A Rainha Vermelha Mata 7 Vezes

This interesting Giallo boosts a typical but still thrilling plot and a really sadistic killer that obviously likes to hunt his victims down before murdering them in gory ways.

Directed by Emilio P. Miraglia who, one year earlier, also made the very interesting "La Notte che Evelyn Usci della Tomba" (see also my comment on that one), the film starts off a little slow, but all in all, no time is wasted with unnecessary sub plots or sequences.

This film is a German-Italian coproduction, but it was released in Germany on video only in a version trimmed by 15 minutes of plot under the stupid title "Horror House". At least the murder scenes, which will satisfy every gorehound, are fully intact, and the viewer still gets the killer's motive at the end. But the Italian version containing all the footage is still the one to look for, of course.

A convincing Giallo with obligatory twists and red herrings, "La Dama Rossa Uccide Sette Volte" is highly recommended to Giallo fans and slightly superior to Miraglia's above mentioned other thriller.

The title of this solid murder mystery from co-writer / director Emilio P. Miraglia deals with a legend surrounding the well-off Wildenbruck family. Every hundred years, the title character will claim seven victims. The current generation of Wildenbrucks consists of sisters played by Barbara Bouchet (as Kitty) and Marina Malfatti (as Franziska). Kitty is a high-fashion photographer whose circle of friends begin to be butchered by a cackling dark haired woman wearing a red cloak. And this woman would seem to be Kitty's long estranged sister Eveline, but Kitty knows that this cannot be the case.

Miraglia is good at storytelling as well as cinematic flair, giving us an engrossing mystery that offers up enough red herrings to keep things interesting. But, just like any good giallo, it delivers plenty of eye candy - of both the cinematic kind and the human female kind - to add to the presentation and make it quite watchable, even if anybody watching figures things out ahead of time. It just barely sort of flirts with the supernatural, with little surreal touches here and there, and is largely grounded in reality...albeit a stylized, sexualized reality. It can also boast a typically lovely Bruno Nicolai soundtrack; casual viewers may not recognize his name, but he deserves to be as well known as Ennio Morricone, one of the major legends of film music (Italian and otherwise).

The acting is good from the cast; there are some very handsome men and some positively gorgeous women among them. Bouchet is an engaging lead, and Ugo Pagliai is her likeable leading man. Marino Mase is excellent as the dedicated police inspector - what giallo would be complete without this sort of stock character? Rudolf Schundler is a delight as the concerned grandfather who gives us some back story, and B movie goddess Sybil Danning can be seen (clothed and unclothed) as a saucy character named Lulu Palm.

The kills are sure to satisfy gore lovers, and if you're an admirer of this genre, you'll be intrigued by the way that Miraglia switches between a traditional Gothic setting (the family castle) and the modern urban environment. One highlight is when a victim is dragged to their death by a car after their jacket gets caught in the car door.

The sixth, and sadly final, directorial outing for Miraglia, who'd been a script supervisor and assistant director for many years; previously he'd done another giallo, the equally lauded "The Night Evelyn Came Out of the Grave".

Seven out of 10.

The Red Queen Kills Seven Times is a vintage 1970's thriller about a family curse, in which there are 7 murders every 100 years, committed by one of two sisters, who picks off 6 victims and the eventually kills the other sister. Which is a bit of a convoluted legend. But anyway, Barbara Bouchet plays Kitty, the leading lady in peril, who feels that her missing and deranged sister is replaying out the legend and killing multiple people, so she soon fears that she will become the 7th victim.

The whole movie is a bit of a jumble of plot and events, as people close to or somehow linked to Kitty start to die horribly. The movie does look good, thanks to the lovely actresses who appear in it, and there are some great shots of the "Red Queen" killer (in a long red cape, black hair and white face) dashing about the place. There's also a fairly spectacular castle setting with suitable creepy rooms and dungeons. The explanation is almost impossible to piece together, but at least it's something you couldn't really figure out!

The prologue is also important as it shows how Kitty (as a child) first learned about the legend, and we get to hear the improbable story, as well as see a ridiculously gory painting which the family have deemed suitable to be hung in full view on a wall! Sadly, what doesn't work is the English dub, which is dreadful and it especially hampers this prologue, because the only thing worse than bad dubbing is bad dubbing of children, and here it's excruciating. There is a fair bit of gore, but the blood looks like tomato soup and there are no really good effects to be seen. However it's all energetic and well paced, and there is a lot of topless female nudity to keep the male audience members entertained. Worth a look.

When I saw the elaborate DVD box for this and the dreadful Red Queen figurine, I felt certain I was in for a big disappointment, but surprise, surprise, I loved it. Convoluted nonsense of course and unforgivable that such a complicated denouement should be rushed to the point of barely being able to read the subtitles, let alone take in the ridiculous explanation. These quibbles apart, however, the film is a dream. Fabulous ladies in fabulous outfits in wonderful settings and the whole thing constantly on the move and accompanied by a wonderful Bruno Nicolai score. He may not be Morricone but in these lighter pieces he might as well be so. Really enjoyable with lots of colour, plenty of sexiness, some gory kills and minimal police interference. Super.

Sometimes confusing plot about two beautiful sisters, a German castle, an inheritance & a series of grisly murders being committed by a mysterious killer cloaked in a red cloak. As always mentioned the plot does get confusing at times, but then that's not unusual for giallo movies (repeated viewings can be beneficial).These films are often more concerned with the look & this one does not disappoint. Nicely & stylish filmed, great soundtrack, beautiful women & some gruesome murders, though they aren't as gory as some other giallos. What I really liked was that it added a lot of gothic horror - much of it takes place inside the castle - and also that there is less emphasis on the police investigation, which I feel can drag some films down. There are better giallo movies, there are also worse but this is a good example & well worth watching.