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5,7/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.
- Direção
- Roteiristas
- Artistas
Federico Boido
- Slim
- (as Rick Boyd)
Avaliações em destaque
Shanghai Joe is just a regular Chinese guy who has moved to America to get a good job and live the dream. Sadly for Joe everyone he comes across is a racist moron who don't want Joe to get anywhere. Sadly for them Joe tends to lose his rag and beat everyone who crosses him into submission.
This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.
Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.
I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.
Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.
This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.
Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.
I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.
Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.
"The Fight Fists of Shanghai Joe" (1973) sounds like one of those awful genre bending films that repeatedly crop up over the years; however this kung-fu Spaghetti Western is actually pretty decent and has certain similarities with the television series "Kung Fu" with David Carradine. It is directed by Mario Caiano, who made a number of Spaghetti Westerns, and stars Chen Lee as the eponymous Shanghai Joe.
The story is straightforward, almost verging on the simplistic. Joe is a recent immigrant from China to San Francisco, where, in search of work, he heads to Texas. Here he gets on the wrong side of a powerful, racist rancher, Stanley Spencer (Piero Lulli), after he witnesses the massacre of Mexican slave labourers.
This Western tries to say some interesting things about the West, and how Chinese immigrants helped do a lot of the "dirty" jobs that Whites wouldn't do. Sadly, most of this is drowned under its comic book style and some pretty bad kung-fu. Yet it does have some good parts: most of the action scenes come with Peckinpah-esque slow motion and exploding, bloody squids. Some of the violence is pretty strong too, with Lee pulling a bad guy's eyes out on screen. But due to its light-hearted mode, it never feels dark or repellent. In fact, it is all rather comic, lacking the seriousness as "Django Kill, If You Live, Shoot!" (1967) has from its strong violence.
Acting wise, Chen Lee is probably as wooden as his martial arts, but Piero Lulli makes a fine villain and Klaus Kinski's virtually cameo-like role is memorable. The scene where the Mexicans are killed is well-directed, as are a number of other action scenes, sufficient enough to make sure that the Western is at least fast paced.
It isn't a brilliant piece of cinema, but as the Spaghetti Western genre went down the drains, it is refreshingly old fashioned in a way, occasionally recalling the past Golden Era of the late sixties that makes it worth checking out for the Spaghetti Western enthusiast.
The story is straightforward, almost verging on the simplistic. Joe is a recent immigrant from China to San Francisco, where, in search of work, he heads to Texas. Here he gets on the wrong side of a powerful, racist rancher, Stanley Spencer (Piero Lulli), after he witnesses the massacre of Mexican slave labourers.
This Western tries to say some interesting things about the West, and how Chinese immigrants helped do a lot of the "dirty" jobs that Whites wouldn't do. Sadly, most of this is drowned under its comic book style and some pretty bad kung-fu. Yet it does have some good parts: most of the action scenes come with Peckinpah-esque slow motion and exploding, bloody squids. Some of the violence is pretty strong too, with Lee pulling a bad guy's eyes out on screen. But due to its light-hearted mode, it never feels dark or repellent. In fact, it is all rather comic, lacking the seriousness as "Django Kill, If You Live, Shoot!" (1967) has from its strong violence.
Acting wise, Chen Lee is probably as wooden as his martial arts, but Piero Lulli makes a fine villain and Klaus Kinski's virtually cameo-like role is memorable. The scene where the Mexicans are killed is well-directed, as are a number of other action scenes, sufficient enough to make sure that the Western is at least fast paced.
It isn't a brilliant piece of cinema, but as the Spaghetti Western genre went down the drains, it is refreshingly old fashioned in a way, occasionally recalling the past Golden Era of the late sixties that makes it worth checking out for the Spaghetti Western enthusiast.
This one is a real oddity, a martial arts western, with a small role for the ever evil Klaus Kinski as the bounty hunter set to go and kill our Hero Joe.
Joe arrives in San Francisco, and instead of meeting the people of the land of the free he meets the land of the racists, and his troubles only just start to begin.
Joe is far to nice for his own good, polite and well-mannered, thats until he needs to defend his life and then his fists of fury unleash some retribution.
A lot of fun.
Joe arrives in San Francisco, and instead of meeting the people of the land of the free he meets the land of the racists, and his troubles only just start to begin.
Joe is far to nice for his own good, polite and well-mannered, thats until he needs to defend his life and then his fists of fury unleash some retribution.
A lot of fun.
very weird European take on the Spaghetti western-Kung fu connection that has haunted Hong Kong cinema since Shaw Bros. started using borrowed Ennio Morricone music for their films in the later '60s.
There is much to be said of this weird connection; but for now, let's remark that while "Shanghai Joe" shows really very little understanding of Kung Fu, it shows considerable savvy about Spaghetti Westerns; the action rarely lags, and the heros are heroic, the villains are villainous - yep, a good B-movie all around, perfect Saturday Matinée fare from its era.
(Cinephiles - note the tribute to Sergoi Leone at the end - a definite plus for me.) I agree -fun film of its type & date.
There is much to be said of this weird connection; but for now, let's remark that while "Shanghai Joe" shows really very little understanding of Kung Fu, it shows considerable savvy about Spaghetti Westerns; the action rarely lags, and the heros are heroic, the villains are villainous - yep, a good B-movie all around, perfect Saturday Matinée fare from its era.
(Cinephiles - note the tribute to Sergoi Leone at the end - a definite plus for me.) I agree -fun film of its type & date.
In 1882, spunky Chinese man Shanghai Joe hops atop a stagecoach from San Francisco (subtitle says St. Francisco!) to Texas in order to become a cowboy and ends up having to defend himself against a seemingly endless stream of trash-talking rednecks.
Soon Joe runs afoul of a group of nasty human smugglers who send four colorful hired killers to do him in, including Gordon Mitchell, a cannibal, and scalp-collector Klaus Kinski!
Coming out on the heels of the hit television show "Kung Fu", The Fighting Fists Of Shanghai Joe is a lot better than it's Italian knock-off status would suggest.
It's almost all non-stop action with loads of flying fists and flying lead. Blood, a bit of gore, and a great Ennio Morricone sounding score by Bruno Nicolai all fit the comic book nature of the film quite nicely!
In the title role, Chen Lee is really good and should have been in more movies than he was.
Soon Joe runs afoul of a group of nasty human smugglers who send four colorful hired killers to do him in, including Gordon Mitchell, a cannibal, and scalp-collector Klaus Kinski!
Coming out on the heels of the hit television show "Kung Fu", The Fighting Fists Of Shanghai Joe is a lot better than it's Italian knock-off status would suggest.
It's almost all non-stop action with loads of flying fists and flying lead. Blood, a bit of gore, and a great Ennio Morricone sounding score by Bruno Nicolai all fit the comic book nature of the film quite nicely!
In the title role, Chen Lee is really good and should have been in more movies than he was.
Você sabia?
- CuriosidadesThe scene in which Gordon Mitchell's character sings "Chin-Chin Chinaman" while carrying a shovel was improvised on the spot by Mitchell. He also created the song.
- Erros de gravaçãoIn the scene where Shangai Joe is in the bullfighting arena, at one point a red cape for attracting the bull's attention is visible.
- Citações
Scalper Jack: Do you know who I am?
Doctor: Yes I know and I wish I didn't.
- ConexõesFeatured in Denn sie kennen kein Erbarmen - Der Italowestern (2006)
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- Também conhecido como
- Shanghai Joe
- Locações de filme
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- Tempo de duração
- 1 h 37 min(97 min)
- Mixagem de som
- Proporção
- 2.35 : 1
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