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IMDbPro

Um Dia dos Diabos

Título original: Une journée bien remplie ou Neuf meurtres insolites dans une même journée par un seul homme dont ce n'est pas le métier
  • 1973
  • 1 h 35 min
AVALIAÇÃO DA IMDb
6,8/10
495
SUA AVALIAÇÃO
Um Dia dos Diabos (1973)
Dark ComedyComedyCrime

Adicionar um enredo no seu idiomaA father plans to kill, in the same day, the nine members of the jury who had condemned his son to the death sentence.A father plans to kill, in the same day, the nine members of the jury who had condemned his son to the death sentence.A father plans to kill, in the same day, the nine members of the jury who had condemned his son to the death sentence.

  • Direção
    • Jean-Louis Trintignant
  • Roteiristas
    • Jean-Louis Trintignant
    • Vincenzo Labella
  • Artistas
    • Jacques Dufilho
    • Luce Marquand
    • Franco Pesce
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    495
    SUA AVALIAÇÃO
    • Direção
      • Jean-Louis Trintignant
    • Roteiristas
      • Jean-Louis Trintignant
      • Vincenzo Labella
    • Artistas
      • Jacques Dufilho
      • Luce Marquand
      • Franco Pesce
    • 9Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos27

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    Elenco principal38

    Editar
    Jacques Dufilho
    Jacques Dufilho
    • Jean Rousseau
    Luce Marquand
    • La Mère Rousseau
    Franco Pesce
    • Le père de Jean Rousseau
    Albin Guichard
    • Jean Rousseau, 15 ans plus tôt
    Andrée Bernard
    Andrée Bernard
    • La mère Rousseau, 15 ans plus tôt
    Louis Malignon
    • Le père Rousseau, 15 ans plus tôt
    T. Requenae
    • Le fils Fernand Rousseau, 15 ans plus tôt
    Jacques Doniol-Valcroze
    Jacques Doniol-Valcroze
    • Le juré Jacquemont, l'acteur jouant Hamlet
    Antoine Marin
    • Le Juré Albert Roux…
    Pierre Dominique
    • Le juré maître-nageur
    Vittorio Caprioli
    Vittorio Caprioli
    • Le Juré Mangiavacca
    Gisèle Abetissian
    • Mme la jurée Veuve Lacour
    Gérard Streiff
    • M. le juré Person
    Maurice Duc
    • M. le juré Leluc
    Manuel Segura
    • M. le juré Sauler
    Denise Péron
    Denise Péron
    • Mademoiselle la jurée Bertrand
    Jacques Ouvrier
    • L'Acteur jouant le Roi
    Mireille Chantal
    • L'Actrice jouant la Reine
    • Direção
      • Jean-Louis Trintignant
    • Roteiristas
      • Jean-Louis Trintignant
      • Vincenzo Labella
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários9

    6,8495
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    Avaliações em destaque

    7christopher-underwood

    What a crazy film!

    What a crazy film! Writer/Director Jean-Louis Trintignant clearly enjoyed himself here. There is barely a scene that does not scream with glee at the sheer audacity and anarchic inevitability as the remarkable Jacques Dufilho utterly convinces as a man with a mission. And what a mission- to kill nine people in as imaginative ways as possible and there is method in his madness. Apart from the mad story we have the most amazing visuals and in this marvellous mix of Alejandro Jodorowsky and Jacques Tati, a wondrous black comedy that constantly startles and surprises. Possibly a little stretched, always a problem for a one idea film but something very different and well worth a watch. Bruno Nicolai also most effective, especially when it creeps into the screenplay with a reference on the radio in the car of a man about to die.
    6SnoopyStyle

    really interesting

    Jean Rousseau is traveling around France with his mother in his side-car. He kills individuals in unusual ways and shows his victims a picture of a chubby young man. It turns out that the victims are the nine jury members who convicted his son to a death sentence.

    It's an interesting French-Italian black comedy. I just didn't find it compelling. It needs some dialogue especially between Jean and his mother. That's the missed opportunity. It needs some back and forth. They could be bickering. They need to be funny. Some of the kills are fun. It's a really interesting idea, but it's missing the writing.
    Dr_Nightfly

    A film never to forget - 20 years ahead of its time

    I think I have seen this movie as a boy, as it was released, and, later on TV, many years after. It is astounding. A precursor of many trends which would be apparent and more commonplace two decades later. For example, the opening scene: the first victim is killed at a car wrecking lot with a violence and detachment reminiscent of a Tarantino movie.

