Brutal Beleza

Kansas City Bomber is both a gritty,realistic action film and a perfect showcase for the talents of Raquel Welch! The film opens with a (staged) match-race which sests the tone for the rest of the story... Raquel portrays Diane"KC"Carr-a beautiful,dissallusional mother of two who has become a pro-skater for both the money and the desire to succeed in something for HERSELF!Her two children(curiously about the same ages as Raquels kids in real-life) live in Kansas City with her concerned yet old-fashioned mother.KC's mother of course wants her to quit the life on the road and simply come home to the kids.KC says she just needs"a piece of the action" but we can tell that Mom's advice IS sinking in! Meanwhile life on the road as a pro-skater is no bed of roses: KC's new team the Portland Loggers is managed by the shifty and suave Burt Henry-Mr. Henry has "big plans" for KC-not to mention making her his(latest?) love interest!Much to the dismay of the other girls on the team-especially the aging,alcoholic,scrapper Jackie Burdett. Mr.Henry's idea of achieving his 'big plans' involve elevating KC's status at whatever the cost! Will he succeed? Or will KC's better judgement win out? Aside from the obvious plot drama,Kansas City Bomber is probably the first movie to reveal the life of second-rate athletes.This movie takes some chances with showing it's skaters as they were in the 1970s-mostly middle-aged and lonely! They travel from city to city in buses,hang out together in cheap bars,and get no other joys from their lives-except while signing thier fans autographs! I especially appreciate the way that the filmakers resisted the temptation to glamourize the sport of pro-skating-instead they have portrayed it mostly as it was in the 70s-a dying sport! These skaters perform to dingy and half-empty arenas and expo centers-populated with the elderly,disabled and too young patrons! Clearly nobody is getting rich here-EXCEPT for the sleazy Mr.Henry!

Legitimate sex symbols like Raquel Welch have always had to face the (sexist) prejudice of the "since they're so beautiful, they can't act" variety (of course, this often extends to male stars as well - Richard Gere, for example). But Raquel gives a fine performance in "Kansas City Bomber" - quiet when it needs to be, spirited when it needs to be. And she was not the same type of sex symbol that Marilyn Monroe was: she was highly athletic, and in this movie you can see her roller-skating, punching, kicking, headlocking, elbow-dropping, jumping, ducking, taking bumps, rolling around on the ground (including a memorable catfight right next to some train tracks!), etc. It's a physically challenging role, and Raquel is more than up to the challenge. The movie does feel aimless and repetitive at times, the ending doesn't really resolve much and Kevin McCarthy is not exactly the most believable romantic partner for Raquel, but her fans, as well as fans of movies about women in sports, will probably find enough of interest here. (**1/2)

* Another recommendation: the pro-wrestling film "All The Marbles".

Raquel Welch broke her wrist doing some of her own stunts, in this movie where action is all-important, and plot non-existent. In 1972, by her own admission, Raquel Welch was a sex goddess who hasn't turned serious actress -- and "Kansas City Bomber" changed nothing. Raquel said in an interview at the time, that when she was growing up in La Jolla, CA, she would sometimes strap on a pair of skates and clank all the way from her porch to her garage and back. When she was 7, she put the skates away and didn't skate again until a year ago when she began readying herself for "Kansas City Bomber." Raquel reported to a banked oval track built for her on a Hollywood lot, where she skated 5 hours a day for 3 months. Her tutor was famous skater Paul Rupert who skated along beside her, coaching her and teaching her the basics of 5 strides on the banked track, how to take falls (fall backwards -- if you fall forwards you could break a wrist), and everything else she needed to know.

