A Morte Sorriu para o Assassino

Death Smiled at Murder (1973)

** (out of 4)

Joe D'Amato directed this extremely bizarre and downright confusing film that tries to mix Gothic horror with the giallo. I'm not exactly sure what the hell the film is about but it goes something like this. After a carriage wreck, a young woman (Ewa Aulin) is left without her memory so she stays with a husband and wife who both take a sexual liking to her. There's also a strange murderer going around and there's also a weird doctor (Klaus Kinski) who is trying to create a formula that will bring the dead back to life. Before long, the wife kills the young woman but soon she reappears. Is it a ghost or something else? As I said, this film makes absolutely no sense whatsoever. There are several other story lines that I could have included in the plot but I'm not exactly sure what they had to do with anything either. D'Amato does a good job with the cinematography, which added with the music score makes for some nice atmosphere. Aulin is easy on the eyes and delivers the best performance in the film but overall this thing it too much of a mess to really enjoy. The film's pace, although gets quite tiresome after a while.

Joe D'Amato gets a hard time for being a trashy director due to those porn films he made, but he often delved into other genres, and when he got them right, he often blew away the competition. This film, his official debut film (as he did a few Bava-style completion jobs for other directors) is a crazy mix of Gothic Horror and Giallo, and it's a beauty. Also, some people call it confusing, but it's not at all.

At first we see brother Luciano Rossi lamenting the death of his sister Greta, plus we also get a flashback that shows that the relationship was a bit...er...intimate. Next thing you know, Greta's alive and getting involved in a carriage crash outside one of those huge mansions you get in 99% of these films. She's taken in by a sister and brother and examined by doctor Klaus Kinski. Now, Kinski is freaky enough looking, but when he leans over Greta all his veins stick out on his head, and he looks like a Klingon! I digress - Klaus finds a weird necklace on Greta, takes a pin and sticks it through her eyeball, and then leaves, thoughtful. Greta strangely shows no affects of having a pin shoved through her eye and sets her sights on bedding both the brother and the sister.

Around this time it appears that Luciano Rossi is kicking about stalking a member of staff at the mansion who receives a very gory shotgun blast to the face. Yes, someone is out to kill everyone, but is it the creepy butler guy who is spying on everyone? Or the jealous sister, who tries to drown Greta in the bath, then beds her. It's not Klaus Kinski though, because he manages, using something on that weird necklace Greta had, to create a formula that can bring the dead back to life, which not only gets him killed by a mystery person, but also his assistant, and the poor corpse he brought back to life!

I'll stop there with the plot, because what first appears to be a kind of period Giallo ends up being far more sinister. It's like Joe D'Amato thought the genre wasn't strange or gory enough, and packs the film with people with their guts or brains hanging out, others nailed to walls, having their faces slashed to ribbons, or having their eyeballs pulled out by a cat. Being Joe, he doesn't skimp on the sex either, as Greta gets it on with just about everybody. You also get two creepy actors for the price of one, with Kinski and Rossi getting their own space to roll their eyes and be weird. Giacomo Rossi-Stuart looks depressingly aged in this film for some reason.

So once again Joe comes out on top like he did later in the post-apocalyptic genre with Endgame and 2020:Texas Gladiators, and the classic video nasty Anthropophagus. Maybe not so much with Ator The Fighting Eagle, which is a PG rated Conan rip-off that is great for all the wrong reasons.

'Death Smiles on a Murderer' is a 1973 horror/giallo hybrid with a rich gothic setting bathed in an unnerving dreamlike atmosphere with stylish set-pieces, a non-linear storyline that's both confusing and intriguing at the same time. The camerawork has a lot of cool yet bizarre shots which adds more to the strangeness of this flick and the direction by Joe D'Amato is really strong with stunning cinematography work which makes every scene pop in the way it should.

The plot set in the early 1900's where a mysterious young woman Greta (Ewa Aulin) whose carriage crashes outside the Ravensbruck mansion and not remembering who she is, is soon taken in by the wealthy couple Mr & Mrs Von Ravensbruck. Soon the three of them enter into a dangerous love triangle, and soon it is revealed that Greta is there to take revenge on the family as the plot further unfolds.

