Godzilla - O Rei dos Monstros
Título original: Chikyû kôgeki meirei Gojira tai Gaigan
AVALIAÇÃO DA IMDb
5,6/10
6,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.
Nobutake Saitô
- Henchman
- (as Noritake Saito)
Kenpachirô Satsuma
- Gaigan
- (as Kengo Nakayama)
Avaliações em destaque
After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.
The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.
Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.
Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
Struggling manga artist Gengo (Hiroshi Ishikawa) whose children's stories involving homework and stern mother monsters are consistently rejected by editors takes a job with the company designing the new monster theme park World Children's Land. When Gengo finds an audio tape dropped by a young woman named Machiko (Tomoko Umeda), he stumbles into a conspiracy that suggests World Children's Land may be a front for more insidious purposes involving the monsters of Monster Island.
After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.
As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.
So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.
Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.
As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.
So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.
Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
I'm a massive fan of kaiju movies so I come to these films predisposed to like them. I've seen most of the original GODZILLA series and am attempting to fill in a few blanks; one of those is GODZILLA VS. GIGAN, a late-entry instalment that pits Godzilla and his old foe Anguirus against new space-monster Gigan and an old enemy, King Ghidorah.
GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.
Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.
Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
Well the relationships of the Kaiju sometimes change with every other movie. So while Godzilla was fighting Anguirus the first time they met (in the second Godzilla movie that is), later they became allies. As in this one. And it is necessary they team and tag together, because apart from the new (mentioned) Gigan in the title, we also get King Ghidorah as an enemy of earth and humans - which means enemy of Godzilla too of course.
And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.
The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.
Enjoy if you can, because this is quite the fun ride
And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.
The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.
Enjoy if you can, because this is quite the fun ride
Godzilla and a giant alien chicken. Great stuff. It's back to the very basic for Godzilla after many were disappointed by the previous effort (I loved it). It kind of throws away everything Godzilla started as. Now we have a fairly kid friendly film, in which aliens design an amusement park in the hopes of controlling some of the monsters from monster island. Because giant monsters are the greatest way to attract families away from their mundane lives. A manga artist uncovers this bizarre plot and soon the aliens release their own monster, Gigan. Fun fights and frolics abound, even if these movies are getting rather crowded.
Você sabia?
- CuriosidadesDespite the film being made for young children as part of Toho's Champion Festival, it is the first in which Godzilla visibly bleeds. Prior to his passing, original special effect director Eiji Tsuburaya deliberately kept blood and gore to a minimum. However the 1970s saw an increase in violence depicted in children's media in Japan. Special effects director Teruyoshi Nakano and the rest of the effects crew were actually inspired to make the fights bloodier because they received fan requests from children who asked why didn't the monsters bleed, so the crew obliged to appease them.
- Erros de gravaçãoDue to stock footage from earlier movies being used, the appearances of Godzilla, Ghidorah, and Anguirus keep changing.
- Cenas durante ou pós-créditosIn the opening credits of the Japanese version, colorful lasers shoot from different directions, and pop up into strips within which each credit appears in white text. In the English versions, only the sound FX of the lasers are heard (standard text credits were used).
- Versões alternativasFor the scenes of Godzilla and Angilas talking to each other, word balloons are used in the Japanese version, but Toho's international English version (used for Cinema Shares' edited US print titled "Godzilla on Monster Island"), uses actual English dialogue.
- ConexõesEdited from Rodan!... O Monstro do Espaço (1956)
- Trilhas sonorasGojira Mâchi
("Godzilla March")
Music by Kunio Miyauchi
Lyrics by Shin'ichi Sekizawa and Jun Fukuda
Performed by Susumu Ishikawa & The Toho Kids' Chorus Group
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- How long is Godzilla vs. Gigan?Fornecido pela Alexa
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By what name was Godzilla - O Rei dos Monstros (1972) officially released in India in English?
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