AVALIAÇÃO DA IMDb
7,7/10
29 mil
SUA AVALIAÇÃO
A confusão acidental de quatro malas xadrez idênticas leva a uma série de situações cada vez mais selvagens e malucas.A confusão acidental de quatro malas xadrez idênticas leva a uma série de situações cada vez mais selvagens e malucas.A confusão acidental de quatro malas xadrez idênticas leva a uma série de situações cada vez mais selvagens e malucas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Philip Roth
- Mr. Jones
- (as Phil Roth)
Avaliações em destaque
A friend of mine recently recommended this film to me. I am not a big Barbra Streisand fan so it took me about 20 minutes to get into this film. Once I was in, I was hooked! So rarely do I laugh out loud at comedies from this time period. I especially liked the hotel detective using his "charm" to delay Mrs. Van Hoskins. Kenneth Mars and Liam Dunn were hilarious, too. If physical comedy is not your bag, you may not like What's Up, Doc? But this is definitely one of my favorite comedies...even better than the old comedies to which it is supposed to be an homage. I'm glad someone listed many of the funny quotes from the film in Message Boards. I want to buy this DVD!
I think this film is the funniest movie I have ever seen. No matter how many times I see it, I always find surprisingly fresh and completely hilarious. Barbra Streisand's performance is the centerpiece of the whole film. She simply glows with warmth, sexiness, and humor. There isn't a moment when we don't find her completely believable. Ryan O'Neal adds a great physical presence and is gloriously restrained. The film also contains some great supporting turns from Ken Mars, Liam Dunn, and especially Madeline Kahn, who nearly steals the movie in her film debut.
On a scale of 10, WHAT'S UP, DOC? receives a perfect 10!
On a scale of 10, WHAT'S UP, DOC? receives a perfect 10!
Barbra Streisand disliked the script, didn't want to make the film, and even gave press interviews predicting WHAT'S UP DOC? would be a major flop. Instead it became one of her most fondly remembered performances, a film in which she plays a disaster-prone college student who somehow manages to run afoul of everything from jewel thieves to secret agents.
The film is director Peter Bogdanovic's homage to the classic screwball comedies of the 1930s and 1940s, and like most films of that genre the plot largely defies description. Professor Howard Bannister (Ryan O'Neal) and his fiancée Eunice (Madeline Kahn) are attending a San Francisco convention at which Howard hopes to receive a major grant--but when college student Judy Maxwell (Streisand) bumps into him she is immediately smitten, and her outrageous efforts to insert herself into his life results in car crashes, dining disasters, and a close encounter with a Chinese dragon.
The cast is absolutely flawless. Streisand's lunatic sense of comedy has never been better showcased than here, and while Ryan O'Neal is something of a flyweight talent he nails his role with tremendous charm. Then there is the supporting cast, which reads like a who's who of early 1970s comedy: Kenneth Mars, Austin Pendleton, Sorrell Brooke, Mabel Albertson (best recalled as Mrs. Stevens in the classic television series Bewitched), and Liam Dunn, to name but a few. And then there is the wonderful Madeline Kahn.
Kahn kicked around New York in various venues in the late 1960s and early 1970s, making one or two television appearances and at least one short film--but WHAT'S UP DOC? was her big screen debut, and boy was it a lulu. Eunice Burns is "that brave, unbalanced woman," and she screams, snarls, whimpers, faints, demands, mutters to herself, is kidnapped, fires off handguns, and suffers every indignity imaginable, and Kahn is so brilliant she steals every scene she's in. It was not only her debut, it was a break-out performance in every sense of the word, and it launched her to equally memorable roles in PAPER MOON, BLAZING SADDLES, and THE YOUNG FRANKENSTEIN. Sadly, Hollywood seldom made full use of Kahn's talents in later years--but to our good fortune these great performances remain to charm and beguile us.
Based on Bogdanovic's original story, the script is a memorable one, combining the rapier-wit of screwball comedy dialogue with the outrageous situations the genre demands, and if you can get through this one without screaming laughter you might want to have some one check your pulse, because you're probably dead. A sure-fire way to cure the blues! GFT, Amazon Reviewer
The film is director Peter Bogdanovic's homage to the classic screwball comedies of the 1930s and 1940s, and like most films of that genre the plot largely defies description. Professor Howard Bannister (Ryan O'Neal) and his fiancée Eunice (Madeline Kahn) are attending a San Francisco convention at which Howard hopes to receive a major grant--but when college student Judy Maxwell (Streisand) bumps into him she is immediately smitten, and her outrageous efforts to insert herself into his life results in car crashes, dining disasters, and a close encounter with a Chinese dragon.
The cast is absolutely flawless. Streisand's lunatic sense of comedy has never been better showcased than here, and while Ryan O'Neal is something of a flyweight talent he nails his role with tremendous charm. Then there is the supporting cast, which reads like a who's who of early 1970s comedy: Kenneth Mars, Austin Pendleton, Sorrell Brooke, Mabel Albertson (best recalled as Mrs. Stevens in the classic television series Bewitched), and Liam Dunn, to name but a few. And then there is the wonderful Madeline Kahn.
