Au Pair Girls

I watched this movie the same day I first saw The Day the Earth Caught Fire, quite unaware that both movies had the same director. Had I not been alerted to this fact, I would never have guessed. It is a spoof of soft core British porn films to an extent, but also injects interesting dramatic material. The story is of four gorgeous girls who come to England as au pairs (doubtless using the Gorgeous Woman Only au pair service). Each of them only keeps their job for one day, for various reasons. Danish Randi is stranded with the rich kid son of her employer when his car breaks down, her clothes are soaked and they end up spending the night in a parking lot. Swedish Anita (a fun, delightful character who seems so liberated that she doesn't realize there's any alternative) shocks her employer by marching about the house nude and ends up being picked up at a casino by an amorous sheik (in the sheik's abode, a man sounds a gong every time he walks through the door). German Christa, a near-prudish virgin, is indoctrinated into London's swinging underground by her employer's daughter who wants to offer her as a sacrificial virgin to a rock star. Chinese Nan is taken to a manor house and begins a sad little affair with a sheltered pianist man-child, who seems to have the emotional maturity of a child half his age.

The odd thing is that the first two plots are funny and ridiculous, but the second two are tragic, as Christa realizes she has squandered her virginity on the ungrateful rock god and Nan scarcely seems happy to be regarded as a new plaything by her new bedmate. Both stories have tears. What's going on here? This stands in clear opposition to the brassy, fun nature of the other plots (and the atrocious upbeat theme song - you've got to hear it to believe it), and the ending that ties together all four girls in a riotously offhand and silly manner, as they all trot off to be the sheik's handmaidens, no questions asked. Also odd is that there's not all that much sex (though there is plenty of nudity). Anita does not actually have sex at all (and she doesn't seem to mind much, either!), and though the others do, it's hardly explicit at all.

All the girls are likeable, which is more than can be said for the men. Nan's swain, who refers to her as "it" early on, like she's one of his model ships, is a particular repellent creation, although strangely one of the most repellent, who slips his hand into Christina's pants, actually proves quite respectful of her. For a porn film, this is a rather well acted one. Guest handles the actors well, and provides some nice little touches (as when Anita applies a puff of perfume between her legs). The Au Pair Girls is a particular oddity, but not an unrewarding one.

The plot has already been described by other reviewers, so I will simply add that my reason for wanting to see this film was to see Gabrielle Drake in all her undoubted glory.

Miss Drake has to be one of the sexiest, prettiest examples of "posh totty" to have been committed to celluloid. Of her era and ilk, only the equally exquisite Jane Asher comes close. What was it about actresses with musical brothers? (Nick Drake and Peter Asher) For those who like me have admired Gabrielle, her scenes in this movie will not disappoint. She has a magnificent figure and none of it is left to the imagination here.

As a whole, the movie is very poor and being of its time, very cheaply made. The song that covers the opening credits seems to go on forever and is appalling.

'Au Pair Girls' is a cheesy "naughty" sexploitation comedy from the early 70s. During this period before hard core porn was readily available these kinds of movies were very popular in England. They mixed unsophisticated slapstick comedy, Benny Hill-like double entendres and lots of naked babes. Thirty years later they are enjoyable as kitsch but have little else going for them. 'Au Pair Girls' story concerns the misadventures of four beautiful girls sent to England to work as (yes, you guessed it!) Au Pair girls. They are Randi (Gabrielle Drake), Astrid (Anita Sector), Nan (Me Me Lay) and Christa (Nancie Wait). Randi ends up losing her clothes in a barn after the son of her employer (Richard O' Sullivan from the popular 70s sit-com 'Man About The House) gives her a lift and his car breaks down in the country. Astrid, a nutty Swedish girl obsessed with colour TV, gets picked up by a Sheik (Ferdy Mayne) while on a date at a casino. Nan is hired by Lady Tryke (Rosalie Crutchley) to be a companion for their socially inept but musically gifted son (Julian Barnes), who quickly falls in love with her. Christa is taken to a club by her employers liberated daughter Carole (Lyn Yeldham) and is seduced by a rock singer Ricky Strange (Steve Patterson). People raised on British sit-coms of the 60s and 70s will notice several familiar faces in the supporting cast, most notably John Le Mesurier ('Dad's Army'), who plays Richard O'Sullivan's Dad, and Trevor Bannister ('Are You Being Served?'), who plays his photographer pal. Of the four girls Gabrielle Drake, sister of legendary folk singer Nick Drake, and a cult figure in her own right from appearing as the purple wigged Lt.Gaye Ellis in the series 'UFO', is the most beautiful and shows some genuine flair for comedy. I've had a crush on her for many, many years and her full frontal nude scenes are reason enough to watch this movie! I didn't recognize the actresses who played Astrid or Christa, but Me Me Lay went on to become a cult figure from her appearances in the cannibal movies 'Man From Deep River', 'The Last Cannibal World' and 'Eaten Alive' as well as co-starring in Lars Von Trier's 'The Element Of Crime'! Another interesting thing about 'Au Pair Girls' is that it was directed and co-written by none other than Val Guest, the man behind the early Hammer classics 'The Quatermass Xperiment' (aka 'The Creeping Unknown'), 'Quatermass 2' and 'The Abominable Snowman'. I must admit that the involvement of Val Guest and Me Me Lay aside, the main attraction here is the utterly gorgeous Gabrielle Drake. Apart from that it's pretty average.

I decided to check this movie out on Netflix in spite of the uninspiring description given for it, which made it sound like a typical grade B- exploitation flick, just because I wanted to see Gabrielle Drake in something other than reruns of the 1960's TV series *UFO*. But granting that I'm an American too young to have seen much of this genre of films from this era, I found this movie much more enjoyable than I expected. It was thoroughly professionally produced, with consistent and thoroughly professional acting, editing, photography and comedic effects and timing from one end to the other. The plot -- actually, plots (here there are four of them) work perfectly well for what they are, are not especially predictable, and are light on the clichés, and there is some pretty witty dialog, too. Several times I caught myself laughing out loud. Moreover, the, er, mature parts actually fit the true definition of that word for a change, as it seemed to me that the filmmakers were not the least bit shy about how they handled them, being quite unembarrassedly frank to the point of in-your-face (not to mention actually more believable in certain small details than typical American-made Cinemax 2:00 AM fare) in the way they were handled. It may not be high art, but like, say, *Gilligan's Island*, I thought it was quite good for what it was. I'm not surprised to learn that the director actually seems to have a reputation for doing good stuff in other genres.

Pretty foreign girls take au pair jobs in England and get seduced into naughty situations by a variety of local louts.

The look is cheap and the whole proceedings are played for sensationalism and cheap laughs, rather like a D-list Carry On film, which incidentally was how this piece was advertised when it first played on cable TV in the 80s. The characters have little depth, and there is nothing in the way of a story, just random episodes leading to shedding of clothes. For its genre it wasn't terrible, and the girls are pretty attractive (especially the obviously British Gabrielle Drake playing a Scandinavian, and the amusingly named Asian actress Me Me Lay), but keep expectations low.