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IMDbPro

Cidade das Ilusões

Título original: Fat City
  • 1972
  • PG
  • 1 h 36 min
AVALIAÇÃO DA IMDb
7,2/10
11 mil
SUA AVALIAÇÃO
Cidade das Ilusões (1972)
Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.
Reproduzir trailer2:34
1 vídeo
65 fotos
DramaEsporte

Dois homens, que trabalham como boxeadores profissionais, são afetados quando suas carreiras começam a tomar um impulso oposto.Dois homens, que trabalham como boxeadores profissionais, são afetados quando suas carreiras começam a tomar um impulso oposto.Dois homens, que trabalham como boxeadores profissionais, são afetados quando suas carreiras começam a tomar um impulso oposto.

  • Direção
    • John Huston
  • Roteirista
    • Leonard Gardner
  • Artistas
    • Stacy Keach
    • Jeff Bridges
    • Susan Tyrrell
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    11 mil
    SUA AVALIAÇÃO
    • Direção
      • John Huston
    • Roteirista
      • Leonard Gardner
    • Artistas
      • Stacy Keach
      • Jeff Bridges
      • Susan Tyrrell
    • 83Avaliações de usuários
    • 90Avaliações da crítica
    • 89Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 4 vitórias e 4 indicações no total

    Vídeos1

    Trailer
    Trailer 2:34
    Trailer

    Fotos65

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    Elenco principal15

    Editar
    Stacy Keach
    Stacy Keach
    • Tully
    Jeff Bridges
    Jeff Bridges
    • Ernie
    Susan Tyrrell
    Susan Tyrrell
    • Oma
    Candy Clark
    Candy Clark
    • Faye
    Nicholas Colasanto
    Nicholas Colasanto
    • Ruben
    Art Aragon
    • Babe
    Curtis Cokes
    • Earl
    Sixto Rodriguez
    • Lucero
    Billy Walker
    • Wes
    Wayne Mahan
    • Buford
    Ruben Navarro
    • Fuentes
    Álvaro López
    • Rosales
    • (não creditado)
    Carl D. Parker
    • Paymaster
    • (não creditado)
    Bill Riddle
    • Boxer
    • (não creditado)
    Al Silvani
    Al Silvani
    • Referee at Tully-Lucero Fight
    • (não creditado)
    • Direção
      • John Huston
    • Roteirista
      • Leonard Gardner
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários83

    7,211.1K
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    10

    Avaliações em destaque

    8ah`Pook

    Overlooked and forgotten, still packs quite a punch

    American audiences don't generally go in for realistic stories of human despair and suffering that offer very little in the way of hope or relief. This may explain why John Huston's Fat City has been condemned to obscurity, a real shame considering what a great flick it is. It's the sort of movie you see and remember but can't quite pick it out of a line-up... a shuffling, mumbling story of down-and-out pugs in an off-the-map burgh. You're taunted with the possibilities of the story picking up to... well if not epic at least noteworthy proportions... but, all of the characters' minor victories are mitigated by their simultaneous defeats. Keach's Tully is the main thrust of the story, though it tends to veer off on the occasional tangent. A has-been who possibly never really was, crushed by the departure of his wife and overwhelmed by the constant little defeats in his life. Huston really drives this point home, that all of these little defeats add up. Without giving too much away, suffice to say Fat City is a film where mood overshadows plot. The mood is indelibly rendered by Conrad Hall's dark, dirty images, which nearly swallow the characters in the depth of their shadows. Watching it back to back with fellow pugilist opus Raging Bull (1980), it's easy to see that Huston was a keen observer of human behaviour, while Scorsese was a keen observer of Hollywood films of the thirties. And don't even talk about Rocky. I would compare it favourably with Barbet Schroeder's Barfly (1987), another film about fringe life in California, and even Vincent Gallo's excellent Buffalo '66 (1998), though of the three it is the bleakest and the least accessible.
    7Prismark10

    Harsh times

    Fat City is a small film directed on location in Stockton, California by legendary director John Huston.

    It is about small time boxers and small time losers. Stacy Keach is a washed up boxer, a drunk, making a comeback but really not up to it. He is in a tempestuous relationship with Susan Tyrell who is magnificent as his drunk girlfriend. The booze oozes out of her pores and she really cracks that paralytic look in her face.

    Jeff Bridges is the up and coming boxer but he immediately loses his early fights, he gets his pretty girlfriend, Candy Clark pregnant and gets some irregular work as a labourer sometimes working with Keach in the fields.

    There is nothing grandiose or bombastic about Fat City. It really is introverted dealing with the underclass in the early 1970s. The location filming adds a lot of authenticity and rawness.

    Keach who was a noted Shakespearean actor of the American stage is very believable. He plays not a has been but a never was, who wants to have that one final crack of something big but he will get nowhere it as he always gets sidetracked, usually by booze.

    Bridges at the time was the young up and comer with a mixture of enthusiasm and wide eyed innocence. He was 23 years old when he made this film and was already a veteran with an Oscar nomination to his name as he was a child actor working in his father's show.

    A critic pointed out something novel about this boxing film. These almost desperate people we meet go out of their way to be kind to each other no matter how hopeless their situation.

