Koziyat rog

One of outstanding Bulgarian films, One of the best screen versions of a short stories by Nikolai Haitov. This film is at once a parable and tragedy revealing by mean of lean dialogue and great dramatic tension the cruel history of Karaivan and his daughter Maria. The filmmakers - screenwriter Nikolai Haitov, director Metodi Andonov, cinematographer Dimo Kolarov, production designer Konstantin Dzhidrov,theme song written and performed by Mariya Neykova and at last, but not at least - the main actors Anton Gorcheb and Katya Paskaleva - denounce violence against human nature and defend the right to personal freedom. Katya Paskaleva played brilliantly two main female characters - this one of the mother and second one of Maria. After this film she became a great Bulgarian movie star.

I could never imagine some months ago,that a Bulgarian movie I saw a night that I didn't have something more interesting to do,would make me admire it so much,so that I could definitely say that it is a masterpiece of the European cinema ever made. No special effects,no impressive decoration.Just a plain composition but also a genius one. The wife of a farmer is being raped and murdered by a gang,in front of the eyes of her little daughter. The farmer hungry for revenge brings the girl up as a boy, and when she is old enough they kill one by one the killers. This movie is a hymn to simplicity.No dialogs when it is not necessary,full of primitive feelings with perfect harmony between actors and natural location.Excellent!!!!!!!!

Even if you can't see a sub-titled version, you won't miss anything; as someone has already mentioned, the dialog in this film is extremely minimal. Instead, the viewer is immersed in the story through the natural sounds of the wild Bulgarian hills, empathic and creative (but never obtrusively 'there') camera-work and the amazingly expressive and authentic performances of the two lead actors.

When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.

It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.

An absolutely beautiful, unforgettable film.

This is an excellent movie, the Bulgarian equivalent to an Italian neo-realism masterpiece. The degree of freedom to artistic expression is extra-ordinary, especially if replaced into the context of the political environment prevailing in Bulgaria in the 70s. The practical absence of dialogue and music, (except for a very beautiful vocal), and the Black and White image emphasize the dramatic content of the movie. The direction is remarkable, and the play is first-class. Definitely, the best Bulgarian movie, and a must-see for every cinephile.

I was very much taken in by the movie in the start. Not to the point where i would say masterpiece but a solid and interesting approach to things. Unfortunately a film of this character only have a few viable endings and for me I think it was fast limited further down. I did think the acting was good and I do think the landscapes was beautiful. But I felt the story lacked some development outside the very narrow scope of the father and the girl. And I did also think there was lack of character progression besides one of the main characters. It is by no means a bad movie. I just felt if could easily have achieved so much more than ending up being a very average movie.