Sonho de Morte

This is a horror film that expands the boundaries of the genre.

Put simply, it is a film about a dead man walking, but this dead man "died" in Vietnam before he returned home and his unexpected arrival opens many wounds within his family and amongst old flames and acquaintances.

Director Bob Clark is not satisfied depicting returned vet "Andy" as a zombie. Although he does crave human flesh and speaks infrequently, part of the film's charm is the reaction of people to the dead man's less-than-chipper mood.

Shots of Andy rocking like an autistic child are priceless, as is a "conversation" Andy has with the mailman who laments the returned boys "we should have lost". The family pet is not exactly Andy's best friend anymore, either.

John Marley as Charles Brooks, Andy's dad, is really great here. Although he tries hard to accept the new Andy, we really experience his gradual realization and disappointment that Andy is not the same Andy anymore.

Jim Backus is brilliant as the undead vet. He uses his voice to convey Andy's apparent indifference to life back home and adopts a strange, somnambulistic gait.

Technically adequate for a low budgeter, the film's richness of character and situation never shifts our attention to any production deficits.

One of the best horror films ever.

Truly creepy and, ultimately, very sad.

So many horror films, both then and now, exist solely to provide cheap titillation to gore hounds and casual thrill-seekers. 'Dead of Night' (aka "Deathdream"), however, is serious business, and seriously scary. Comparable to 'The Exorcist' in its exploration of the parent-child dynamic when the child is given over to something sinister, I personally liked this more than I liked 'The Exorcist.' It's leaner, more suspenseful, and less pretentious.

Richard Backus is Andy, a soldier who returns from the war (presumably Vietnam) the very night his parents and sister are informed of his death in combat. The homecoming is not a happy one, however. Andy just isn't quite himself. Laconic, humorless and irritable, he doesn't want to go out and isn't interested in seeing visitors. Worse, there could be a link between him and the gruesome murder of a truck driver that occurred the night of his return.

Like 'The Exorcist,' 'Dead of Night' - a reworking of "The Monkey's Paw" -- aspires to be more than simply a horror film. It aspires to be a Vietnam allegory, and it aspires to be a family drama. Remarkably, it succeeds as all three. It makes a compelling statement about returning soldiers, is a truly frightening horror film, and also a harrowing family drama. John Marley, as a Andy's father, conveys torment and confusion effectively, and Lynn Carlin is especially good as Andy's mother, a woman who has disappeared completely inside of her denial. The suspense is unbearable, and there's skillful use of both sound and space in creating it. The chills are never cheap and are consistently hair-raising. The movie marches headlong into its inevitable conclusion and is utterly uncompromising throughout. That it was rated PG at the time is a shocker.

The movie has some flaws and lacks visual polish, but this is almost irrelevant given how brilliantly everything works. The director is Bob Clark, who would go on to direct the first two 'Porky's' films, 'A Christmas Story,' and 'Baby Geniuses,' and he has made a rare horror film, one that is intelligent, thoughtful, and damn scary.

Excellent spooky variation on "Monkey's Paw" really plays on deep emotions in a crude (but effective) manner.

Low-budget, but fast-moving and scary. This is one of my favorites.

A distraught mother "wishes" her deceased Vietnam soldier-boy son home only to discover he isn't quite who he was when he left.

Many different horror archetypes (zombies, vampirism, cannibalism) are touched on without being confirmed, which makes the film that much more effective.

The film is also a sharp and dark commentary on the state of the returning GI. Andy sits for hours in his dazed "zombie-like" state and stares at the walls. He becomes violent and acts irrational. Many symptoms of post-traumatic shock syndrome.

Written by Alan Ormsby, who also collaborated with Clark on "Children Shouldn't Play With Dead Things" and would later go on to pen Paul Schrader's remake of "Cat People".

If you're looking for another solid Bob Clark spook-fest, check out "Black Christmas" (which bears an eerie similarity to the original "Halloween", though it predates it by several years!!) before "Children Shouldn't Play With Dead Things".

Many have commented on the *shocker* ending. If you are expecting something along the lines of the original "Carrie" - something to make you jump out of your seat - you will be disappointed.

The ending is more dour and stunning. I didn't see it coming, but it made perfect sense in line with everything that had happened. It's the kind of ending that a film would never have now. It's simply too honest. One of the better horror endings I've seen, actually.

A young soldier called Andy is shot and killed in action, not mentioned by name but presumably in Vietnam. His family are notified of his death but then he appears at their house, only his personality has been drained and he has a murderous craving for human blood. He has become some kind of vampire/zombie hybrid, he has no fangs and sunlight doesn't burn him up, however he physically deteriorates over time and towards the end he turns into a monster. Quite how this all came about is not explained, other than his mother wishing him to come home. This was my first viewing and despite an initial doubt I was very impressed, the movie is genuinely unsettling and frightening. Director Bob Clark also made the classic "Black Christmas", both released in 1974, and the two movies use the same creepy music. Tom Savini did the special effects, which are pretty gruesome. And I will point out that this was made several years before George Romero's modern vampire movie "Martin" (1977). Highly Recommended.

I've heard about this movie for years and read the praise heaped on it, and I knew it couldn't be as good as all that. I could never get my hands on it anyway, so I figured I'd never know. But I just watched it yesterday, and it is as good as all that.

Though filmed in the early 1970s, Deathdream doesn't come off as hopelessly dated. Its themes resonate strongly even today.

As an allegory, the film makes its anti-war points bluntly. This war (thought it is never named it's obviously Vietnam) is killing too many of our boys and making zombies out of the ones that make it home. But the movie is not generally anti-war -- it manages to contrast Vietnam with WWII, represented as a good war (in the person and words of the mailman), where there was little doubt what we were doing was right and that our military forces were being led authoritatively to absolute victory. The same couldn't be said for Vietnam, and by 1972, no one really remembered what we were fighting for anymore. Deathdream was filmed before Vietnam ended and released after, making its timing perfect.

There are a few criticisms, hardly worth noting -- some scenes are poorly staged and lighted, and Clark doesn't always get the best out of his actors (and has little to work with in some cases). Early scenes are a bit stilted (Was the movie shot in sequence with the story? That might explain it), but the movie finds its groove at about the 30 minute mark.

Don't expect a slick production. It's a small, claustrophobic, personal movie with rough edges to spare. Some scenes of violence are cartoonish and others are brutal. Also, the effects and makeup are much better than we have any right to expect. Poor, rotting Andy is a heck of a sight, and a sad sight in the scene where he is led down the stairs by his mother.

Deathdream is an amazing accomplishment all things considered.

"Everything's fine, Bob."