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I was expecting to love this film for its cynicism and absurdity, but I couldn't get past the cold and self-absorbed characters and the overall *meanness* of their depiction. Motivation is in short supply too. Why would Lenny and Lila want to get married? Does Lenny just want sex? Can't he do better? Lila must have been repellent even while they were dating. Who goes to Miami for a honeymoon? What is Kelly Corcoran's attraction to Lenny? What are the Corcorans doing in that hotel? Shouldn't they be Catholic if they're named Corcoran? Etc. Etc.

I recognize the chilly absurdity from the Bruce Jay Friedman source, but I guess it didn't translate well to the screen. Others seem to like it though.

There are many things this film does really well.

First of all, the acting is superb throughout. Grodin is brilliant as ever in a very demanding, heavy acting responsibility - had he been average at it, the film easily loses heaps of its ability. Jeannie Berlin (the wife) does really well, as does Eddie Albert (the father) and for a 22 year old beaut youngster Cybill Shepherd is solid also.

Next: this isn't a generic superficial comedy. It's got that peculiar element about it. The humor isn't easy over-the-counter drivel, it's in fact uneasy, almost awkward and difficult to digest. It's about the little annoying details with people, invading personal space, being pathetic without noticing it...in a very real way, all of those things !

Finally, the film holds up very nicely in its one hour forty-five minute frame, with not one moment too many or too few, has a well thought out structure to it that isn't obvious at first, and there's this sort of itchy, awkward anti-morality morality at the end of it that is just as weirdly charming and anti-heroic as its main character.

8/10.

I saw this when it first came out in 1972 and saw it again recently on cable. One way to know a classic is how well it dates itself, not just in the vernacular, but philosophically. How timeless are the themes it portrays and how well could anyone from any time period relate to them? In fact, of The Heartbreak Kid it could be said that a lot of the shock value of a man dumping his bride on their honeymoon will be lost on a generation that would wonder why he would want to married at all. Well at least the title character believes in firm commitments, as long as it is with the right girl. The point of the whole movie is the somewhat subtle ending that depicts a man who, despite the odds against him, got the girl of his dreams, but somehow dosn't find it nearly as satisfying as he would have thought.

This a terrific piece of script writing, with many memorable lines you love to quote...a sure sign of a very good movie.

An artful mixture of deft, laugh-out-loud comedy, interspersed with touching poignant moments, makes this film special and unforgettable. Elaine May's direction was delicate yet purposeful, allowing for the superb development of characters ( in particular Eddie Albert's curmudgeonly businessman/father) without impeding the flow of the plot.

In this social portrayal of the Peter Principle, the glib, shallow Lenny somehow talks himself to dizzying social and economic heights all without the benefit of a pedigree or occupational skill set. Albert's father figure takes no time at all to see through all of this; but he is outnumbered by his wife and daughter who succumb to Lenny's charms. You can't help but feel this man's helpless pain in having to watch his lovely, impressionable daughter lured into a clearly doomed marriage.

Cybil Shephard, Eddie Albert and Charles Grondin all turned in career performances. This show was one of those rare times when everything (directing, writing and acting) came together to create something greater than the sum of its parts - it's a real treasure.

While on honeymoon with his nice Jewish bride, an indecisive young man meets the woman of his dreams. May elicits good performances and keeps it entertaining but the script is not one of Simon's best. Grodin is terrific as the schmuck who sees an opportunity to go for the gold in the form of WASP beauty Shepherd. Berlin (daughter of May) steals the film as the jilted wife, a loving if not lovely woman that one wants to give a reassuring hug to. The scene where Grodin dumps her is indeed heartbreaking. Albert is funny as Shepherd's stern father, who eventually tries to buy off Grodin. This film has parallels to "The Graduate," although it is nowhere as good as that classic.