There is almost no time for any love interest in this movie, what with the all the Roller Games and bruising grudge matches. Whatever its dramatic shortcomings, and there are many, "Kansas City Bomber" does offer Raquel looking good even in pads, some authentically seedy roller skating locales, and real heroes and villains of the banked track. Sharp-eyed fans will recognize real-life Roller Games players from the L.A. Thunderbirds: tall John Hall, and big blocker Danny "Carrot Top" Reilly; the games announcer even mentions the names of top jammer Ralphie Valladares, and Ronnie "Psycho" Rains (with a beard), and "Little" Richard Brown -- who is still skating (now in Roller Jam) almost 30 years later! The game they play is some hybrid of Roller Derby and Roller Games that does not exist in real life. It lends a surreal atmosphere which is appropriate. Raquel's nemesis on the banked track is Helena Kallianiotes, a Belly Dancer in "Head" (1968). Try suspension of disbelief, and you will enjoy this movie forever ("and forever is a long, long time!")

Raquel Welch had for a long time been noted for her physical attributes, but Kansas City Bomber plays this down, and focuses on her acting skills and character portrayal. Welch plays KC Carr, top roller derby skater, who is following her own career and dreams, but is also tormented about spending more time with her two kids. Carr is traded to the Portland team, through manipulation by the team's owner, Burt Henry (Kevin McCarthy). Henry thinks of his players as little more than trade-able commodities, and sees Carr as not only the top skater on his team, but also as a romantic interest. Carr goes along with Henry's romantic attention, which causes friction among the other players on the team.

For those unfamiliar with the sport, roller derby was popular in the 50's, 60's, and 70's, featuring teams with men's and women's units. The fastest skater (wearing the designated helmet) scores points by passing opposing players on the track. The opposing team, of course, tries to prevent this from happening, usually having a big thug in the back of the pack, to inflict mayhem on the skater. The sport had some athletic skills, but was mostly showboating, like WWF. The fans were mostly retirees and blue-collar people. This film captures the atmosphere at these events perfectly.

KC also has to deal with Jackie Burdette (Helena Kallianotes), the other top skater on the team, who dislikes KC as a rival. Norman Alden plays Horrible Hank Hopkins well. Hank is the big anchor guy on the team, who befriends KC, although he is a bit simple, and the other players have little respect for him. KC's mother, played by Martine Bartlett, constantly rags on KC about not spending enough time with her two children (one of whom is played by Jodie Foster, in her screen debut).

I've seen several Raquel Welch movies, but this one is definitely my favorite.

Renowned sex symbol Raquel Welch is front and centre as Diane "K.C." Carr, a reigning roller derby star who is obliged to leave town early in the tale. She signs up to play for leering team owner Burt Henry (Kevin McCarthy), the kind of guy who ultimately does what's good for business. She must overcome the vindictiveness of another player, Jackie Burdette (Helena Kallianiotes), who'd previously been the big cheese of the team, and fend off advances from horny pig teammates. In the meantime, single mother K.C. ends up with little time for her two kids (the daughter is played by Jodie Foster, in one of her earliest roles).

The script here is just okay, but at least it manages to entertain, and create a key emotional moment for teammate Horrible Hank Hopkins (character actor Norman Alden, giving the movies' standout performance). What is striking is the way that this fad of the 70s has definite similarities to pro wrestling: the colourful personalities, the bone-crunching brutality, the circus-like nature of the sport, life on the road, and the frequent smack-talking. This helps the picture to at least be a reasonably good artifact of time and place, if not a great film. The action on the track is pretty damn amusing, and adding a degree of authenticity is the presence of real-life roller derby players of the period. Decent location shooting in Kansas City, Fresno, and Portland is an asset.

Raquel is very appealing and also quite convincing in a very physical role, giving as good as she gets. McCarthy is fine as the unlikely romantic partner for her. Kallianiotes is one of those antagonists whom you do come to understand and sympathize with, to some degree. Jeanne Cooper, Katherine Pass, Cornelia Sharpe, William Gray Espy, Richard Lane, and Russ Marin round out a solid supporting cast. If you're watching it for Jodie, be advised that her role is actually quite minor.

Overall, a watchable picture, certain to appeal to fans of Raquel and roller derby in general.

Seven out of 10.