O Dia dos Loucos

What can I say about this film? I may not have given it 10 out of 10 but it is definitely one of Jack's better films. It is so different to anything else he has done before, in my opinion, that some people may not know how to respond but all in all they should watch it anyway, because, more than anything else, it's impressionable and very, very interesting.

The character of David Staeblar (Jack Nicholson) comes across as your average, slightly middle-class male, seeming settled in his usual daily routine of life and living comfortably with his grandfather. When he meets up with his ambitious older brother, he seems somewhat disdainful of his pathetic dreams of success in Atlantic City. You never quite understand whether David is dismissing these pipe dreams because he doesn't believe they can happen or because he is slightly jealous of his brother.

The film, above all, highlights the relationship between four people, and how they react to each other. The two brothers and the two women. Between the brothers you can sense there is a love there but there is also an underlying current of bitterness and regret, almost as though they were never that close in childhood.

Sally (Ellen Burstyn) is clearly in love with Jason but she is also terrified that his 'upcoming success' will leave her out in the cold and, despite coming across as independent and feisty, you can see she is desperately trying to cling on to a stability she craves with him. She wants people to think she's okay but really she craves security. There is anguish and real suppressed emotion there. She was considered beautiful in her day but her looks are fading and she's not getting any younger. She's constantly reminded of that when she looks at her stepdaughter Jessie. I think Ellen Burstyn played this role beautifully and truly think she deserved to win an Oscar.

Both the direction and screenplay on this movie were impeccable, and I would strongly suggest to anyone who hasn't seen this film that they rent it or buy it because it is definitely not one to be missed.

A classic from of the New American Cinema The King of Marvin Gardens is one of the most underrated films of the 70. The film stars Bruce Dern and Jack Nicholson (cast against type as an introverted depressive) as a pair of estranged brothers reunited in Atlantic City to try to get scam artist Dern's ill-conceived property development dreams off the ground. Ellen Bursten rounds out the cast as an ageing beauty queen struggling with the realisation that her young protégé, played by the previously and subsequently unknown Julia Ann Robinson, has surpassed her. Shot in a bleak, wintry Atlantic City that contrasts sharply with Dern's vision of a happy ending for the quartet in Hawai'i, the film is a compelling and meditative character study that doesn't shy away from or glamorise the problems of the people who inhabit it. The three leads give superb performances as characters who are all in their disparate ways seeking redemption. Made in the brief period of the 1970s when the big American studios were hoodwinked into financing films that were singular, intelligent, and challenging, The King of Marvin Gardens is a must see for any fan of the cinema.

Bob Rafelson and Jack Nicholson's creative relationship began because of The Monkees. Rafelson directing and Nicholson writing their weird and wonderful psychedelic cult classic 'Head'. After that the two teamed up for one of the early Seventies best loved movies 'Five Easy Pieces'. A couple of years later they did it again with 'The King Of Marvin Gardens', though inexplicably it doesn't have the reputation or the high profile of their previous collaboration. I really fail to see why. File it under "great lost 1970s movies" alongside 'Scarecrow', 'Bring Me The Head Of Alfredo Garcia', 'Tracks', 'Fingers' (and add your own personal favourite to the list). Marvin Gardens features a really strong and controlled performance from Nicholson in the lead role, an introverted DJ with a show in which he spins "true" tales. But even better than Nicholson is Bruce Dern, a wonderful actor who never became a superstar like Nicholson, Pacino or De Niro, despite a long career of consistently good character roles in movies by Hitchcock, Roger Corman, Walter Hill, Hal Ashby, John Frankenheimer, Elia Kazan, Sydney Pollack and many others. Dern is absolutely wonderful as Nicholson's brother, a dreamer and Mob hanger on. He comes back into his brother's life with a nutty get rich quick scheme which ends up going horribly wrong. This is one of the very best performances by Dern I've ever seen, and his scenes with Nicholson make this essential viewing for any 1970s buff. Added to that are excellent performances from Ellen Burstyn ('The Exorcist', 'Alice Doesn't Live Here Anymore') and newcomer Julia Anne Robinson (her only movie role - too bad!) as the women in Dern's life, and nice bits from legendary musician/actor Scatman Crothers ('Black Belt Jones' and appearances in no less than four 1970s Nicholson movies) and the underrated John P. Ryan ('Runaway Train', 'It's Alive', 'Class Of 1999'). 'The King Of Marvin Gardens' is a slow and thoughtful movie, but once you get into the rhythm of it, an extremely rewarding one. One of Nicholson's best, and Dern is just dynamite. Highly recommended.

I thought this superior to CARNAL KNOWLEDGE and am a bit surprised by the reaction to it at time of release. After FIVE EASY PIECES and before STAY HUNGRY this '72 film was thrown aside and dismissed. I guess Nicholson wasn't using his eyebrows enough for public taste. Bruce Dern gives a superb performance as his shyster-dreamer brother with big plans. Ellen Burstyn is paranoid justifiably and gives a lovely performance. The young girl Julie Ann Robinson is terrible.

A 7 out of 10. Best performance = Bruce Dern. Throw in Scatman and John Ryan and you have a fascinating mood piece. What happened to Bob Rafelson?

This is a brilliant little character study from the fabulous team that brought us the classic "Five Easy Pieces". If this last reviewer didn't get it (and obvious he didn't), than that's his problem. The detail, the beautiful photography, and the incredible use of Atlantic City locations make this film all the more worth while. Shot when Atlantic City was a dying resort town, it is used as a metaphor for this strange symbiotic relationship between two very different brothers. Nicholson as the intelligent David, and Bruce Dern (never better) as the scam artist Jason, out to make a quick buck. Do yourselves a favor, and check out this little gem.