    Amazing soundtrack - which gets intertwined with the actual story of the movie when a piece is announced as "the hunter" on the radio of the vehicle of one of the last victims, a hunter himself. Makes you think that both victim and assassin are hearing it and gets you emotionally in the middle of the action, sharing the raw fear and excitement of the only victim who is forewarned of the threat and at least has the means to fight back. The main title is an unforgettable tune which stays with you much after you finished watching.

    A road movie - using all the most improbable means of transportation and amazingly minimalist but effective stunt driving (I was not aware of Trintignant being the director and writer until I saw the file on IMDb - which would explain mastery of this aspect of the movie...).

    What amazed me most was that even when you know why the apparently innocuous baker - a fantastic Jacques Dufilho - kills with no signs of remorse whatsoever all of those people, one finds himself in his shoes and becomes convinced that his was truly "Une journée bien remplie" - a well spent day. And anticipates (with a sarcastic grin) the one that grandpa Rousseau will soon spend too....
    dbdumonteil

    Rousseau's busy day

    Four comments on a movie which has fallen into oblivion in its native country; among the four -positive,quite rightly so- reviews,no one comes from Trintignant's land .

    The first of the two movies the famous actor has directed (for the record,the second is "Le Maître Nageur " ) the movie belongs to the handful of works which goes off the beaten track ,a thousand miles away from the French seventies film scene.

    The subject is close to that of Douglas Hickox's "theater of blood" (released the same year,coincidence)in which Denis Price and his daughter( Diana Rigg )slew all the panel of judges who had refused to give the actor the award ,imitating Shakespeare's tragedies

    Shakespeare is also present in Trintignant's work ;the actor/director appears himself in a cameo :he directs "Hamlet" and delivers this excellent line" You don't make an "Hamlet" without breaking eggs" ,in French of course ,for the French language uses the same expression.

    But "Une Journée Bien Remplie " is given a very different treatment,sometimes amateurish,sometimes self-conscious ,but never "politically correct" -and with his gruesome farce,it may be possible that Trintignant wanted to express his disgust for death penalty and the "right" some people have to send their fellow men to the guillotine -one must remember that death penalty was abolished by François Mitterrand in 1981- .And the "A Suivre" (= to be continued) of the final cast and credits might indicate that grandpa is ready to take over from the baker (and not for bread and croissants).

    The absence of star may explain the complete commercial failure of the effort;nevertheless Jacques Dufilho is well known over here: a stage actor,he was almost always given supporting parts ( in a career which spans four decades)for his physical appearance is not what you call bankable.In the only film in which he plays the lead,he looks so much the part I do not really know who else Trintignant could have cast in the part of this deadpan cynical dispenser of justice ;dressed in black, in a black motorcycle and sidecar ,almost always silent ,in a movie which is half silent anyway.Editing is often disturbing, Trintignant often denies his audience the suspense and if he depicts the murder in the hospital in lavish details,some of them are told by the radio -and we can appreciate the brilliant superintendent 's deductive reasoning ! The director even allows himself ,when the murderer listens to the radio ,to announce :"the track you've just heard is taken from the "Une Journée Bien Remplie" movie score " ;the black humor is constant:" Five at noon! says grandpa,you're on schedule!"

    Noblesse Oblige ! (kind hearts and coronets)
    10clive.shaw

    One of the most understated French Black-Humour Films

    I've only seen this film once, over 10 years ago on night-time TV but it has stuck firmly in my mind ever since. It begins with quite a surreal touch, you don't really know whats going on until the last 10 minutes. It follows a psycho as he goes on a murdering spree across France, killing Garage attendents, Life Guards, Actors in the most brutal, Penelope Pitstop contrived situations, ie locking the Garage attendent in his paint-oven.

    All these murders are unlinked until the final 10 minutes when we discover that they are actually members of a Jury about to condemn his son, the final scence...well, I'll leave that for you.

    It's black-humour at it's best, a French genre film at it's best but still, I've never seen it available on video, if anyone knows where I can source it I will be a happy man for ever more.

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    • Curiosidades
      Andrée Bernard's debut.
    • Conexões
      Featured in Legendy mirovogo kino: Jean-Louis Trintignant

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    Detalhes

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    • Data de lançamento
      • 8 de março de 1973 (França)
    • Países de origem
      • França
      • Itália
    • Idioma
      • Francês
    • Também conhecido como
      • A Full Day's Work
    • Locações de filme
      • Théâtre Antique d'Orange, Orange, Vaucluse, França(theatre)
    • Empresas de produção
      • Cinétel
      • Euro International Films
      • Président Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 35 minutos
    • Mixagem de som
      • Mono

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