Os Cowboys

I've always had a feeling that John Wayne had some kind of health crisis and deliberately chose The Cowboys to be his swan song film. When it didn't work out that way, he went on and did some more until The Shootist.

Ever since his Oscar in True Grit, Wayne began playing men of his own age in his films and a common thread seemed to be imparting values to the next generations whether they wanted them or not. You can see that readily in films like Rio Lobo, Big Jake, Chisum, The Train Robbers, and Cahill, U.s. Marshal. Most especially in The Shootist with Ron Howard as his pupil.

But in The Cowboys he had a mess of pupils. Wayne's a hardworking rancher whose hands have deserted him because of a rumored gold strike. He has to get his cattle to market, so out of desperation he hires a bunch pubescent and pre-pubescent youngsters from the town.

The trail drive is quite the lesson for these kids. They learn about life that it is about hard work, responsibility, and keeping your given word. Wayne gets a second chance at fatherhood, he didn't do such a good job of it with his own two sons. More like grandfatherhood at his age, but the kids learn well.

Along as a second role model is Roscoe Lee Browne. Possessor of one of the greatest speaking voices in the English speaking world, Browne is the first black man they've ever met. In fact one of the kids uses the "N" word when first meeting him, out of ignorance more than racism. Browne sets them straight by example more than preaching.

The oldest two kids, A Martinez and Robert Carradine, have gone on to some considerable adult careers which they are still enjoying. All the kids are a winning bunch however.

A couple of the Duke's later westerns like The Train Robbers and Cahill I found to be flawed. Not so here. Director Mark Rydell keeps this one going at a good pace and does wonders with his cast of all ages.

Wayne stars an upright cattle rancher , Wil Andersen ; when his cattle drivers abandon him for the gold fields , he is forced to hire 11 school boys (Sean Kelly , Clay O'Brien , A. Martínez , Robert Carradine film debut , among others) whose ages ranging from 9 to 17 to help him drive his cattle 400 miles to market . As the pre-teenaged boys in New Mexico Territory fight off grownup cattle rustlers under the tutelage of rancher Wil (John Wayne who strides the flick like a dinosaur) and his helper Jebediah Nightlinger (Roscoe Lee Browne) . As they are recruited to work for the cattle rancher , all they wanted was their chance to be men and he gave it to them . But they are pursued and finally attacked by a group of rustlers led by Long Hair (Bruce Dern). With Wil Andersen and ranch-hand Mr. Nightlinger as father figures , as they wet-nursing an entire crew of sub-teenagers on a cattle drive , as the boys learn to become men through hard work , discipline and the usual Western battles with robbers .

Nice and agreeable western with a great cast and a sensational John Wayne against his nemesis magnificently played by Bruce Dern in one of his meatiest roles as the villain . Top-notch Western packs clever plot , thrills , family feeling , slightly stylized action , shoot'em up , and turns out to be pretty entertaining ; in spite of the over-sentimentality inherent in this project produced/directed by Mark Rydell . Besides , it contains good feeling as friendship , faithfulness , companionship , and enjoyable father-adopted sons relationship . And the results make extremely amusing and thundering entertainment . Furthermore , an anti-racism subtext on Roscoe Lee Browne role was written into the script in response to ongoing criticism of John Wayne , it makes this one of Wayne's better Westerns . Wayne's image still remained impervious during the seventies surviving through an overlong career . Wayne unmistakeably a legendary figure of the West and by that time he would go playing good Westerns , as he triumphantly survived his own era with titles as ¨True grit¨ in which he won an Academy Award ,¨Big Jake¨, ¨Train robbers¨ , ¨Rooster Cogburn¨ , his last film ¨The Shootist¨, and ,of course , this ¨The cowboys ¨ . In some ways is a companion movie to posterior ¨Cahill , United States Marshal¨ also involved John with kiddies . The screenplay is plain and simple , with a conventional plot , but ultimately gets overcome . Gorgeous outdoors with decent production design , shot on location in Castle Rock , Durango Colorado , Chama , Galisteo , New Mexico , Sonoita , Elgin , Arizona , and Empire Ranch , Arizona . Colorful and spectacular cinematography in Panavision by Robert L. Surtees . Rousing and emotive musical score by John Williams in his ordinary style . And you'll love both the lightning unexpected finale and the performance of Roscoe Lee Browne as Wayne's friend and food supplier . It inspired the TV series with similar cast as Robert Carradine , A Martínez , Sean Kelly , Clay O'Brien and Moses Gunn as Jebediah Nightlinger .

This well-paced film was compellingly directed by Mark Rydell . Pic contains Rydell's usual themes as familiar feeling , a little bit of charming humor , friendship and and sense of comradeship among people . Mark does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in large frames with an interesting plot and fully adjusted to the requirements of the action . Mark Rydell directed a lot of films as ¨Even Money , ¨Crime of the century¨ , ¨Intersection¨, ¨For the boys¨ , ¨Harry and Walter go to N.Y.¨, ¨Cinderella Liberty¨ and ¨The ¨Reivers¨, though his winning years were the 70s and 80s with successes as ¨The rose¨(79) , ¨On Golden pond¨ (81) , ¨The river¨(84) and this ¨The cowboys¨ .

John Wayne led many a cattle drive, but there's something especially satisfying about this final turn on the trail, alongside ten young boys for what turns out to be a hardnosed yet winning salute to the Duke's legacy of manly comportment.

"It's not how you're buried, it's how they remember you," Wayne's Wil Andersen tells one of his charges, the half-breed Cimarron (A Martinez), and "The Cowboys" is a two-hour rumination on that theme, of how Andersen, a man whose hard-bitten ways cost him two sons, finds a sort of redemption with these boys who come to help him take his cattle 400 miles to Belle Fourche while the only menfolk are either off panning for gold or else aiming to get their fortune in seedier ways.