    When Keach argues with Tyrell you expect that he will hit her. When her ex-boyfriend turns up, you again expect that he will get in a fight with Keach. However you find people struggling to be nice and civil to each other.

    Boxing actually plays a small part in the film. Fat City is a forgotten gem of 1970s cinema.
    9angelsunchained

    A Champion of a Film

    John Huston's 1972 production of FAT CITY is a masterpiece of film-making and acting. It's more than just a movie of boxing, it's symbolic of the American Dream gone depressingly wrong. Stacy Keach in the finest role of his outstanding career is symbolic of "every-man". His dreams are based on professional successes, which by gaining money and fame, he will be happy in his life. As we know in so many cases, that obtaining fame and money leads many people down an even deeper road of depression and self-destruction. For without emotional success, without love, a person is empty inside. A powerful film. Not a boxing film at all. Boxing is merely the symbolism here; fighting to succeed. "I win the fight and I get my wife back", says Keach's character, Billy Tully.

    A great movie, but one that leaves you feeling sad; pondering your own hopes, dreams, and desires. A remarkable supporting cast, high-lighted by a young Jeff Bridges, make FAT CITY one of John Huston's most memorable films. A Champion of movie-making.
    9wisewebwoman

    Overlooked masterpiece

    I had deliberately overlooked Fat City in the past believing it to be yet another twist on the formulaic and Hollywoodization of boxing stories. Was I wrong! I'm so glad that I unexpectedly caught this and was riveted from the get go. Fat City is an amazing film, made even more stellar by the casting of Stacy Keach, Jeff Bridges, Candy Clark and Nick Colasanto. It is hard to distinguish between these marvelous actors as their performances, under the hands of the maestro John Huston, are incredible. Stacy Keach is the focus however, and he carries the film with the able performances of the aforementioned. I believe this to be one of the most overlooked films of all time.

    The characters are a bunch of losers, but they don't know they're losers and keep reiterating their dreams. They operate on a level that is below average and live in impoverished surroundings, always believing that something good is around the corner. There is no big win in this, the wins remain around the corner.

    There's basically no beginning, middle and end. It is a study of the underbelly of a town in California, the seedy bars, the dirty restaurants, life in the one room with kitchen-in-a-corner of a walk-up fleabag hotel. Stacy Keach pulls you into this world, he lives and breathes the character he plays down to the last few minutes of screen time when he takes a look around the rathole of a restaurant he's in, surrounded by people like himself and the film freezes for about a minute before it moves on.

    You catch his stark awareness at that moment. And all of his life, past, present and future becomes crystal clear to him. You don't think he's going to do much with this newfound insight. It doesn't matter. And that's the point. Bleak and beautiful. All in the same minute of time. 9 out of 10. Thanks once again, Mr. Huston.
    8Pedro_H

    Requiem for losers and daydreamer believers.

    The down-to-earth tale of two small hall boxers -- at the opposite ends of their careers -- and the blows they take in and out of the ring.

    This is one of the best American movies ever about normal working class lives where failure is common and the only thing you can do is pretend otherwise or drug it all away to nothing. I know why so many people prefer Rocky to this -- this is too real for them. Indeed it is almost too real for me!

    Stacey Keach was given the role of lifetime in this. He really does look like a failing boxer turned to flab (although maybe that is nature -- not punches!) trying to find a life (of sorts) beyond the ring. Bridges really does look and sound like the daydreamer believer that makes the boxing game go round. Johnny No Talent who thinks he is Mike Tyson when his face finally clears up.

    They don't make films like this anymore. The Europeans can, although they are rarely shown and end up too self indulgent. Everyone here gets what they deserve, which is sadly, very little. That is what sport is about in real life -- lots of people failing so that are very small few can succeed. The best the majority can hope for is some exercise and comradeship.

    (This contrasts with most sports movies -- which are about glory. Or at least glory through struggle.)

    This is the best late John Huston film and every single frame is a frame of reality and believability. Maybe that is what leads so many people to say "so what", the world outside their window has many of the same elements and there are many times you feel you are -- indeed -- looking at real life.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      According to Stacy Keach, Sixto Rodriguez knocked him out during their fight scene and that shot appears in the film.
    • Erros de gravação
      During the bar scene, the barrette in Susan Tyrrell's hair moves all over the place from shot to shot.
    • Citações

      Tully: [while digging weeds] How long before a man gets used to this, anyway?

      Man in field: I've been doin' it for twenty-five years and ain't got used to it yet.

    • Conexões
      Featured in Moviedrome: Fat City (1988)
    • Trilhas sonoras
      Help Me Make It Through the Night
      Composed by Kris Kristofferson

      Performed by Kris Kristofferson

      © 1970 Combine Music Corporation

      [Played over opening credits]

    Principais escolhas

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    Perguntas frequentes16

    • How long is Fat City?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de setembro de 1972 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Fat City
    • Locações de filme
      • Stockton Memorial Civic Auditorium, Stockton, Califórnia, EUA
    • Empresas de produção
      • Columbia Pictures
      • Rastar Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 36 min(96 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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