Que Assim Seja, Trinity

I like spaghetti westerns, and I also like Bud Spencer movies. So I thought I would like this spaghetti western starring Bud Spencer (as well as Jack Palance.) Unfortunately, I have to report that even if you like spaghetti westerns and/or Bud Spencer, chances are you'll find this movie a bore like I did. The movie has very little story, and it moves at an unbelievably slow crawl. The comedy is mostly lame, though Bud's instant charisma lifts the humor from level zero, even though Bud seems to be doing this movie in his sleep. Jack Palance gnashes his teeth so much that he seems to be in pain doing this movie. And the director often shoots the actors so that the tops of their heads are cut off at the top of the screen! (The pan-and-scan presentation of the movie makes things even worse.) Not recommended.

Bud Spencer wanders the west, finds time to help a young orphan/landowner targeted by greedy villains, and keeps having his bacon saved by Jack Palance. However, Jack's motives are anything but altruistic, as he blames poor Bud for allegedly deflowering his sister and plans on marrying her off to him before making her a respectable widow!

Lots of Rowdy fights and amusing gags, including the hilarious oil-soaked climax, keep this breezy, lightweight spaghetti western moving along quite nicely.

It Can Be Done... Amigo features what is probably Spencer's best solo performance, apart from his films with frequent on screen partner Terrance Hill, though A Reason To Live, A Reason To Die, which featured him as part of an ensemble cast, was a better film.

Meanwhile, Palance portrays the same black clad, chuckling, chain-smoking weirdo you've come to know and love from a lifetime of similar western roles. Needless to say, fans of these two won't be disappointed.

One thing that I found odd though, was Palance's changing accents. Sometimes he talked using his own voice, other times he spoke with a southern accent, and still others with a Spanish accent!

For a Spaghetti Western It Can Be Done...Amigo is neither among the best or worst. While less than perfect, it was entertaining if in a strange way.

While it does deserve a much better DVD with a more expansive widescreen and sharper picture quality, It Can Be Done...Amigo is not a bad-looking film at all. In fact, the scenery is very evocatively beautiful and the camera work is well-placed and doesn't try to be too ambitious or simplistic. The energetic, rousing, haunting, stylish and beautifully and cleverly orchestrated music score is the best thing about the film, plus it fits very well, while the songs are a good memorable fit. It Can Be Done...Amigo is well-directed and the acting is also not bad although the child actor is a little annoying and the dubbing is unnecessary and poorly utilised. Bud Spencer is a charismatic and imposing lead with a good flair for comic timing and Jack Palance is lots of sinister yet hammy fun despite his accent rarely staying the same. Dany Saval brings charm to her role as well.

Regarding the script and story, both are a mixed bag. A good deal of the humour is very entertaining, a couple of the running gags like with the cans and the reading glasses do really work and give off a fun vibe. but some of it does fall flat when it does get a bit too silly and bizarre. The dialogue has its moments and is appropriately good natured, but also gets too silly and awkward-sounding. The story is problematic, credit is due for it trying to do something different for a Spaghetti Western, the interaction between Spencer and the child mostly engages and the final fight is oddball but amusing and tense. Also despite how it sounds reading a synopsis it is thankfully easier to follow than you think. However the film does start very sluggishly and feels like you're riding on the shell of a snail for a lot of the first half of the film, and it ends on an abrupt note.

Overall, flawed but strangely entertaining. 6/10 Bethany Cox

This is a funny spoof about several Spaghetti clichés with relentless comedy and parodying usual Western events that sometimes becomes stale . This is a good entertaining juvenile for Bud Spencer fans , as he's delightful in a fraternal story . It packs action, fist-play, sniping, slapdash , humor with tongue-and-cheek and is quite amusing . It deals with Coburn (Bud Spencer or Carlo Perdesoli) an insouciant , bumbling drifter who breaks out from prison and attempts to right wrongs . He embarks on his getaway and he gets stuck a ten years old little boy (Renato) . The boy's uncle dies, leaving a house , useless land to the child but is actually plenty of petroleum that is coveted by a priest-sheriff-judge (Francisco Rabal) and his hoodlums (Salvatore Borghese , Riccardo Pizzuti) . Hiram Coburn oblivious to risks and hopeless odds endure mishaps adventures and he join forces with the child to rout nasty gunmen . Meanwhile, the gunfighter Sonny Bronston (Jack Palance) going out the chase of Coburn to marry his sister (Dany Saval) and the baddies want to take the rich lands.

This release has some cool and several hilarious moments , though the Terence Hill-Bud Spencer duo films are much better , such as ¨They call me trinity¨, ¨Trinity is still my name¨ and ¨Truoblemakers¨ . Good for laughs as well as lots of shootouts and fist-play . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . The flick belong to the sub-genre that Bud Spencer played in which he has as partners some sympathetic children , as ¨Supersheriff¨, ¨Banana Joe¨, ¨Flatfoot¨ and ¨Aladdin¨. The film displays a wide plethora of secondary actors usually seen in Spaghetti genre as Sal Borghese , Luciano Pigozzi or Alan Collins , Robert Camardiel as an old drunk and Ricardo Pizzuti , the latter usual in Hill-Spencer flicks . The movie displays innumerable jokes , laughter , and slapstick , though relies heavily about the continuous relationship between the tired gunslinger and the orphaned boy . Enjoyable but silly screenplay Ernesto Gastaldi and Rafael Azcona . Catching musical score with noisy songs by Luis Enrique Bacalov who subsequently would win Oscar for ¨The postman¨ . This motion picture was professionally directed by Maurizio Luzidi . Although Maurizio couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He was a fine editor and also filmed detective thrillers , Giallo , comedy and even a horror film or two . He directed two Western more as ¨La grand Rapina del West¨ with George Hilton and Jack Betts and ¨Pecos¨ with Robert Woods , and even made films with international cast as ¨Sweet people¨ with Roger Moore and Stacy Keach and ¨The last chance¨ with Elli Wallach and Ursula Andress . His greatest conquest was the edition of ¨Don Quijote¨ by Orson Welles . Rating : 5,5 . Acceptable , passable but average . It is a middling Western story in which gibing the Spaghetti genre , plenty of fights and shoot'em up . As the director Mauricio Lucidi is uninspired and the ending is pretty predictable .

One of Bud Spencer's star vehicles without his partner Terence Hill takes him back to familiar Spaghetti Western territory. Despite a good cast (Jack Palance, Francisco Rabal, Luciano Pigozzi) and crew (screenwriters Rafael Azcona and Ernesto Gastaldi, cinematographer Aldo Tonti and composer Luis Enriquez Bacalov), the film rambles amiably along without ever becoming sufficiently memorable.

Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.

I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible – not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.