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7,0/10
1,7 mil
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Adicionar um enredo no seu idiomaLeaving the poverty of his life in Shantung to seek a better one in Shanghai, a lowly martial artist is inspired by another kung fu master who moved to Shanghai and became a highly respected... Ler tudoLeaving the poverty of his life in Shantung to seek a better one in Shanghai, a lowly martial artist is inspired by another kung fu master who moved to Shanghai and became a highly respected gangster, so he follows in his footsteps.Leaving the poverty of his life in Shantung to seek a better one in Shanghai, a lowly martial artist is inspired by another kung fu master who moved to Shanghai and became a highly respected gangster, so he follows in his footsteps.
Chen Kuan-Tai
- Ma Yong Zhen
- (as Kuan Tai Chen)
Mario Milano
- Russian Boxer
- (as Ma Lan Nu)
Ku Feng
- Chang Chin Fa - Champion 2
- (as Feng Ku)
Chiang Nan
- Boss Yang Shuang
- (as Nan Chiang)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Pre-Venom Mob martial arts film from director Cheh Chang finds the film's hero working his way out of poverty by traveling to Shanghai, only to find himself drawn into the criminal underworld. The Shanghai underworld looks pretty much like every other Shaw Brothers backlot set and the story and characters are not particularly compelling, but the fight sequences are excellent, particularly a wildly bloody finale, where the hero battles the main villain's minions with a hatchet lodged in his side!
Occasionally too gluey Eastern about the rising of Ma Yongzhen [ Chen Kuan Tai, in the German title he's giving a pirate, not a boxer ] , who hast to recognize later, the air up there is quite thin. The formal data's of the movie are quite impressing: John Woo as assistant director, Chen Kuan Tai became one the Top Actors thru it, it's with KING BOXER and FIST OF FURY one of THE influential movies of the time, followed by a somehow sequel [ IRON MAN ] and a remake [ Corey Yuen Kwai's HERO, with Takeshi Kaneshiro and the then-comeback of Yuen Biao ].
An epic is aimed, the premise is well, but due to the missing pace and the lacking dramatic and elaboration it isn't reached. The action scenes are either rigid or way too exaggerated, and some sequences could have been cut; a running time of 2hrs is too much for that. For example the Wrestling episode, which is terribly long, but also some sections with Ching Li as eye-catcher and secret love interest of Ma Yongzhen, which adds nothing at all to the film. So there's only struggle to the next, the opponents are always increasing, Ma himself is little impressed by that. At the end he runs around a tea house, collapsing it and beating the sh*t out of estimated 200 thugs, and already has an Axe cut in his belly. Thats too silly.
Movie has sure his strengths, production values is as high as the body count, Chen Kuan Tai does very well in his first leading role, there's an expanded cameo of David Chiang and the gangster story is something new, compared to the usual revenge - plot. The prologue and epilogue are quite fine, between them is a good film, but not an outstanding one.
An epic is aimed, the premise is well, but due to the missing pace and the lacking dramatic and elaboration it isn't reached. The action scenes are either rigid or way too exaggerated, and some sequences could have been cut; a running time of 2hrs is too much for that. For example the Wrestling episode, which is terribly long, but also some sections with Ching Li as eye-catcher and secret love interest of Ma Yongzhen, which adds nothing at all to the film. So there's only struggle to the next, the opponents are always increasing, Ma himself is little impressed by that. At the end he runs around a tea house, collapsing it and beating the sh*t out of estimated 200 thugs, and already has an Axe cut in his belly. Thats too silly.
Movie has sure his strengths, production values is as high as the body count, Chen Kuan Tai does very well in his first leading role, there's an expanded cameo of David Chiang and the gangster story is something new, compared to the usual revenge - plot. The prologue and epilogue are quite fine, between them is a good film, but not an outstanding one.
Boxer from Shantung is pretty much what you'd get if you made Goodfellas as a Chinese martial arts film. Ma Yongzhen (Chen Kuan-tai) is poor country boy who moves to Shanghai to seek his fortune. Unfortunately, the times are tough and oftentimes he and his friends don't even have enough money for a roof over their heads. But after meeting a legendary crime lord Tan Si (David Chiang), Ma realizes that the only way to move forward in this city of poverty and misery is to do so through illegal means.
Boxer from Shantung elevates itself above most of its peers by the virtue of its fight scenes. Chen is a fantastic, fully-trained martial artist, whose various moves and stunts are beautiful to watch. I also like the fact that unlike in so many other martial arts films, the main character is not invincible. Fitting for a gangster film. The last fight scene is actually pretty brutal to watch because of this, but all the more awesome for it. Definitely one of the best fight scenes I've seen in my life and worth the price of admission by itself.
What keeps the film from being a masterpiece is the fact that the story is rather bland. It starts out well enough and the ending is fantastic, but the middle part lost me pretty quickly. It felt like the film was simply going through the motions to get to the good part. It's by no means awful and you still get a lot of good fights, but the characters themselves don't become as dear to you as they should.
Still, it's a film you see to watch people kung fu fighting. And for that it is a very good film. If you're looking a captivating story and fleshed-out characters, this is not your film, but I think you already knew that walking in.
Boxer from Shantung elevates itself above most of its peers by the virtue of its fight scenes. Chen is a fantastic, fully-trained martial artist, whose various moves and stunts are beautiful to watch. I also like the fact that unlike in so many other martial arts films, the main character is not invincible. Fitting for a gangster film. The last fight scene is actually pretty brutal to watch because of this, but all the more awesome for it. Definitely one of the best fight scenes I've seen in my life and worth the price of admission by itself.
