O Túmulo do Vampiro

In the 1930's, notorious rapist and murder Caleb Croft (Michael Pataki) assaults a woman, resulting in her giving birth to a baby named James. 30 years later, James (William Smith) wants to avenge his mother. Oh, and Caleb is also a vampire.

"Grave of the Vampire" is James ("Dream No Evil", "Garden of the Dead") Bryan's best movie. A low budget affair (well of course), "Grave" is a mostly Grim affair, with an interesting spin on the vampire mythos. Here, we see Vampirism as a curse, which is nothing new, yet except for "Blade", this is the only movies I've seen take advantage of the idea of a child with a human mother and Vampire mother. Also, this is Pre-Anne Rice, so no boring angst. While the dialog isn't Oscar caliber, lines like "Wow, Professor, you make a groovy medium!" should bring a smile to your face.

That's not to say that there aren't any flaws. For one thing, the acting is for the large part pretty wooden and uninteresting, with only Pataki making any real impression. Also, the ending is a rather lame "The End...Or Is It?" style conclusion, which makes you glad there was no "Grave of the Vampire 2."

Still, it's an enjoyable, original little Drive In/Grindhouse horror movie that, while flawed, is worth a look nonetheless.

I wish I could be ALL praising about this odd, unknown horror gem and, for a good 30 minutes, it did look like "Grave of the Vampire" would become a totally unexpected pleasant surprise. Although terribly cheap looking, the opening sequences are very atmospheric and frightening. The substance, too, seems to be original and a totally new take on the classic theme of vampirism. The films opens at a spooky and very ancient cemetery, where an undead dude crawls out of his tomb and assaults a young couple that are making out in their car. The girl is raped, but she survives, and nine months later she gives birth to a baby that drinks blood instead of breast milk (illustrated by one of the coolest horror-sequences in horror history!). The boy grows up an outcast and wreaks revenge on his vampire-father that still walks around in disguise. This downright sublime and eventful introduction blew me away and it really looked like I had come across a true hidden horror-gem of the 70's. The setting is scary, the idea innovating, murders are gruesome…I couldn't wait to see what happened next. Unfortunately however, this is where the ingeniousness stopped, and the remaining hour turned out another dull and ordinary vampire flick. The half-man / half-vampire being discovers that his "father" is now a history teacher (!) and plots to kill him for good. There are still a couple of bizarre plot twists, but they're overly stupid and far from believable. Also, because the originality has vanished, you begin to focus more on the dreadful aspects, like the lousy acting, the monotonous camera-work and the cheap set pieces. Near the end, it's hard to believe that this movie started out so promising and you regret not having pressed the stop-button while it was still good.

Oh, wow! David Chase, the screenplay writer, had some marvellous ideas. I just wish it had been a trilogy and not a single film. The allotted hour and a half doesn't do the story any justice. It's this compression of the story that spoils the film the most.

A man mysteriously resurrects himself from his grave. He murders and rapes lovers on the night of their proposal. The woman survives the ordeal and believes the baby is her dead fiance's. She gives birth and rears the baby on her blood. When she passes, he vows to find his true father and seek revenge for all.

If that wasn't enough inventiveness, the Vampyre Daddy doesn't always fang his victims to death. Oh no. He too is creative. My favourite kills are the claw hammer and the headstone smash. This allows Hayes to give the audience some creepy as hell shots of the Vampyre feeding. They are some of the best feeding scenes I've ever seen.

This film has given me a new favourite scary moment. When Ol' Vampy attacked the lovers, I knew the film would be interesting. He breaks the man's back over a headstone. Leaving him straggled over the headstone, he drags the female into an open grave, for his carnal pleasure. Creepy as hell and just plain awesome.

However, a lot of footage is below par; this along with the misuse of the story, drop the film in the ratings. A story of this magnitude needed a greater time frame. Film One - The Anti-hero's birth: Film Two - His Upbringing: Film Three - His Revenge. Back in the 1970s, sequels such as this were unheard of. Even Hammer who did lots of Dracula films only did believable follow-ons. They never did a true continuation of a story.

Condensing the story into a short runtime hinders the story and the pace at which it flows. I thought Hayes handled the segue between baby Eastman and adult Eastman brilliantly. He shows a few dioramas within this transition. They shoot Eastman and his mother and nanny from behind in silhouette. They are always in the shadows while life in its many colours and shades occur before them. A brilliant idea executed nicely.

As for the acting, it too is hit and miss.

Michael Pataki comes across as a strong and self-assured Caleb Croft. However, occasionally his acting gets hammy. This may be down to the script. His crude acting coincides with awkwardly written supernatural scenes. It's most evident in the seance scene.

William Smith gives his strong but silent performance as James Eastman, our anti-hero. He comes across as shy and awkward. This is in Eastmans' character. He lived in seclusion for most of his life; now he's immersed in modern life. However, the awkwardness appears to have more to do with direction than acting ability. It's the end sequence where you experience it most. The sequence also suffers from Smith submerging his talents into the hammy waters of acting.

Everyone else gives one hundred percent to their roles. They enhance the film and help to keep it interesting and enjoyable.

If you're a horror fan who hasn't watched this oldie, I would suggest you find a copy. Though I wouldn't propose buying one, unless it's cheap, as it's not a film worth watching more than once. The same goes for all you Vampyre connoisseurs out there.

Ratings: Story 1.5 : Direction 1 : Pace 0.5 : Acting 1.25 : Enjoyment 0.75 : Total 5 / 10

Flap your bat-wings and fly over to see where this film ranked on my Absolute Horror list.

Take Care and Stay Well.

I can't really claim that I was expecting much from the 1972 movie "Grave of the Vampire" when I sat down to watch it for the first time in 2020. Why? Well, it was a vampire movie that didn't have Bella Lugosi, Christopher Lee or Peter Cushing in it, so for an older vampire movie, it just lacked that selling ingredient. But still, I sat down to watch it, with it being a vampire movie and all.

And I will say that "Grave of the Vampire" wasn't a bad vampire movie, however nor was it an outstanding one either. Writers David Chase and John Hayes managed to come up with a storyline that was watchable, but you shouldn't expect it to be a vampiric masterpiece.

And the movie does show that it is from 1972, so this will of course not be a spectacle of grand special effects and such, yet "Grave of the Vampire" actually managed to do worse than the old Hammer Horror movies, oddly enough, in terms of special effects and the whole vampire atmosphere.

The acting in the movie was adequate, and that was most certainly something that helped to keep the movie as being watchable.

For a vampire movie "Grave of the Vampire" just didn't strike me as being all that and a batch of garlic - pardon the pun. However, there are far worse vampire movies out there.

My rating of director John Hayes's 1972 movie lands on a five out of ten stars. It was watchable, for sure, but this was not a memorable movie. Nor do I believe that I actually will ever sit down to watch it a second time.

This film, which I believe was distributed as a double-bill with 'Garden of the Dead,' has several disturbing elements which shoved it over the line of a traditional vampire movie; vampire rape, for one. Vampire offspring for another. Take two parts "Count Yorga: Vampire" and one part "Children Shouldn't Play With Dead Things" and you have this flick. But it is an excellent B-movie in the horror genre with a definite 70s flair.