As desventuras de um comerciante de sucata e de seu filho frustrado.As desventuras de um comerciante de sucata e de seu filho frustrado.As desventuras de um comerciante de sucata e de seu filho frustrado.
- Indicado para 7 Primetime Emmys
- 4 vitórias e 12 indicações no total
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Highly hilarious and dominant television show from the mid-1970s that continues to have a great following even today (despite some detractors who take the show way too seriously). California African-American widower/junk dealer Redd Foxx (one of the most under-rated entertainers of his time) and his only son (Demond Wilson) argued and got into every odd-ball situation one could fathom during their six years in prime-time (from 1972-1977). The series was an answer to "All in the Family". It showed the differences and similarities between white blue-collar society and the working class African-American. It also was a coast war as "All in the Family" took place on the Atlantic shore while "Sanford and Son" took place on the Pacific. The supporting cast (led by the priceless LaWanda Page as Foxx's sister-in-law) was used in well-calculated ways to add to the program's comedic momentum. Never dull, never slow, never boring and never sorry, "Sanford and Son" is one of those shows that just seems to stand the test of time. 5 stars out of 5.
I guess that "Sanford and Son" must have been the first show that portrayed black ghetto life. No matter, it's hilarious. Dad Fred essentially spends every episode lounging around his house, calling his son Lamont "dummy" and threatening to bust people's lips. Lamont remains eternally embarrassed about Fred's antics, especially whenever Fred comments on how ugly he considers the sister-in-law, Aunt Esther, to be. And it's always great when the two cops (one white and the other black) come to the house, and the white cop acts like a dork, forcing the black cop to have to identify it.
Anyway, it was part of the new wave of really funny shows in the early 1970's that portrayed stuff that TV shows previously were uncomfortable portraying ("All in the Family" of course led the way). It would have been neat if Fred Sanford and Archie Bunker could have ever met. That would have made for some crazy dialogue. Four stars.
Anyway, it was part of the new wave of really funny shows in the early 1970's that portrayed stuff that TV shows previously were uncomfortable portraying ("All in the Family" of course led the way). It would have been neat if Fred Sanford and Archie Bunker could have ever met. That would have made for some crazy dialogue. Four stars.
It's already known that `Sanford and Son' was the Americanized version of `Steptoe and Son' of England, created by Ray Galton and Alan Simpson. `Steptoe' was extremely funny and groundbreaking in England. When the show was brought over to the USA, it's initial transformation to `Sanford and Son' was excellent
in it's early years.
The original premise of `Steptoe' was the direct relationship between the father and son, as the son strives for a better life from the junk business, while his cantankerous father holds him back, due to fear of being alone in his twilight years. Many comedic situations resulted as a result of this conflict.
TVLand currently shows reruns of `Sanford and Son'. If you pay attention to the opening credits, and the writer(s) of the current episode is given, it is sometimes followed by Based on `The Piano' by Ray Galton and Alan Simpson. `The Piano' was an original `Steptoe and Son' episode. This meant that the upcoming `Sanford and Son' episode was merely a retooling of the respective `Steptoe' script for American audiences, now entitled `The Piano Movers'. There were 136 episodes of `Sanford and Son'. If you include all episodes, movies, and TV specials, there were 59 offerings of `Steptoe and Son'. Based on my research, of the 136 `Sanford' episodes, 16 episodes were direct adaptations of the `Steptoe' series. Those `Steptoe' copies were the funniest episodes of the `Sanford and Son' era, due to the exceptional scripts by Galton and Simpson. If you have the DVD, you are able to watch the uncut, unedited versions, which is not the case when watching the TVLand episodes. Other `Steptoe' episodes could not be duplicated because they were either far too oriented in British culture to be adapted for America, or they were considered too crude & vulgar to attempt to tone down for America, although I wish they tried.
Another strong point was the opening theme song by Quincy Jones, as well as the closing theme.
However, due to the extreme popularity of the show, Redd Foxx developed and ego, wanted more money than the producers, and disrupted production of the show to the point where Whitman Mayo (Grady) had to fill in on a temporary basis. This was one of the downsides to the show. Eventually, he came back, and the show labored on. Redd Foxx had marital problems during this time. Being distraught over that, he left the show in 1977, even though the show had more life left.
NBC tried to keep the flame lit by producing `Sanford Arms', which revolved around the Sanford Arm tenants which lived there when Fred and Lamont bought the Sanford Arms when their show was on-the-air. There was also `Sanford.', which did not have Lamont. The less said about these two shows, the better.
All in all, the `Sanford and Son' episodes adapted from the Galton and Simpson scripts from `Steptoe and Son' will always be the better episodes.
The original premise of `Steptoe' was the direct relationship between the father and son, as the son strives for a better life from the junk business, while his cantankerous father holds him back, due to fear of being alone in his twilight years. Many comedic situations resulted as a result of this conflict.
