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IMDbPro

Lobo Solitário - Contra os Ventos da Morte

Título original: Kozure Ôkami: Shinikaze ni mukau ubaguruma
  • 1972
  • R
  • 1 h 29 min
AVALIAÇÃO DA IMDb
7,5/10
5,9 mil
SUA AVALIAÇÃO
Lobo Solitário - A Espada da Vingança (1972)
With more spoilers than you can shake a gaffi stick at, this IMDbrief breaks down the wild western premiere of "The Mandalorian" on Disney+.
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Assistir a "The Mandalorian" Takes Star Wars to Wild West of Space
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Adicionar um enredo no seu idiomaOgami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.Ogami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.Ogami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

  • Direção
    • Kenji Misumi
  • Roteiristas
    • Kazuo Koike
    • Goseki Kojima
  • Artistas
    • Tomisaburô Wakayama
    • Gô Katô
    • Yûko Hama
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    5,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Kenji Misumi
    • Roteiristas
      • Kazuo Koike
      • Goseki Kojima
    • Artistas
      • Tomisaburô Wakayama
      • Gô Katô
      • Yûko Hama
    • 31Avaliações de usuários
    • 46Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    "The Mandalorian" Takes Star Wars to Wild West of Space
    Clip 4:02
    "The Mandalorian" Takes Star Wars to Wild West of Space

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    Elenco principal31

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    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Gô Katô
    Gô Katô
    • Magomura Kanbei
    Yûko Hama
    • Koshio Torizo…
    Isao Yamagata
    Isao Yamagata
    • Sawatari Genba
    Michitarô Mizushima
    Michitarô Mizushima
    • Itakura Naizen-no-Sho
    Ichirô Nakatani
    • Yagyu Samurai
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Ogami Daigoro
    Sayoko Katô
    • Omatsu
    Jun Hamamura
    Jun Hamamura
    • Miura Tatewaki
    Daigo Kusano
    Daigo Kusano
    • Kuchiki Rokubei
    Shun'ya Wazaki
    • Ikiji Samon
    Hiroshi Nawa
    Hiroshi Nawa
    • Monkumatsu
    Sakae Umezu
    Sakae Umezu
      Saburô Date
      Saburô Date
      • Swift-style swordsman
      Hatsuo Yamaya
      Hatsuo Yamaya
      Kazuma Otabe
      Yukio Horikita
      Toru Yamaguchi
      • Direção
        • Kenji Misumi
      • Roteiristas
        • Kazuo Koike
        • Goseki Kojima
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários31

      7,55.9K
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      Avaliações em destaque

      6gbill-74877

      A step down

      A step down from the first two films in the series, with a story that felt more disjoint, had flashbacks that didn't really add anything, and which lagged several times. Rape is used yet again as a plot device, and when a guy tidies up the crime by murdering the mother and daughter afterwards, he's congratulated for behavior which "befits a samurai," which was uncomfortable, even considering the moral conflict that runs through the series. There are a few nice outdoor shots, but there's a long 40 minute stretch in the middle that's all indoors, and overall it's not nearly as scenic as the previous film. The penultimate battle with what amounts to an army has a few interesting surprises, but the final clash is weirdly drawn out and anti-climactic. I'm not sure if cranking these out so quickly had something to do with it (this was #3 of 4 released in 1972), but the quality level of this one is lower.
      8kosmasp

      Upgrade

      You know when in sequels (this being the third movie in the series), certain things get an upgrade without any explanation? Well this happens with the baby cart here. And the baby is quite tech savvy ... or let's say participates more in the fights. Sort of, which is a nice touch. And I actually had to laugh out loud during the last battle, well at the start of it, when ... well you'll see and understand when you see what they do ... amazing.

      And quite ridiculous, but that is what the movies are about. Blood gushes, squirts in very big fashion. Nudity and other things included. And our macho hero in the center of all of it. Do not take the movies for real and try to remember they are fiction, not telling you how to do things or be educational in any way, shape or form! It is imperative to never forget that, because otherwise you'd be close to cancel those movies. Sleaze and down and dirty nature is what they relish on. You may despise that (I am actually surprised that the rating is so high, but it probably only means, that only those who are not easily offended watched them), which is ok, but don't deny them others, who can differentiate ...
      6Pjtaylor-96-138044

      More of the same, yet similarly enjoyable.