What keeps the film from being a masterpiece is the fact that the story is rather bland. It starts out well enough and the ending is fantastic, but the middle part lost me pretty quickly. It felt like the film was simply going through the motions to get to the good part. It's by no means awful and you still get a lot of good fights, but the characters themselves don't become as dear to you as they should.
Still, it's a film you see to watch people kung fu fighting. And for that it is a very good film. If you're looking a captivating story and fleshed-out characters, this is not your film, but I think you already knew that walking in.
'Ma yong zhen' or 'Boxer from Shantung' in the dubbed videocassette version I viewed is a long film but engrossing, showing the rise of Ma Yung Chen from lowly labourer to gang boss.
The film has a strange melancholy air, ending with some of the characters fleeing from Shanghai as war approaches. The music has also a sad feel to it. Avarice is the main driving force of most of the characters as they go about their business but over all there is a doomed air.
Kuan Tai Chen who plays Ma Yung Chen (very well) has a pleasant appealing smile but there is something sad in him too. His yearning to be somebody is touching. He is plausible in the fight scenes too, particularly the tremendous gory fight at the end, which seems to go on endlessly like a nightmare you can't wake up from. David Chiang as usual is great, though not on the screen long enough. The 'four champions' in the film include the Shaw Brothers regular Feng Ku who is always good value.
I believe John Woo worked as an assistant director on the film and is a fan of the director, Cheh Chang. Compare the end of this film with the end of Woo's 'The Killer'.
There is a lot of combat in this film but it sits well with the narrative and the characters. Some martial art films are all fighting and no plot but 'Boxer from Shantung' has both in equally good measures.
The film has a strange melancholy air, ending with some of the characters fleeing from Shanghai as war approaches. The music has also a sad feel to it. Avarice is the main driving force of most of the characters as they go about their business but over all there is a doomed air.
Kuan Tai Chen who plays Ma Yung Chen (very well) has a pleasant appealing smile but there is something sad in him too. His yearning to be somebody is touching. He is plausible in the fight scenes too, particularly the tremendous gory fight at the end, which seems to go on endlessly like a nightmare you can't wake up from. David Chiang as usual is great, though not on the screen long enough. The 'four champions' in the film include the Shaw Brothers regular Feng Ku who is always good value.
I believe John Woo worked as an assistant director on the film and is a fan of the director, Cheh Chang. Compare the end of this film with the end of Woo's 'The Killer'.
There is a lot of combat in this film but it sits well with the narrative and the characters. Some martial art films are all fighting and no plot but 'Boxer from Shantung' has both in equally good measures.
No pun intended - you have to give it to our main character. He seems to be able to fight anyone ... and get away with it. Nothing really new of course when it comes to movies like this. Also the people waiting their turn to get ... well what's coming for and to them.
That all being said, our main character is quite ... how do I put it? He thinks very highly of himself - I guess you could say he has reason to, seeing how he fights. He is not the only one to think so - and his heart is in the right place after all. Still could it be he might bite more off than he can chew? The final climax will be the one to see ... of course all fights before that are well choreographed too.
There's also a lot of red paint here - well some call it Ketchup, but it does look more like paint to me. And it is another stable factor in movies like this, especially from that era. Although way more than I remember seeing back when I was little. Maybe they were cut in Germany when I watched them. The ending may be a bit too long too - it could have done with some trimming ... and the drama is ... well almost too much. There are others movies that are attached to the main character here - though I have no idea if they are supposed to be spin offs, prequels or sequels or just reimagination ... maybe something completely different? Won't be able to watch any of them any time soon for sure ...
That all being said, our main character is quite ... how do I put it? He thinks very highly of himself - I guess you could say he has reason to, seeing how he fights. He is not the only one to think so - and his heart is in the right place after all. Still could it be he might bite more off than he can chew? The final climax will be the one to see ... of course all fights before that are well choreographed too.
There's also a lot of red paint here - well some call it Ketchup, but it does look more like paint to me. And it is another stable factor in movies like this, especially from that era. Although way more than I remember seeing back when I was little. Maybe they were cut in Germany when I watched them. The ending may be a bit too long too - it could have done with some trimming ... and the drama is ... well almost too much. There are others movies that are attached to the main character here - though I have no idea if they are supposed to be spin offs, prequels or sequels or just reimagination ... maybe something completely different? Won't be able to watch any of them any time soon for sure ...
Você sabia?
- CuriosidadesAccording to Chen Kuan-Tai, most of the Shaw Brothers films took roughly two months to work on, but due to a tight schedule this had to be shot in one month. With this cramped schedule, director Cheh Chang was only able to direct during the night shoots, while uncredited director Hsueh-Li Pao directed during the day shoots.
- Erros de gravaçãoWhen the boss is dropped off to fight, overhead power lines are visible behind the driver.
- Versões alternativasThe Arrow Films "Shaw Scope Vol. 1" release of the film is the complete and uncut 134 min version of the film. Previous Celestial Pictures restorations were 130 min due to frame cuts (a practice that was criticized in the earlier Shaw Brothers restorations.)
- ConexõesFeatured in Cinema Hong Kong: Kung Fu (2003)
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- How long is The Boxer from Shantung?Fornecido pela Alexa
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- Data de lançamento
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- Também conhecido como
- The Boxer from Shantung
- Empresa de produção
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- Tempo de duração
- 2 h 14 min(134 min)
- Mixagem de som
- Proporção
- 2.35 : 1
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