Ultraman

I ran home from school as so many others did to enjoy Ultraman and Space Giants. Reading all the other comments made me realize that even if we never met or come from different walks of life and environments, we share similarities far greater than any in-differences! Long live the spirit of Ultraman-kind! Speed Racer was also another favorite of mine. It increases my belief in our humanness that somehow will always thrive and what is truly good and decent exists in us all when we choose to nurture that which inspires us to spread our most heart-felt and sincere emotions. Not being afraid of sounding odd or out of touch or corny. Like Mary Tyler Moore said....As the human race.."were going to make it after-all".

Frankly, I'm surprised to be the first one to talk about Ultraman. This metro Japan action show never talked down to its young audience, and I'm sure a key reason is that Peter Fernandez -- the genius behind the English-ization of Speed Racer -- also was responsible for Ultraman. Always suspenseful and damaging, it's unfortunate Ultraman hasn't found a new audience. They need only put it on the air!

Oh -- who was Ultraman? Basically, this military fellow was able to become the metallic superhero when necessary in order to fight an enormous monster and crush several buildings.

When I was a kid we watched this series and it was so exciting...and how I used to crush on Hayata, the character who turns into Ultraman. I was recently delighted to discover Ultraman available on some cable channel. The beauty of wires on space craft, the artistry of spinning space junk, the dynamic firecracker explosions, wicked lazer beam special effects, and cheesy Tokyo models being destroyed by various monsters, and the dramatic facial expressions of anger all come together to make this series the absolute pinnacle of Saturday afternoon binging. ...we're currently watching the episode about the alien Mephiles-Sejin attempting to take over the planet. Hayata is being held in suspended animation and Fuji has been turned into a giant Mega-Fugi destroying Tokyo with girly punches. Mephiles-Sejin is furious that the child Satoru is unwilling to give the planet to the alien. Ultraman finds a way to fly to the giant leading monster. After finding it impossible to convince the monster to leave the planet with negotiations, they begin a flight battle the includes the best of light beams. After nearly being annihilated, Ultraman manages to wrestle the bad guy into submission. Yes, another day of Planet Earth being saved by ULTRAMAN. HA HA HA HA!!!

"The energy that UltraMan gets from the Sun diminishes rapidly in Earths' atmosphere. The Warning Light begins to blink! Should it stop completely, it means UltraMan will NEVER RISE AGAIN!!!"

In every episode, the above passage let you know that UltraMan was gonna kick some major-league booty! It was cheesy as hell, but a lot of fun. This was your standard guy-in- a-rubber suit Japanese sci-fi thriller, but somehow it developed a very loyal fan base both here in the U.S. and its' native Japan.

In the not-too-distant future, our hero Hayata (tall, perfect hair, firm jaw) is a stalwart member of The Science Patrol. Their mission is to investigate strange happenings that baffle the local authorities. During one fateful mission, Hayata is tragically (and inadvertently) killed by the arrival of an interstellar visitor, the mysterious UltraMan! UltraMan is so distraught by this accident, that he fuses his life and Hayata's. They will live symbiotically. Whenever danger threatens, Hayata has only to activate the Beta Capsule and he becomes the 200 foot tall champion of humanity, the mighty UltraMan!

Of all the Japanese monster movies/TV shows, Ultraman has a special place in my heart. Produced by the same man who brought us Gojira (Godzilla) Eiji Tsuburaya brings to the small screen a more refined giant-sized, judo/jujitsu-throwing, eco-friendly, solar-powered, silver, flying hero.

Who could ask for anything more? :-)

Ultraman helps our gallant friends of the equally valiant Science Patrol, who seek out and confront strange new monsters on the city streets of Japan's urban hubs. When the Science Patrol finds they're in over their heads (ever episode, to be exact ;-)), Hyata calls upon his two-hundred foot symbiot. A fight usually ensues in downtown Tokyo, committing city hall to a perpetual state of Urban Renewal plans.

Seriously. Ultraman is the show they don't make anymore for kids, but should. Despite all the violence of Ultraman mixing it up with monsters on miniature sets, the show teaches some fundamental values and etiquette for young minds.

If you're a parent of a young child, do him/her a favor and go out and get either the VHS or DVD of Ultraman Volume 1.

To the best of my recollection the show was shot at TOHO studios (where Tsuburaya shot nearly all his Godzilla films), and stared Akiji Kobayashi, Susumu Kurobe and Hiroko Sakurai. The acting is typically Japanese (think high energy here), but entertaining all the same. And the actress who plays Fuji is easy on the eyes :-)

Ultraman is da BOMB! Accept no substitutes!