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IMDbPro

Exorcismo Num Fio de Navalha

Título original: Passi di danza su una lama di rasoio
  • 1973
  • Not Rated
  • 1 h 24 min
AVALIAÇÃO DA IMDb
5,7/10
934
SUA AVALIAÇÃO
Exorcismo Num Fio de Navalha (1973)
Slasher HorrorHorrorMysteryThriller

Adicionar um enredo no seu idiomaA photographer witnesses a murder through a telescope but can't identify the killer. She reports it to police, but other witnesses are found murdered. She may be the next target.A photographer witnesses a murder through a telescope but can't identify the killer. She reports it to police, but other witnesses are found murdered. She may be the next target.A photographer witnesses a murder through a telescope but can't identify the killer. She reports it to police, but other witnesses are found murdered. She may be the next target.

  • Direção
    • Maurizio Pradeaux
  • Roteiristas
    • Arpad DeRiso
    • Maurizio Pradeaux
    • Alfonso Balcázar
  • Artistas
    • Robert Hoffmann
    • Nieves Navarro
    • Jorge Martín
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    934
    SUA AVALIAÇÃO
    • Direção
      • Maurizio Pradeaux
    • Roteiristas
      • Arpad DeRiso
      • Maurizio Pradeaux
      • Alfonso Balcázar
    • Artistas
      • Robert Hoffmann
      • Nieves Navarro
      • Jorge Martín
    • 30Avaliações de usuários
    • 24Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos70

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 66
    Ver pôster

    Elenco principal20

    Editar
    Robert Hoffmann
    Robert Hoffmann
    • Alberto Morosini
    Nieves Navarro
    Nieves Navarro
    • Kitty
    • (as Susan Scott)
    Jorge Martín
    • Inspector Merughi
    • (as George Martin)
    Anuska Borova
    • Lidia Arrighi…
    Serafino Profumo
    Serafino Profumo
    Simón Andreu
    Simón Andreu
    • Marco
    Anna Liberati
    • Secretary at dance academy
    Rosita Torosh
    Rosita Torosh
    • Nina Ferretti
    • (as Rosita Toros)
    Cristina Tamborra
    • Magda Hopkins
    Nerina Montagnani
    • Marta Gwery
    Orlando Baralla
    • Generale
    Gianni Pulone
    • Fireman
    • (as Giovanni Pulone)
    Sal Borgese
    Sal Borgese
    • Asdrubale Magno
    • (as Salvatore Borgese)
    Rodolfo Lolli
    • Lolli - the Inspector's assistant
    Carlo Carli
    Augusto Funari
    • Ragazzo Nel Parco
    • (não creditado)
    Sofia Lusy
    Sofia Lusy
    • Cleaning Lady
    • (não creditado)
    Elisa Mainardi
    Elisa Mainardi
    • Direttrice dell'accademia di danza
    • (não creditado)
    • Direção
      • Maurizio Pradeaux
    • Roteiristas
      • Arpad DeRiso
      • Maurizio Pradeaux
      • Alfonso Balcázar
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários30

    5,7934
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    Avaliações em destaque

    7lancepv

    Recommended to fans of Bava

    One of the better Italian slasher flicks of it's time.

    Interesting use of color and editing. The story is rather typical but it moves about quickly enough. If you enjoy the earlier Argento flicks, Bava or even Fulci's "Don't torture a ducking" you should enjoy this.
    6Coventry

    Razor blade? Check! Misogyny? Check! Everything else? Check!

    The name Maurizio Pradeaux probably won't ever be written in the annals of cinematic history, but he will at least be remembered by the true lovers of Italian gialli for his two contributions "Death Steps in the Dark" and "Death Carries a Cane". The former was released in 1977, already after the heyday of the gialli, and tries to be successful through mixing the whodunit-mystery plot with slapstick elements. The latter is from the absolute peak-year 1973 and is an exemplary giallo from every possible viewpoint! The plot, the disguise and modus operandi of the killer, the red herrings, the gratuitous nudity … it's all prototypic and by-the-numbers giallo material. But personally I couldn't care less. Quite the contrary, in fact, I tremendously enjoyed "Death Carries a Cane" although – admittedly – the plot twists are slightly too transparent and I would have preferred an even higher body count. Whilst waiting for her lover, photographer Kitty looks through a tourist telescope and witnesses the brutal murder of a pretty girl by a maniac dressed in black. Nobody believes her, of course, and it takes quite a while before the police find the body. It even takes so long that the killer also has the time to eliminate two other witnesses, namely a chestnut vendor (no, it's not Tom Savini) and a greedy cleaning lady. Eventually another pretty ballerina gets killed and the police are on the lookout for a crippled killer, because they found the print of a cane in the blood. Kitty's lover Alberto is the prime suspect, because he's an artist who stabs mannequin dolls for pleasure and he just happened to hurt his ankle. It's actually rather easy to guess who the killer is, and I don't quite know if this is because I've seen far too many gialli, or because the plot is really predictable. I suppose option number two… Still, you have to watch this film for it's hilarious politically incorrect dialogs ("Take a look at my girlfriend's pictures, it's the only thing she does well aside from making love…"), the bloody razor blade massacres and the nudity provided by one-hit-wonder Anuska Borova!
    4Bunuel1976

    DEATH CARRIES A CANE (Maurizio Pradeaux, 1972) **

    This is a rather mediocre giallo, yet another one co-starring Susan Scott and Simon Andreu; though not a Luciano Ercoli film, it would place somewhere between his two DEATH WALKS titles.

