Eolomea

The movie made in the Democratic Republik of Germany (East Gemany) is a document of filmmaking in the days as the GDR still existed. Not more. It's a dull and boring space movie about how people behind the iron curtain saw the space race of the bigger nations. It was made for the "inmates" of the strongly closed country to feel big and patriotic, but is only embarrassing and boring. The dialogues are unemotional sober, wooden and the acting wasn't good. No go!

Herrmann Zschoche's "Eolomea" is an OK, not great sci-fi flick. It contains material similar to what we saw in "2001" and "Solaris", but doesn't have the philosophical content inherent in those two. I guess that East Germany wanted to try out the genre, so they made this adaptation of an Angel Wagenstein screenplay. It's about an investigation into the disappearance of some spaceships. There's some jumping back and forth, and even a few scenes that look filmed in a Mediterranean country, so it gets confusing at times. Nonetheless, I thought that it was an OK movie. The movie won't be for everyone, but most people are bound to enjoy the robot scene.

Communist East Germany. Great Filmmaking. Stellar technology and science fiction. Do these things seem to fit together in any conceivable way? No, they do not.

Why the DVD production company has the nerve to even compare "Eolomea" with the likes of Tarkovsky's "Solaris" or "2001" is beyond me. At best, this "lost classic" is more like an Austin Powers / Benny Hill rendition of a serious space epic, with a Burt Bacharach soundtrack and plenty of lava lamp space imagery. Movies like this were what "Mystery Science Theater 3000" in the 1990s was made for.

Others here have attempted to explain the storyline , which is so convoluted and fragmented throughout that there is not a shred of suspense or even empathy for the characters. Strangely enough, I still think this movie does have one important historical value: like a representation of Communism itself, it shows what at the time must have been wild scientific/philosophical idealism in its home country, but in hindsight is just robots made of ugly hunks of metal junk and astronauts with holes in their socks.

Science fiction made in East Europe usually has different perspectives of life as Western science fiction. This is one example.

Not about technology or the future of our society, not even about the search for extra-terrestrial intelligence (that it claims to be about), but about humans, their character traits, and their quest for the final frontier.

Accordingly the visual effects by Kurt Marks and Boris Trawkin, though awarded the Grand Prix of the UNIATEC, suffer in comparison with other fx-heavy movies made about the same time, like Academy Award-winning The Poseidon Adventure or Douglas Trumbull-directed Silent Running.

Still it creates a future that could happen any time, showing technology only in outer-space, and the stations in space and on asteroids look pretty much like good old MIR, the Russian space-station.

And yet it is rewarding for those who love the human desire for knowledge...

This was the third science fiction movie of the legendary DEFA studio and the first one to be based on an original concept (by Bulgarian Angel Vagenstein), starring Dutch Cox Habbema, Ivan Andonov (a director in his native Bulgaria) and Russian actor Vsevolod Sanayev (who died January in 1996), and German actors Rolf Hoppe and Wolfgang Greese.

This film is set in the future and space travel is much more commonplace. There are space stations and ships all throughout our solar system and there is a certain predictability about such travel. However, suddenly several ships disappear and are assumed lost. The space authorities on Earth are so concerned that they put a halt to all space travel until they can unravel this mystery--ships DON'T just disappear!

When most people think of sci-fi films, they usually don't think about East German. However, this nation produced several that were surprisingly good. Now you must understand, however, that this was NOT Hollywood. The budgets were not nearly as large and so the sets looked a little less sophisticated--but considering everything, they actually did a good job with the money they had. Quality-wise this film looks rather similar to ITV's "UFO" series from the same era.

As for the style film, I wasn't thrilled with how the plot bounced around so much--from the past to the present. It made the film a bit confusing at first. However, the plot itself was excellent--bringing up some wonderful points about just how far other intelligent life might be from our planet. Unlike most sci-fi movies where they go from one planetary system to another in what seems like minutes, this film realizes such a journey would really take several lifetimes. The utter loneliness and commitment to such a project was well captured here and the film really makes you think.