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This is a cute little movie that is of"B" quality but better than most and certainly better than most TV Movies. In the story there is a beautiful Doberman named Murphy who is believed killed someone. I won't disclose the ending. There is a chemistry among all the actors that keep the movie together. I read lately that this was the last movie that this particular movie company made before the backlot was bulldozed for another use. I had a Doberman after this movie and I called him Murphy in memory of him. Absolutely worth watching at least once. Not to be confused with the other James Garner movie called "Murphy's Romance".

I agree wholeheartedly that this film is a screen writing mess, a rest home for aging once-great or near-great stars, and some of the sleaziest plot twists ever to come out of a pre-1975 MGM movie. Nonetheless, I also must confess being, at times, enamored with the film for brief periods of time. James Garner plays a sheriff in a small town out to find out what happened to a woman's body washed up to shore that had seemingly been attacked by her Doberman. the dog is assumed to be the culprit, but soon new evidence shows Garner that the woman led a secret life full of sex secrets with members of the town of both sexes. Anyway, we get lesbian overtones, three some references, love triangles, and so much more than you might expect in a film that was the last to be shot in MGM's Lot #2 with old friends like Arthur O' Connell, Ann Rutherford, Edmond O'Brien, Peter Lawford, June Allyson, and Tom Ewell showing up either in featured roles of cameos. Hal Holbrook plays a vet and adds some subtle subtext to the story despite the bizarre story he is involved with. Don't try to make too much sense out of what is going on and things will at least be adequate to get you through the film. Garner as always is a pleasure. Katherine Ross plays a lead role and the love interest(hard to believe she will be 70 in January!).

One has to wonder if David Lynch was inspired by this film when developing his cult-favorite TV series "Twin Peaks". Similarities abound (dead female washes ashore, sleepy town with ugly sexual underbelly, inept police force, quirky citizens, references to pie, to name a few....) Garner plays the police chief of a small coastal town called Eden Landing (mostly represented by the MGM backlot!) When a divorcée is found along the shore with her Doberman at attendance and bite marks all over her, it is presumed that the dog killed her. However, he soon realizes that someone else is involved. Through his investigation, he interacts with quirky locals who are portrayed by a plethora of old time movie stars (some of whom hadn't worked on screen in years.) O'Brien looks really unhealthy and only worked another year or two after this. Ewell (who once flirted on screen with Marilyn Monroe) is also looking really rough. (Trivia: Evelyn Keyes played his wife in "The Seven Year Itch" and Anne Rutherford does so here, so he played husband to both of Scarlett O'Hara's sisters from GWTW.) Lawford is rail thin and knee-deep in the "mod" look he would later take even further. The worst injustice is saved for Allyson. Her character is completely, totally unbelievable and underdeveloped. Things had definitely changed since she and Lawford filmed "Good News" on the same backlot! Garner is aided somewhat by veterinarian Ross (whose lab coat is longer than her mini-skirts) and to a lesser degree by bumbling Connelly and Guardino as a trigger happy state police captain. Holbrook gives another one of his wonderful performances in which it's impossible to tell if he's good or bad. The script is trashy and occasionally meandering. If anyone wants to hear Garner and Ross toss around words like "faggot" and "dyke", here's the chance. Or try a drinking game. Every time someone says "neat", do a shot. Most folks will be under the table by half time. Nearly everyone who doesn't live in Eden Landing is presented as either a troublemaker or a sex fiend. This gives the film a certain oddity value. Not only do the characters think of outsiders as freaks, but the filmmakers seem to feel that way too! (Witness Lawford's girlfriend and the bizarre barroom brawl started by two out of town punks, one of whom actually wears a huge measure of chain around his neck!) The film also serves as a time capsule for horrible '70's decor. Check out the beach house's kitchen and its foil wallpapered bathroom!

James Garner is the police chief of a small town. A woman turns up dead, and it's accepted that her own dog, a doberman, killed her. As he investigates the matter, however, new facts come into focus that exonerate the animal..... and makes his own loneliness apparent to him.

It's a pleasant little romance with Garner in modern dress, looking a little seedy as he and Katherine Ross fall in love with each other. It's a very minor effort, but it's eked out nicely with many small roles taken by familiar faces: Hal Holbrook, Harry Guardino, JUne Allyson, Peter Lawford, Edmond O'Brien, Ann Rutherford..... is this where old MGM stars retire to?

It was better than it should have been. It seems like it was first slated as a movie-of-the-week but then an fading MGM figured to score some box office bucks with the gimmick of this being one of their last movies shot on a studio lot. Casting MGM veterans in small parts helped some but, this being a detective movie, Jim Garner has to carry it all the way. Which he does with his usual aplomb.

It's a movie of its time. It's a small-town murder mystery with a back story which might have come from a Playboy or Penthouse fiction piece; the type no major studio would have looked at just three years earlier (it was made in 1972), let alone in MGM's heyday.

Faults aside, this movie has its interesting plot twists ratcheting up what little tension there is, so I was hooked until the end. But a loose-end or two are never answered - where did the fresh water come from? And if it was from the bath tub, was any fluoridation found? What happened to Peter Lawford's girlfriend? In one scene she's waving hello with her generous bust; in the next - a crucial one involving PL's character - there's patently no trace of her nor does anyone ask. Eh?

Hal Holbrook and Katherine Ross form the remainder of the troika of leads; Holbrook as the county vet and Ross as his long-haired, long-legged assistant from New York. In other words, she's really there to become romantically involved with Garner's character (a cinematic must.)

Harry Guardino's county sheriff brings in his boys when things get tricky but to no any real effect except the last scene. Garner's character never feels the case slipping away from him or the noose tightening as with Humphrey Bogart's Sam Spade in 'The Maltese Falcon.'

June Allyson has a cameo, bringing in yet another plot twist. A better screenwriter and/or director would have put her in more of the picture. Her brief presence lights up the screen far more than the rest of the cast combined - maybe she should have played the detective.