get, how idiotic do you have to be to rate a movie filled with cruelty PG. I do understand those were different times, but still, judge for yourself.
The words 'Lucio Fulci' and 'children's film' aren't what you would regularly see very often, and when you add 'animals' to that, alarms bells start ringing. Now, Fulci doesn't really register on the old Italian Film Directors Who Kill Animals For Their Films List, unlike Umberto Lenzi, Ruggero Deodato, Sergio Martino and Antonio Margherriti, but these White Fang films, of which he made two, sail close to the wind. However, I'm also of the opinion that, judging by the above examples, if an Italian director did go out of their way to film an animal being hurt, they would include that in the film, and that does not happen here.
That's a long way of saying that you could probably watch these films guilt free, although this supposedly family-orientated film does start with a bunch of dogs eating a deer carcass. Thus begins Fulci's take on the classic Jack London novel about a dog who is a wolf/dog or something who never stops barking. It takes place in the Klondike in Canada during the gold rush, where a bunch of prospectors live in the mining town of Dawson, run by villain Beauty Smith (John Steiner, the best thing in the film). These unheeding miners are being ripped off by Beauty, who also runs the local bar, and keeps the alcoholic priest (Fernando Rey) in place so that no fully functioning minister can expose his nefarious actions.
Beauty therefore is miffed when a government man turns up to set up a mining commission, who also brings along writer Scot (Franco Nero), a man with principles who immediately finds himself up against Beauty, as well as giving a few of Beauty's men a sock on the jaw. A nun also arrives in town to set up a hospital, and add to that the Inuit fella who not only brings his sick son into town, but also seems to have a very protective dog, White Fang, who takes an instant dislike to Beauty's dog Satan.
There's a lot of characters to follow and a lot of plot threads, but most of it revolves around either Beauty or White Fang, so that's not too bad. Basically, a group of folk start to gather against Beauty and usually White Fang steps in to sort things out. This being a children's film, naturally this involves characters being stabbed in the gut, or White Fang either fighting a dog, or being forced to fight a bear! This film is PG, apparently! I think he killed someone as well, come to think of it.
The set design is rather outstanding for this one, so there must have been a bit of money behind the scenes for a change, as Fulci uses every chance he has to sweep the camera across the town of Dawson and the various crowds. It gives the film an epic feel and really helps bring the cold atmosphere of Canada to life.
The main attraction here is John Steiner as Beauty Smith. He's so evil he even has a pencil-moustache, although he doesn't twirl it. He's snidey, snobby, sneery, hates everything, makes passes at women, double-crosses everybody he encounters and only shows the barest of humanity when he accidentally kills someone. It's a hard call to outdo Franco Nero onscreen but Steiner does it effortlessly. Although Nero kind of gets sidelined with all the sub plots to be honest.
My son watched about two minutes of it (and of course he walked in on White Fang fighting Satan) and was disturbed by it. The two animal fights are bad enough (although it's obvious in the bear fight that someone in a bear suit was involved to a certain extent), but the knifing of someone in the guts would be too much to handle for most kids. If Fulci complained so much about being pigeonholed as a horror director, why do so many of his non-horror films end up in that category anyway? So, to sum up, I have no idea whether I liked this or not. Therefore I give it a seven, just like every other film I review.
That's a long way of saying that you could probably watch these films guilt free, although this supposedly family-orientated film does start with a bunch of dogs eating a deer carcass. Thus begins Fulci's take on the classic Jack London novel about a dog who is a wolf/dog or something who never stops barking. It takes place in the Klondike in Canada during the gold rush, where a bunch of prospectors live in the mining town of Dawson, run by villain Beauty Smith (John Steiner, the best thing in the film). These unheeding miners are being ripped off by Beauty, who also runs the local bar, and keeps the alcoholic priest (Fernando Rey) in place so that no fully functioning minister can expose his nefarious actions.
Beauty therefore is miffed when a government man turns up to set up a mining commission, who also brings along writer Scot (Franco Nero), a man with principles who immediately finds himself up against Beauty, as well as giving a few of Beauty's men a sock on the jaw. A nun also arrives in town to set up a hospital, and add to that the Inuit fella who not only brings his sick son into town, but also seems to have a very protective dog, White Fang, who takes an instant dislike to Beauty's dog Satan.
