A Divina Ira

A tongue in cheek ,very funny "western" -although it features plenty of death-),not as tragic as Nelson's more famous "soldier blue" .A good chemistry between the three mates ,even though Mitchum is obviously the stand out.I did not go to confession for years ,but if I had a "priest " like him,well....His words are often Bunuelesque ,recalling "Nazarin"(1958) when he talks about the stranglehold the wealthy ones have on religion.In spite of the presence of a positive catholic character (Rita Hayworth's last part,her next-to-last was a strange French movie where she played the role (sadly premonitory)of a woman losing her mind "La Route De Salina" ),it is a very unfriendly look at the catholic Church,not exactly a Hollywoodian politically correct one.

The scene of the execution when the screen becomes completely black ("and it has not taken three days !say one of the condemned persons)is memorable ;and the title is thoroughly justified in the last scene when God's hand punishes the heathen .

It's a revolutionary central American country in 1920s. Oliver Van Horne (Robert Mitchum) is dressed as a priest. Irishman Emmet Keogh (Ken Hutchison) buys a ticket to anywhere to escape the growing unrest but it gets stolen. He encounters men loyal to revolutionary leader Colonel Santilla (John Colicos). He tries to rescue mute native girl Chela from them only to get strung up and then they're both rescued by Van Horne. They are captured by Santilla. The two imprisoned men and immoral gunrunner Jennings are recruited to assassinate his opponent Thomas De La Plata (Frank Langella) who is using a mine for his war chest. Rita Hayworth plays De La Plata's mother.

This has the Peckinpahesque violence like shooting a kid in the back. It's like a spaghetti western. The motivations are a little clunky. There are some compelling characters although Hutchison may not be leading man material. His looks is more towards villainous henchman. It's also notable for being Hayworth's last film. Her role is very much supporting and most compelling for the name. The Mexican location is great and the local colors are enticing. This is a fine B-movie.

This is a Zapata western set early XX century on the overlong Mexican civil when happened the confrontation executed by Pancho Villa and Emiliano Zapata against Porfirio Diaz , and , later on , against Carránza and Obregón . A misfit group formed by a bandit priest (Robert Mitchum) , an IRA Irish young man (Ken Hutchinson) and a gunrunner (Victor Buono) , all of them are hired by a Mexican colonel (John Colicos) to kill De la Plata (Frank Langella) , a Mexican tyrant .

The picture displays lots of action , battles , tongue-in-cheek , shootouts and a little bit of violence like the brutal killing a little boy . The casting is frankly well , Robert Mitchum (¨Night of the hunter¨ , ¨5 card stud¨ , ¨Bandido¨) is excellent in his usual facade of indifference and lazily acting as a greedy priest and wielding a Thomson machine-gun . Mitchum chewing up scenery in this peculiar role . The newcomer Ken Hutchinson provides added depth as an Irish terrorist with a bitter past ; however , this one being his most important role , as he went back England and only acting in TV movies . Frank Langella (¨Drácula¨) plays an elegant psycho killer who bears a deep hatred to Catholic Church . The famed secondary Victor Buono (¨What ever happened to Baby Jane¨ , ¨Hush , hush..sweet Charlotte¨) plays convincingly an avaricious gunrunner . Enjoyable performance by Rita Hayworth in his last completed film (her previous movies during her downfall were the Italian ones : ¨The bastards¨ and ¨The rover¨) , despite Alzheimer disease . In fact , she had difficulty remembering her lines and the crew believed it was because of alcohol abuse , but only later did they realize they were seeing the early stages of her Alzheimer's condition . Besides , there appears habitual secondaries who usually work in American productions shot in Mexico , such as : Gregory Sierra , Enrique Lucero and Chano Urueta . The motion picture was rightly directed by Ralph Nelson who made other good Westerns as ¨Soldier Blue¨ and ¨Duel at Diablo¨ . This offbeat Western will appeal to Robert Mitchum fans.

To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.

In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").

Remarkably funny western/revolutionary action pic stars Mitchum as a con artist who poses as a priest and Langella as the South American' dictator he and his friends have been blackmailed into assassinating. Hayworth appears briefly as Langella's tormented mother.

The action is fast and well staged, and the film's humor is so effective that it has often been seen (mistakenly, I believe) as a spoof of its genre, rather than as the fine example it is of the genre at its best. This whole line of reasoning bothers me, because it implies that an adventure movie can't be funny, that it has to take itself deadly serious. Much like "Duck, You Sucker!" this film's irreverent humor is one of its main ingredients, but it does not detract from its standing as a decent action flick. It's in fact closer to the way action pictures are made today -- I would question whether the critics and fans who see this as a "parody" also think that Schwartzenegger's "Commando" and "The Running Man" are also parodies?

As Mitchum's character becomes more involved with Langella's peasant village, giving them the sacrament because they haven't seen a priest in years, he begins to BECOME the priest of his con-game, but his actions keep his friends and Langella guessing as to the extent of his "conversion." This brings up the theme of the appearance becoming the reality, an unusual theme for a western action flick.

Good performances and an unusually good film results.