    The backdrop for the mystery this time around is a dance academy - hence the original title, which translates to DANCE STEPS ON A RAZOR'S BLADE; the English one, then, refers to the fact that the killer is ostensibly lame. Among its roster of artistically-oriented(!) characters is a photographer (Scott), her special-effects technician boyfriend Robert Hoffman, a musician/producer played by Andreu and Anuska Borova as a scoop-seeking female reporter (who has a twin sister, a former dancer whose colleagues are being brutally murdered!). George Martin(!), who plays the Police Inspector, also co-wrote the script with the director; his face seemed oddly familiar to me but, looking at his filmography on the IMDb, I only recognized the fine Spaghetti Western THE RETURN OF RINGO (1965) - which, incidentally, also featured Scott (under her original Spanish name of Nieves Navarro)!

    The film provides plenty of red herrings throughout, but the final revelation is so abruptly presented as to be practically unintelligible! As was the case with THE FORBIDDEN PHOTOS OF A LADY ABOVE SUSPICION (1970), Scott is decked out in some horrendous 70s fashions (worst of all an over-sized cap like the one Jack Nicholson - in The Joker's guise - would wear in BATMAN [1989]!). Besides, the film's overall visual style is pretty uninspired (apart from the stalkings, done from the killer's POV), with its eye squarely on the narrative's exploitable elements - witness the numerous wholly gratuitous sex scenes, and even featuring a dance pirouette that culminates in a striptease! The dubbing, too, is among the worst I've had to sit through for this type of film. Roberto Pregadio's score is pretty nice, though - whose main theme, in keeping with the musical elements of the plot, is turned into a recurring motif.
    5Mathis_Vogel

    a routine giallo

    Susan Scott of "Death walks at midnight" and "Orgasmo Nero" fame stars in this fairly unremarkable entry into the giallo genre directed by Maurizio Pradeaux. She witnesses a murder of a girl through a telescope, but fails to see the killer's face (who's dressed in typical giallo fashion). With the help of her boyfriend (Robert Hoffman from Umberto Lenzi's "Spasmo") she starts her investigation, while the killer proceeds to cut the witnesses' throats with a straight razor. There's nothing special about 'Death Walks With a Cane', it's a routine giallo with little originality about it. You've got all the usual stuff here: violent murders, weird characters,crazy plot twists, but there's still something missing. Firstly - suspense, the movie is pretty damn low on thrills. Secondly - sense of style. What kind of giallo is this without stylish locations? The story is supposed to be taking place in Rome, but the action mainly revolves in some un-photogeic back streets. No gorgeous architecture,just old shacks. The most upsetting thing about the film is the camera-work: flat and uninspired, with lots of pointless zooms and occasionally out of focus. Only during the murder scenes do the proceedings look a little more lively with some nice camera angles. The murders are gory and quite well executed. The score for the film composed by Roberto Pregadio isn't progressive or groovy or pounding or anything at all. Merely generic. There's a good deal of nudity in 'Death Walks With a Cane'. Robert Hoffman (who was just excellent in "Spasmo") and Scott do what they can with the material they're given, battling through some hysterically funny dialogue. The supporting cast includes Simon Andreu and Luciano Rossi who's always played demented creeps in westerns and police films. Sadly, this time Luciano Rossi is wasted as just one more red herring. The film isn't great, still worth a look for giallo fans but had a potential to be a lot better. If you want to see the same cast in a decent film, watch "Death walks at midnight".
    5chrichtonsworld

    Just a little above average!

    "Death Carries a Cane" does a pretty good job in misleading and misdirecting you. So you never know who the killer is until the ending. But the motive given for the killer doesn't make any sense. With much more effort that could have made this movie into a classic. Also some scenes did not make sense at all. Like there were scenes cut out that have to give a logical explanation for what they are doing in the scene. This giallo might be a tad sleazy for some but in a healthy way. Because the women in this move are pretty attractive. Especially Nieves Navarro (or Susan Scott). There is something about this woman that screams sophistication. All the more hilarious later on when she is being made fun of towards the end. Overall not the most impressive giallo still a good one for a rainy Sunday.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      It is the rare giallo that features more than one brand of cigarettes. Here the dancer smokes Astors, basically to cigarettes what jb is to scotch in these things, while Lidia smokes the rarely seen Lord brand.
    • Erros de gravação
      The audio goes from one end of the keyboard to the other, back and forth, keys struck in a very percussive manner, while visually Marco's hands and eyes never leave the keys directly in front of him, looking sort of like he's kneading a loaf of bread. And when one hand leaves the keyboard to caress Lidia's face, two hands are still heard playing on the audio.
    • Citações

      John in car: [reacting to Kitty's charge for "services"] 100,000? 100,000 times up yours, asshole!

    • Versões alternativas
      German version was edited for violence to avoid being confiscated & banned, however it did get BPjM indexed though. Only in 2007 was the movie removed from the index list and shortly afterwards the uncut version was granted a FSK-16 rating.
    • Conexões
      Features Roleta Russa (1967)

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    Perguntas frequentes14

    • How long is Death Carries a Cane?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 5 de janeiro de 1973 (Itália)
    • Países de origem
      • Itália
      • Espanha
    • Idioma
      • Italiano
    • Também conhecido como
      • Death Carries a Cane
    • Locações de filme
      • Civitavecchia, Roma, Lazio, Itália
    • Empresas de produção
      • Balcázar Producciones Cinematográficas
      • Società Europea Films Internazionali Cinematografica (SEFI)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 24 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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