Corações em Alta

I was expecting to love this film for its cynicism and absurdity, but I couldn't get past the cold and self-absorbed characters and the overall *meanness* of their depiction. Motivation is in short supply too. Why would Lenny and Lila want to get married? Does Lenny just want sex? Can't he do better? Lila must have been repellent even while they were dating. Who goes to Miami for a honeymoon? What is Kelly Corcoran's attraction to Lenny? What are the Corcorans doing in that hotel? Shouldn't they be Catholic if they're named Corcoran? Etc. Etc.

I recognize the chilly absurdity from the Bruce Jay Friedman source, but I guess it didn't translate well to the screen. Others seem to like it though.

An artful mixture of deft, laugh-out-loud comedy, interspersed with touching poignant moments, makes this film special and unforgettable. Elaine May's direction was delicate yet purposeful, allowing for the superb development of characters ( in particular Eddie Albert's curmudgeonly businessman/father) without impeding the flow of the plot.

In this social portrayal of the Peter Principle, the glib, shallow Lenny somehow talks himself to dizzying social and economic heights all without the benefit of a pedigree or occupational skill set. Albert's father figure takes no time at all to see through all of this; but he is outnumbered by his wife and daughter who succumb to Lenny's charms. You can't help but feel this man's helpless pain in having to watch his lovely, impressionable daughter lured into a clearly doomed marriage.

Cybil Shephard, Eddie Albert and Charles Grondin all turned in career performances. This show was one of those rare times when everything (directing, writing and acting) came together to create something greater than the sum of its parts - it's a real treasure.

I looked for this movie after it was recommended in the documentary Pitch(also worth seeing). The Heartbreak Kid(stupid title) features some excellent acting and courtesy of Neil Simon a brilliant script. It's a pretty funny plot if you like black comedy. A guy 3 days into his honeymoon meets the girl of his dreams. The guy is played by Charles Grodin and the girl is played by Cybil Sheppard who looks absolutely stunning. The main comedy in the movie comes from Grodin's absurd lies or brutal honesty. The first half probably has the best humor but I thought the ending was interesting. Finally I became a big Eddie Albert fan after seeing this movie. He's great as Cybil Sheppard's Dad.

I saw this when it first came out in 1972 and saw it again recently on cable. One way to know a classic is how well it dates itself, not just in the vernacular, but philosophically. How timeless are the themes it portrays and how well could anyone from any time period relate to them? In fact, of The Heartbreak Kid it could be said that a lot of the shock value of a man dumping his bride on their honeymoon will be lost on a generation that would wonder why he would want to married at all. Well at least the title character believes in firm commitments, as long as it is with the right girl. The point of the whole movie is the somewhat subtle ending that depicts a man who, despite the odds against him, got the girl of his dreams, but somehow dosn't find it nearly as satisfying as he would have thought.

This a terrific piece of script writing, with many memorable lines you love to quote...a sure sign of a very good movie.

Charles Grodin plays a Jewish New Yorker who takes his earthy new bride to Miami for their honeymoon, but becomes increasingly disillusioned with her on the trip--most especially because of a flirty, leggy blonde from Minnesota whom he meets on the beach. With Neil Simon writing this screenplay, one is almost instantly aware not of the class issue (it doesn't matter to Simon who has more money than who) but of the Jewish angle. Simon makes the bride gross and vulgar, and Jeannie Berlin has been encouraged to play these non-attributes to the hilt, while Cybill Shepherd's Protestant sex-goddess is the epitome of sarcastic poise. Simon wins points against the new wife by playing up her Jewishness in all its stereotypical brashness; it's as if the volume is up too loud. "The Heartbreak Kid" has many things going for it--the excellent performances and some very humorous asides to name two--but the intentional lewdness behind Grodin's marital predicament, and the queasy way he ingratiates himself into Shepherd's family, isn't so much hilarious as it is cringe-inducing. Shepherd's no-nonsense father, wonderfully played in an I've-seen-everything-now way by Eddie Albert, reacts accordingly to Grodin's new proposals with anger and confusion, and in these instances the film touches on something much deeper than the modern Jewish man's internal struggle. Unfortunately, this is mainly what Simon has on his plate, and it wears the audience down--and seems very dated now, anyway. Elaine May's direction is fashionably ragged and somewhat detached, and her ending is thoughtful (if, in retrospect, uneventful). The story certainly needed a modern tweaking, as this version is just a little bit undernourished (more mean-spirited than funny), however a 2007 remake fared even worse. **1/2 from ****