I do admit that if you don't read the plot synopsis before watching this movie, then things get's really confusing due to it's oddly structured storyline that jumps around a lot with quickfire pacing that could allowed more time to breathe which makes the whole thing rather uneven as a whole. But there's enough thrills and surprises to keep you interested throughout with effective set pieces and a great cast of characters thrown together in this rather strange and unique world.

Ewa Aulin is fantastic as Greta who has a wonderful alluring quality to her mysterious character and Klaus Kinski is another firm standout as the mad scientist and gives a wonderfully creepy performance, and actually wanted more of him throughout, but the interesting subplot was cut rather short. Luciano Rossi as the brother Franz is quite effective and terrifying in his short screen time yet makes a firm impression.

Overall 'Death Smiles on a Murderer' is a pretty decent flick with an unusual structure that may not appeal to everyone, but it's an okay effort all round.

Death Smiles on a Murderer is not your average Joe D'Amato film. The prolific Italian director made a name for himself by directing cheap, trashy productions; and while this film isn't exactly "high quality" (in the usual sense of the word), it's certainly a lot classier than your average D'Amato sleaze. The film mixes Gothic horror, zombies and Giallo elements into a cocktail of the popular genres of the early seventies. As you might expect considering the heavy fusing of multiple genres, the film isn't always coherent; and despite the fact that it could be considered a classy film, D'Amato has still seen fit to insert some trashy gore sequences. The result is a mixed bag. The somewhat confusing plot focuses on a young woman called Greta. She is involved in a coach accident which leaves the driver dead after he is impaled. Greta is then taken in by a couple who seem to become strangely fascinated by her. Around the same time, there's also a doctor working on a formula to bring the dead back to life, and this somehow connects through flashbacks...

The setting and atmosphere are the key element of the film. Death Smiles on a Murderer is very well photographed and every frame in the film is great to look at. This serves the film well as it ensures that it remains interesting even when the plot starts to dry up. The plot itself takes influence from a range of sources, but most recognisably the great Edgar Allen Poe with several themes from the highly influential "The Black Cat". The head of the cast list is Klaus Kinski - but unfortunately, he doesn't appear in the film for long at all and he isn't given much to do with the screen time he does get, which is a shame. The leading ladies are Ewa Aulin and Angela Bo, and while neither of them stand out for their acting; they both look nice. The special effects don't really suit the film and Joe D'Amato probably would have been better advised to cut down on the bloodshed - but I can't complain too much because the gore does make the film more fun. Overall, I can't say I was overly impressed with Death Smiles on a Murderer - it looks nice and has its moments, but it's not put together well enough to be one of the great Italian horror films.

Death Smiles at Murder-Aristide Massaccesi (aka Joe D'Amato) This is not your typical D'Amato movie, if there is such a thing. There's graphic violence, a little gore, but nothing really over the top. But what this movie has, is a little style and maybe even ~~gasp~~ some class. It's very confusing, and includes everything from reanimation, to a three way love affair, to a murder mystery. The basic plot is about a young beautiful woman Greta, who shows up at a Villa and is involved in a horse carriage accident which impales the driver. A couple take her in since she has developed amnesia. There's a series of flashbacks that attempt to cast some Intel on who she is, but not why she is there. Klaus Kinski has a small role as the doctor who attends to her, but has a totally different agenda which deals with a concoction he's working on to bring back the dead. Soon the movie gets even more bizarre and even takes a little from Poe's "Black Cat". Everything looks pretty damn good in this movie, the sets, the actors, and the main thing I noticed is the main theme to the soundtrack is straight out of "Suspiria". In fact, you could pretty much say ~~stolen from Suspiria~~.

Both the Husband and his Wife fall in love with Greta, and the Wife especially turns out to be rather jealous and walls up Greta in the dungeon. After that some even more bizarre happenings occurs resulting in the gruesome death of the Wife. But what happened to the walled up Greta? Well, that little chore is up to the local Police Inspector, and he hasn't got a clue as to what is going on, because Greta has vanished. This all culminates in a fairly good, if not confusing, ending that seems to put most of pieces back in order.