Kahn kicked around New York in various venues in the late 1960s and early 1970s, making one or two television appearances and at least one short film--but WHAT'S UP DOC? was her big screen debut, and boy was it a lulu. Eunice Burns is "that brave, unbalanced woman," and she screams, snarls, whimpers, faints, demands, mutters to herself, is kidnapped, fires off handguns, and suffers every indignity imaginable, and Kahn is so brilliant she steals every scene she's in. It was not only her debut, it was a break-out performance in every sense of the word, and it launched her to equally memorable roles in PAPER MOON, BLAZING SADDLES, and THE YOUNG FRANKENSTEIN. Sadly, Hollywood seldom made full use of Kahn's talents in later years--but to our good fortune these great performances remain to charm and beguile us.
Based on Bogdanovic's original story, the script is a memorable one, combining the rapier-wit of screwball comedy dialogue with the outrageous situations the genre demands, and if you can get through this one without screaming laughter you might want to have some one check your pulse, because you're probably dead. A sure-fire way to cure the blues! GFT, Amazon Reviewer
In an age when screwball comedies had largely disappeared from the screen, Peter Bogdonovich directed Barbra Streisand and Ryan O'Neal in what is still one of the funniest comedies of the 1970's. The film was a tribute to all the classic screwball comedy elements (including a pie fight and a hilarious car chase). There's nothing here to offend, so its suitable for the entire family, but its by no means juvenile comedy. The story begins with the title card "Once upon a time there was this red suitcase..."; actually there are four of them and that's the gist of the story. Stuffy college professor Howard Bannister (O'Neal) and his uptight fiance Eunice Burns (hilariously played by Madeline Khan, in her film debut) come to San Francisco for a musicologists convention (Howard is carrying one of the suitcases). Once there, Bannister meets Judy Maxwell (Streisand) a college drop-out who meets Howard in the hotel giftshop (and also has a suitcase just like Howard's). Also in the hotel is a wealthy woman (with another of the red suitcases, her's filled with diamonds) and a man running from the government (with documents in another red suitcase). Get the idea; yes the bags get mixed up and produces some hilarious situations along the way. The entire cast blends so well with one another and this is one of those little gem movies that everyone deserves to see at least once. Look for Sorrell Booke (who would later gain fame as Boss Hogg on "The Dukes Of Hazzard") as the hotel security guard.
Great 70s comedy stars Barbra Streisand and Ryan O'Neal in a remake of the classic BRINGING UP BABY with bits of TO HAVE AND HAVE NOT and CASABLANCA thrown in. Fun all the way in this updated story that has O'Neal playing a doofus professor up for a grant and Streisand as the madcap college dropout who plagues him. Madeline Kahn is hilarious as Eunice Burns.
A great team---and backed by Kenneth Mars, Austin Pendleton, Michael Murphy, Sorrell Booke, Mabel Albertson, Graham Jarvis, John Hillerman, Randy Quaid, and especially Liam Dunn as the judge, in one of the best comedy performances ever. Great chase scenes thru San Francisco. The court room scene is hilarious.
Others in the cast include Garahm Jarvis, M. Emmet Walsh, Eleanor Zee, Philip Roth, Stefan Gierasch, Stan Ross, and Kevin O'Neal.
Streisand sings "You're the Top" over the opening credits and "As Time Goes By" from atop a piano. Funny film has perfect timing all the way, thanks to direction from Peter Bogdanovich. A must see.
A great team---and backed by Kenneth Mars, Austin Pendleton, Michael Murphy, Sorrell Booke, Mabel Albertson, Graham Jarvis, John Hillerman, Randy Quaid, and especially Liam Dunn as the judge, in one of the best comedy performances ever. Great chase scenes thru San Francisco. The court room scene is hilarious.
Others in the cast include Garahm Jarvis, M. Emmet Walsh, Eleanor Zee, Philip Roth, Stefan Gierasch, Stan Ross, and Kevin O'Neal.
Streisand sings "You're the Top" over the opening credits and "As Time Goes By" from atop a piano. Funny film has perfect timing all the way, thanks to direction from Peter Bogdanovich. A must see.
Você sabia?
- CuriosidadesAs his part is inspired by the stuffy professor played by Cary Grant in Levada da Breca (1938), Ryan O'Neal met with Grant. The only advice he received was to wear silk underpants.
- Erros de gravaçãoThroughout the film Howard strikes several rocks with tuning forks, and then listens to the tuning fork as if he's expecting a different tone when he hits different rocks. Tuning forks are made to resonate at a fixed pitch, so no matter what object is struck with the fork, it will always sound the same.
- Cenas durante ou pós-créditosThe opening and closing credits are shown printed in a large book whose pages are turned by a woman's expressive hand. The opening credits conclude with the last page showing a drawing of a plaid overnight bag with the prologue: "Once upon a time, there was a plaid overnight case..." The drawing dissolves into the opening scene of the same overnight case in an airport baggage claim shelf.
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Esta Pequena é uma Parada
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 66.000.000
- Faturamento bruto mundial
- US$ 66.006.455
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By what name was Essa Pequena é uma Parada (1972) officially released in India in English?
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