John Wayne in his post-Oscar years didn't have much to prove, and many of his movies from that time play today as little more than agreeable trips to the well. "The Cowboys" is different. Picking up on the rougher theme of post-"Wild Bunch" westerns, it presents a modern sensibility where people swear and bleed profusely when shot or punched. Wayne might seem out of place, yet he finds the right balance here between his characteristic latter-day gruff humorousness and the sterner stuff we remember from his classic turns in "Red River" and "The Searchers".

The key to Andersen are those dead sons he has buried out in his spread back home. "They went bad on me," is about all he can say on the matter. "Or I went bad on them. I can't figure it out." Seen through that prism, everything Andersen does with his young cowboys makes a lot of sense, right down to the famously grim finale with Bruce Dern, whose memorable "Long Hair" is one of the great Wayne-movie villains.

But there's a lot of joy in "The Cowboys", too. Another scene early on, just as classic, has Andersen deciding to give the boys a lesson with a wild mare, Crazy Alice, only to get taught a lesson in turn by these surprisingly spry youngsters, who each manage to prove themselves to Wil's wry chagrin.

"I hope I haven't ridden all the rough off her!" one offers as he hands back the reins.

"You'll do," Wil replies, about all the affection he gives or they want.

Then there's Jebediah Nightlinger, the cook and only other adult figure on the scene, who tries less hard than Wil to hide his enjoyment of the situation. Hard as it is to imagine "The Cowboys" without Wayne, it's harder to imagine it without Roscoe Lee Browne, whose every utterance has a quality of burnished bronze.

Director Mark Rydell finds the right tempo and look for his film, aided by John Williams' stirring score and Robert Surtees' camera work. Every shot has the quality of a glossy Louis L'Amour cover, majestic pines and grassy hills stretching out into infinity.

About the only thing keeping "The Cowboys" from classic status is an ending which, while satisfying, comes off very pat on reflection. Despite the long time we spend with them, many of the Cowboys themselves lack for individuality, an exception being Robert Carradine, who plays Slim the de facto leader of the kids, and is the real-life son of Wayne's "Stagecoach" co-star John Carradine.

"The Cowboys" wasn't Wayne's swansong, yet it's a stirring valedictory effort all the same, a chance to see an enduring screen legend at his late and glorious apex, showing a new generation, and generations yet unborn, a thing or two about getting it done.

The Cowboys is directed by Mark Rydell and adapted from the novel written by William Dale Jennings; who co-writes the screenplay with Irving Ravetch & Harriet Frank Jr. It stars John Wayne, Roscoe Lee Browne, Bruce Dern and Colleen Dewhurst. John Williams scores the music and Robert Surtees is the cinematographer. Plot sees Wayne as tough cattleman Wil Andersen, who after finding all his cowhands have fled to find their fortune elsewhere, is forced to use a bunch of green teenagers to get his beef to market. It's a journey of some distinction, for Wil, the boys and the villains who lurk on the edges of the frame.

If ever there was a John Wayne picture that was in need of serious critical reevaluation, both as a measure of his acting ability-and quality in film narrative, then The Cowboys is the one. It's a film that has been known to upset the liberal minded, where the ideology at its core has been lambasted as being objectionable in the least. Yet looking at it closely, away from the humour that does exist within, it finds the Duke at his most vulnerable, therefore believable, and at its centre it's a coming of age tale told with cynical coldness. During this cattle drive innocence will be lost, Andersen is tough and a disciplinarian, yet he's always a benevolent father figure. Wil himself hit the cattle drive trail at 13, he knows the pains and perils of such a task. He also knows that boys need to become men, especially out here in the wilderness. I'd be disappointed in a piece of Western genre cinema if it glossed over this fact. And The Cowboys doesn't, it has a sting in its tail, the trick is that the boys are not judged by how Wil taught them, but defined by a turn of events that calls on them to "man" up. The actions of another being the catalyst for childhood's ending.

Robert Surtees' photography paints a beautiful picture, it's pastoral, broad and appealing, but crucially it doesn't make it poetic. These young lads are entering the unknown, each section of God's great land is beautiful to us, but dangerous to them. It's an overlooked point that critics of the film ignore, that of Wil Andersen not leading these boys on a romantic trip thru the colourful terrain. It's not romantic, it's dangerous, and it's credit to Surtees that he achieves both sides of the coin; beauty and peril in the same frame. The young actors are, expectedly, a mixed bunch, but there's nothing here to be overtly negative about. Roscoe Lee Browne is terrific, his shift from wry observationalist to "Mother Hen" is handled with great skill, and Bruce Dern is memorable in more ways than one. The complaints come from not enough screen time for Colleen Dewhurst, who playing a bordello madame positively threatens to send the film's rating thru the roof (and the male viewers temperature's), while the running time is simply too long-too episodic-and quite frankly, unnecessary.

The Cowboys is not a perceived John Wayne macho based fantasy movie, it has meaning, depth, bravery and a first class performance from the Duke himself. 8/10

Obviously, John Wayne had a long and distinguished career in the movies. Of course, he was merely playing himself time after time. In this movie, that works wonderfully well.

He plays Wil Anderson, a man in his 60s with little else he can do but hire a classroom of boys to help with a cattle drive. This makes for a fun outing for anyone in any age group. Roscoe Lee Browne is well cast here. His scene with Colleen Dewhurst is very well played. Bruce Dern is great, too!

My son, who is a big fan of "Star Wars" and "Indiana Jones", pointed out the John Williams music in "The Cowboys"; it is very good indeed.

"The Cowboys" is my choice for the movie to introduce people to John Wayne. It definitely makes you want to see more! Out of four stars, I rate it: ***.5