There's a lot of characters to follow and a lot of plot threads, but most of it revolves around either Beauty or White Fang, so that's not too bad. Basically, a group of folk start to gather against Beauty and usually White Fang steps in to sort things out. This being a children's film, naturally this involves characters being stabbed in the gut, or White Fang either fighting a dog, or being forced to fight a bear! This film is PG, apparently! I think he killed someone as well, come to think of it.
The set design is rather outstanding for this one, so there must have been a bit of money behind the scenes for a change, as Fulci uses every chance he has to sweep the camera across the town of Dawson and the various crowds. It gives the film an epic feel and really helps bring the cold atmosphere of Canada to life.
The main attraction here is John Steiner as Beauty Smith. He's so evil he even has a pencil-moustache, although he doesn't twirl it. He's snidey, snobby, sneery, hates everything, makes passes at women, double-crosses everybody he encounters and only shows the barest of humanity when he accidentally kills someone. It's a hard call to outdo Franco Nero onscreen but Steiner does it effortlessly. Although Nero kind of gets sidelined with all the sub plots to be honest.
My son watched about two minutes of it (and of course he walked in on White Fang fighting Satan) and was disturbed by it. The two animal fights are bad enough (although it's obvious in the bear fight that someone in a bear suit was involved to a certain extent), but the knifing of someone in the guts would be too much to handle for most kids. If Fulci complained so much about being pigeonholed as a horror director, why do so many of his non-horror films end up in that category anyway? So, to sum up, I have no idea whether I liked this or not. Therefore I give it a seven, just like every other film I review.
White Fang (1973)
*** (out of 4)
Jack London's classic story is brought to the screen in a rather good adaptation from director Lucio Fulci. Most people know Fulci for his graphic horror films starting with ZOMBIE and continuing throughout the 1980s. A lot of people seem to forget that he also directed comedies, action films, Westerns, giallos and even family movies.
WHITE FANG is certainly a family movie, although there are enough dark spots to where even the adults are going to be entertained. We have Franco Nero playing the good guy who befriends White Fang and an orphan Indian boy. John Steiner plays the villain who also wants the dog but for a different set of reasons. Then there's Fernando Rey as Father Oatley and Vima Lisi plays Sister Evangelina.
I was actually surprised at how much I enjoyed this film. The cinematography is quite good and there's no question that you really do feel as if you're in the Alaskian wilderness, although the opening scenes with White Fang in the trap were obviously filmed on a set. The performances are very good and we're also given a good amount of action throughout the picture. There are some dog fights that are pretty violent but they're also quite intense and well-done.
Fulci proves here that he was able to do more than just throw graphic violence and gore at the screen. The film certainly contains some flaws but for the most part it's a very entertaining movie.
*** (out of 4)
Jack London's classic story is brought to the screen in a rather good adaptation from director Lucio Fulci. Most people know Fulci for his graphic horror films starting with ZOMBIE and continuing throughout the 1980s. A lot of people seem to forget that he also directed comedies, action films, Westerns, giallos and even family movies.
WHITE FANG is certainly a family movie, although there are enough dark spots to where even the adults are going to be entertained. We have Franco Nero playing the good guy who befriends White Fang and an orphan Indian boy. John Steiner plays the villain who also wants the dog but for a different set of reasons. Then there's Fernando Rey as Father Oatley and Vima Lisi plays Sister Evangelina.
I was actually surprised at how much I enjoyed this film. The cinematography is quite good and there's no question that you really do feel as if you're in the Alaskian wilderness, although the opening scenes with White Fang in the trap were obviously filmed on a set. The performances are very good and we're also given a good amount of action throughout the picture. There are some dog fights that are pretty violent but they're also quite intense and well-done.
Fulci proves here that he was able to do more than just throw graphic violence and gore at the screen. The film certainly contains some flaws but for the most part it's a very entertaining movie.
Você sabia?
- CuriosidadesAt one point Jason Scott (played by Franco Nero) says to the priest, that he liked his citing of the story of Cain and Abel. Franco Nero played Abel in A Bíblia... No Início (1966).
- ConexõesFollowed by I figli di Zanna Bianca (1974)
Principais escolhas
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- How long is White Fang?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 42 min(102 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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