      The 'Lone Wolf And Cub' series continues with its third outing, this time seeing its eponymous assassins help out an unwilling would-be prostitute by taking her place for punishment. It's probably the most 'noble' thing that its stoic anti-hero has done thus far, even if volunteering for torture seems far less convenient than just killing his aggressors (which we know he is capable of doing and usually willing to do so). After this, the assassins (yes, Diagoro is an accessory to most of the killings) are given the task of taking out a corrupt official, which leads to an absolutely fantastic finale that sees the pair take on what's seemingly a hundred foes at once. As usual, the baby cart has a few surprises in store for the protagonist's enemies (which also includes a string of assassins sent by the Yagyu clan they crossed in their first outing); this time, we're treated to possibly the best, most outlandish one yet. It's really this final movement that makes the affair as successful as it is. Though its overall story is a bit scatterbrained (I haven't even mentioned the third plot-line about a mercenary who wants to die an honourable death), 'Lone Wolf And Cub: Baby Cart To Hades (1972)' comes together in a satisfying and smile-inducing climactic battle that raises the quality of the entire effort. Before this, the film is somewhat meandering and, in a way, a little light on the bloodletting you expect from the series. It also doesn't have a solid through-line and, essentially, feels like more of the same. There's also an unnecessary and somewhat dodgy rape scene early on that lasts for far too long; it's the sort of sequence that seems to be aiming for the specific crowd that enjoys seeing that sort of stuff, which is a crowd I don't want anywhere near me. Still, the movie (which is an exploitation piece from the early seventies) is undeniably enjoyable when its focus is in the right place. It's a short, almost inconsequential action flick with a hint of stoic philosophy and a lot of dead bodies. 6/10
      7drqshadow-reviews

      Probing the Character of a Masterless Samurai

      A wandering ronin and his young son continue their journey through feudal Japan, taking contracts when afforded the opportunity and facing assassination with each step. This chapter seems dedicated to clarifying our disgraced samurai's complicated code of honor. Though he'll gladly slice through an almost unlimited number of strangers in battle, Ittō's vision isn't clouded by a perennial bloodlust. We see restraint in several dangerous situations, respect for principled opponents, loyalty to his word and, in the film's most memorable scene, a willingness to take vicious punishment in lieu of the innocently accused. The story feels more episodic than ever, with various scenes playing out like a classic movie serial and an unresolved conflict lingering at the credits. Given the rate at which they were churning these things out in the early '70s, maybe there's something to that. The action is reliably good, still fresh and creative after three feature-lengths, though the gigantic slaughter instigated at the climax (ambushed, Ittō single-handedly takes out fifty men and a trio of mounted officers) does stretch things a bit. Wise, then, that the film went back to basics almost immediately after, closing the action with an eerily quiet, respectful duel amidst the dust of that epic battlefield.
      8Marc-Kupper

      A note on Shogun Assassin 2: Lightning Swords of Death

      This is an AnimEigo re-release of "Lone Wolf and Cub: Baby Cart to Hades" which is the third movie in the Lone Wolf and Cub or "Baby Cart" series. As far as I could tell, these were the changes from the original movie.

      1) The English sub-titles were removed and instead the Japanese was dubbed over with English.

      2) The left and right edges were trimmed off to fit the image on a standard TV set. This is most obvious at the beginning where the title and related material gets cut off enough that you had to guess at what some words would be.

      3) The color is excellent and it's apparent AnimEigo worked hard to clean up the original media.

      The DVD runs for 89 minutes. Unlike "Shogun Assassin" #1 which combined elements from three of the Lone Wolf and Cub movies Shogun Assassin 2 is just one movie from the original series. As far as I can tell, nothing was cut.

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      Você sabia?

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      • Curiosidades
        In the film one of the female characters can be seen to have her teeth painted black. This was a custom in Japan; known as ohaguro, and it is to signify that a woman was married.
      • Erros de gravação
        There is no explanation as to why having the end of a tongue bitten off would be a fatal injury that would immediately be perceived as murder.
      • Citações

        Ogami Itto: The true way of the warrior means to live by death.

      • Versões alternativas
        The 1999 UK video was cut by 20 secs by the BBFC to edit a scene where 2 women are attacked and stripped topless by a samurai gang, and the Artsmagic DVD featured the same print. The 2009 Eureka release (featured in the "Lone Wolf & Cub Collection") is fully uncut.
      • Conexões
        Edited into Ninja Assassino (1980)

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      Perguntas frequentes15

      • How long is Lone Wolf and Cub: Baby Cart to Hades?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 2 de setembro de 1972 (Japão)
      • País de origem
        • Japão
      • Idioma
        • Japonês
      • Também conhecido como
        • Lone Wolf and Cub: Baby Cart to Hades
      • Empresas de produção
        • Katsu Production
        • Toho
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

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      • Tempo de duração
        1 hora 29 minutos
      • Mixagem de som
        • Mono
      • Proporção
        • 2.35 : 1

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