TVLand currently shows reruns of `Sanford and Son'. If you pay attention to the opening credits, and the writer(s) of the current episode is given, it is sometimes followed by Based on `The Piano' by Ray Galton and Alan Simpson. `The Piano' was an original `Steptoe and Son' episode. This meant that the upcoming `Sanford and Son' episode was merely a retooling of the respective `Steptoe' script for American audiences, now entitled `The Piano Movers'. There were 136 episodes of `Sanford and Son'. If you include all episodes, movies, and TV specials, there were 59 offerings of `Steptoe and Son'. Based on my research, of the 136 `Sanford' episodes, 16 episodes were direct adaptations of the `Steptoe' series. Those `Steptoe' copies were the funniest episodes of the `Sanford and Son' era, due to the exceptional scripts by Galton and Simpson. If you have the DVD, you are able to watch the uncut, unedited versions, which is not the case when watching the TVLand episodes. Other `Steptoe' episodes could not be duplicated because they were either far too oriented in British culture to be adapted for America, or they were considered too crude & vulgar to attempt to tone down for America, although I wish they tried.
Another strong point was the opening theme song by Quincy Jones, as well as the closing theme.
However, due to the extreme popularity of the show, Redd Foxx developed and ego, wanted more money than the producers, and disrupted production of the show to the point where Whitman Mayo (Grady) had to fill in on a temporary basis. This was one of the downsides to the show. Eventually, he came back, and the show labored on. Redd Foxx had marital problems during this time. Being distraught over that, he left the show in 1977, even though the show had more life left.
NBC tried to keep the flame lit by producing `Sanford Arms', which revolved around the Sanford Arm tenants which lived there when Fred and Lamont bought the Sanford Arms when their show was on-the-air. There was also `Sanford.', which did not have Lamont. The less said about these two shows, the better.
All in all, the `Sanford and Son' episodes adapted from the Galton and Simpson scripts from `Steptoe and Son' will always be the better episodes.
Perhaps the last really good TV Sitcom. Redd Foxx and Demond Wilson were the stars of this 70's comedy but had such great support from actors and actresses to include Whitman Mayo, Lawanda Page, Raymond Allen, Don Bexley, Noam Pitlik, Gregory Sierra, Nathaniel Taylor, Slappy White and Hal Williams that the show was a "Can't miss an episode" on Friday nights.
Even when Redd Foxx was out of several episodes during a contract dispute one season the show never missed a beat as Whitman Mayo's "Grady" became the main character.
Even when Redd Foxx was out of several episodes during a contract dispute one season the show never missed a beat as Whitman Mayo's "Grady" became the main character.
Very funny TV comedy series about the situations a Los Angeles junk dealer,Fred Sanford (Redd Foxx) and his son/business partner Lamont(Demond Wilson) find themselves in.
In my opinion, the impeccable timing of hilarious lines delivered by Mr. Foxx made this show a classic. I think the humor was probably cutting edge for its time also, often referencing the racial and sociopolitical climate (a la All in the Family). Though ageless with respect to humor, some of the lines are not politically correct anymore as evidenced by TV Land (that currently shows reruns as of this writing) cutting out any reference to the "N" word said by Fred Sanford as I remember being in more than a couple of episodes when they first aired on NBC.
A whole host of other characters added to the shows hysterical but stereotypical flavor such as the religiously fanatical Aunt Esther, the dimwitted Grady and neighbor Julio. No ethnic group or race was spared a ribbing on this show.
Two of my all time favorite episodes are 1. The Sanfords being promised $10,000 if Lamont marries Fred's cousin's overweight stepdaughter and 2. Fred and Lamont's plane ride to St. Louis to attend the reading of a will of a relative that recently passed.
Priceless.
In my opinion, the impeccable timing of hilarious lines delivered by Mr. Foxx made this show a classic. I think the humor was probably cutting edge for its time also, often referencing the racial and sociopolitical climate (a la All in the Family). Though ageless with respect to humor, some of the lines are not politically correct anymore as evidenced by TV Land (that currently shows reruns as of this writing) cutting out any reference to the "N" word said by Fred Sanford as I remember being in more than a couple of episodes when they first aired on NBC.
A whole host of other characters added to the shows hysterical but stereotypical flavor such as the religiously fanatical Aunt Esther, the dimwitted Grady and neighbor Julio. No ethnic group or race was spared a ribbing on this show.
Two of my all time favorite episodes are 1. The Sanfords being promised $10,000 if Lamont marries Fred's cousin's overweight stepdaughter and 2. Fred and Lamont's plane ride to St. Louis to attend the reading of a will of a relative that recently passed.
Priceless.
Você sabia?
- CuriosidadesRedd Foxx and LaWanda Page had been friends since childhood, and she was his first and only choice to play Esther, Fred's sister-in-law. Producers wanted to fire Page due to her inexperience on-camera, but Foxx threatened to quit the show if Page was fired.
- Erros de gravaçãoWhen Lamont first starts dating Janet, she has a brother but later in the series when Janet's ex husband returns Lamont then says Janet doesn't have a brother.
- Citações
Officer Swanhauser: Was the suspect colored?
Fred Sanford: Yeah, white.
- Cenas durante ou pós-créditosDuring the end credits of the episode "The Headache" (4.21), Fred and Lamont's voices can be heard. They're doing a soap opera cliffhanger parody. (Eg. Fred: "Will Lamont leave home?" Lamont: "Will you be quiet?")
- Versões alternativasDuring the show's network run, a few episodes contained the "N-word". However, when the show began to appear on the TV Land cable network, the word was edited out.
- ConexõesFeatured in The 24th Annual Primetime Emmy Awards (1972)
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- How many seasons does Sanford and Son have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sanford e hijo
- Locações de filme
- 10659 West Magnolia Boulevard, North Hollywood, Califórnia, EUA(opening and closing title scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 30 min
- Cor
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