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O Dr. Michael Rhodes é um professor universitário interessado no paranormal. Ele e sua assistente passam grande parte de seu tempo investigando mistérios relacionados à Espiritualidade, espí... Ler tudoO Dr. Michael Rhodes é um professor universitário interessado no paranormal. Ele e sua assistente passam grande parte de seu tempo investigando mistérios relacionados à Espiritualidade, espíritos, posses e outras experiências similares.O Dr. Michael Rhodes é um professor universitário interessado no paranormal. Ele e sua assistente passam grande parte de seu tempo investigando mistérios relacionados à Espiritualidade, espíritos, posses e outras experiências similares.
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In January 1972, "The Sixth Sense" began as a midseason replacement series on ABC and was a 60 minute episode per Saturday evening. (ABC had quickly dispatched most of their new shows that had begun earlier in September of '71.) While not a runaway hit by any stretch of the imagination,especially when your main audience would've been watching "Mission: Impossible" on CBS, the show was picked up for the following fall (in the same killer time slot)and was a distant memory by winter. While not nearly as subversive as "Kolchak" or even "The X Files," the series had a distinct flair for creepiness for early 1970s standards. Having seen some of the cut and paste jobs done in the syndication package, I can say without doubt that the show was much more interesting at its full 60 minute length. One hopes that with the new interest in old TV shows on DVD, Universal might dust off the sixty minute episodes for those of us who often championed shows without a prayer on ABC.
Created by writer Anthony Lawrence, after the 1971 TV movie "Sweet, Sweet Rachel", and supervised during the first season (the first thirteen episodes) as an executive story consultant, the framework of "The Sixth Sense" is detective story but with wild macabre elements throughout the ESP phantasmagoria: delirious visions, hallucinations, apparitions, delusions, nightmares, mind transfers, memories from strangers, premonitions. As in the tradition of the private eye helped by his secretary, Dr. Michael Rhodes is supported by assistant librarian Nancy Murphy who only stays during the first seven episodes. The show's first ambition is to introduce to the audience the paranormal by rational and scientifical means and therefore, Dr. Rhodes plays the edifying and idealistic College professor who encounters hostility and skepticism. Too rigid and anecdotal to turn into a success, "The Sixth Sense" displays good episodes as "The House That Cried Murder", "Lady, Lady, Take My Life" (featuring a psychic lynch mob), "Once Upon a Chilling". Actually, "The Sixth Sense" is the second attempt to spread the ESP genre, after the 1959 anthology "One Step Beyond"--hosted and directed by John Newland; Newland participated in three "Sixth Sense" episodes: "Dear, Joan, We're Going to Scare You to Death", "Through a Flame, Darkly" and "And Scream by the Light of the Moon, the Moon"--, but with a regular conventional character and an early 1970's psychedelic film-making style. Many directors from other Universal fantastic shows worked on "The Sixth Sense": John Badham, Jeff Corey, Daniel Haller and Barry Shear from "Night Gallery" and Allen Barron from "Kolchak, The Night Stalker".
The Sixth Sense was one of the very few TV series to delve into the psychic world as a dramatic one-hour show.Dr.Michael Rhodes(Gary Collins)is a university professor who would investigate psychic phenomena and the lives of those it affected.This was a cool show that created some eerie episodes that were best viewed with the lights out.While Rhodes was written as a rather one-dimensional character,Collins brought a warmth & intelligence to the part that made you like the guy.The ESP aspects of the show would be shrouded in a mystery-of-the-week plot.Haunted houses,visions,ghosts,premonitions,psychic powers,you could look forward to chills from such stuff each week.Sadly,the show was re-packaged to run as part of the reruns of the fine Night Gallery show.But they cut the one-hour series back to 30-minutes in doing so,which makes the half-hour episodes incomprehensible & rushed.Still,it was a creepy show for its era(1972)and it was able to do it within the restrictions & lack of imaginations of the network.The X-Files was able to take the concept much further & with the benefits of later day technology & fx.But The Sixth Sense walked the path earlier.
It was indeed on in 1972, thought it was fall of 72. It was a syndicated show i believe that it was on weekends on Channel 40 WHYN TV back in those days. Channel 40 is still very much around today and is known as WGGB in Springfield Mass. They were great for showing many syndicated shows on Saturdays and on Sundays.
Yes, that is the first time i ever saw Gary Collins. His was a serious character on the show. They delved into the super natural and tried to solve cases of some sort. My mother and i loved the show and we watched it avidly!!! So it probably has more fans than you think. It was well written, well acted, and well presented!! I was 16 and a junior in high school back then. Good Memory!
Yes, that is the first time i ever saw Gary Collins. His was a serious character on the show. They delved into the super natural and tried to solve cases of some sort. My mother and i loved the show and we watched it avidly!!! So it probably has more fans than you think. It was well written, well acted, and well presented!! I was 16 and a junior in high school back then. Good Memory!
There, I said it! The funny thing is that The Sixth Sense is MUCH better than the more celebrated Night Gallery, even though I enjoy both shows. This review isn't really meant to rip the more popular show of the 2, but they both really go hand in hand. From what I read, and it's been a while, is that TSS piggybacked off of TNG during those crazy 70's ESP years, and was not given the proper respect is most definitely deserved; in fact, if you're lucky enough to catch the show on the tube like I did a few years ago, you'll find the show severely edited, and that hurts the quality. I was skeptical about this show at first, as Gary Collins and his turtleneck and big Chevy did nothing for me, but I did become a fan soon after, as the man can actually act, plus the stories were less silly than the ahem...other show. There's also many familiar faces(I won't name all of them though), such as Will Geer, June Allyson, Joseph Campanella, Joan Crawford, Sandra Dee, John Saxon, William Shatner, Steve Forrest, Patty Duke, Larry Linville, Tom Bosley, and Jessica Walter, although there's many others. It's difficult for me to understand why this show wasn't more popular, and I suppose that adds to the charm, but I bet there's many out there who would really enjoy seeing The Sixth Sense, even for the first time. I'm just glad I recorded many episodes a few years ago, and while their severely edited, it's better than not having them!
Você sabia?
- CuriosidadesThis show was edited from sixty minute episodes to thirty minutes and added to "Night Gallery" (1969) for syndication. Because this show essentially ran for one season, it had too few episodes to sell to local stations in syndication, as those stations want a series with a certain number of episodes to keep their audience from tiring from constant repeats. By combining the two shows into one, it was much easier to sell the combined package of both shows.
- Versões alternativasAll twenty-five episodes of this series were edited to 30 minute length and were added to the syndicated run of Galeria do Terror (1969), with new introductions by Rod Serling added to tie it into the other series. This was done in order to augment "Night Gallery"'s syndication package.
- ConexõesFeatured in Cineficción Radio: Detectives de lo oculto (2021)
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