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Matá-lo

Título original: ¡Mátalo!
  • 1970
  • Not Rated
  • 1 h 34 min
AVALIAÇÃO DA IMDb
5,9/10
679
SUA AVALIAÇÃO
Matá-lo (1970)
Faroeste espagueteAçãoDramaOcidenteSuspense

Adicionar um enredo no seu idiomaA gang of outlaws find themselves in conflict with a mysterious, boomerang-wielding drifter and a widower who arrive in the ghost town they have holed up in.A gang of outlaws find themselves in conflict with a mysterious, boomerang-wielding drifter and a widower who arrive in the ghost town they have holed up in.A gang of outlaws find themselves in conflict with a mysterious, boomerang-wielding drifter and a widower who arrive in the ghost town they have holed up in.

  • Direção
    • Cesare Canevari
  • Roteiristas
    • Mino Roli
    • Nico Ducci
    • Eduardo Manzanos
  • Artistas
    • Lou Castel
    • Corrado Pani
    • Antonio Salines
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    679
    SUA AVALIAÇÃO
    • Direção
      • Cesare Canevari
    • Roteiristas
      • Mino Roli
      • Nico Ducci
      • Eduardo Manzanos
    • Artistas
      • Lou Castel
      • Corrado Pani
      • Antonio Salines
    • 15Avaliações de usuários
    • 16Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos66

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    Elenco principal13

    Editar
    Lou Castel
    Lou Castel
    • Ray
    Corrado Pani
    Corrado Pani
    • Burt
    Antonio Salines
    • Ted
    Luis Dávila
    Luis Dávila
    • Phil
    • (as Luis Davila)
    Claudia Gravy
    Claudia Gravy
    • Mary
    Ana María Noé
    Ana María Noé
    • Constance Benson
    Miguel del Castillo
    • Baxter
    Ana María Mendoza
    • Bridget
    • (as Anamaria Mendoza)
    Bruno Boschetti
    Mirella Pamphili
    Mirella Pamphili
    • Widow
    Antonio Orengo
    • Priest at Hanging
    • (não creditado)
    Joaquín Parra
    • Bearded Bandit
    • (não creditado)
    Diana Sorel
    • Blonde Widow
    • (não creditado)
    • Direção
      • Cesare Canevari
    • Roteiristas
      • Mino Roli
      • Nico Ducci
      • Eduardo Manzanos
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários15

    5,9679
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    10

    Avaliações em destaque

    8seanmoliver64

    Taking spaghetti westerns further along one possible path

    Spaghetti westerns are known for their absence of well defined good and evil, a familiar element of most earlier Hollywood westerns, and this moral ambiguity is one of the key hallmarks of 60's and 70's pop culture. With a title like Matalo! (a term which is roughly translated as 'kill 'em all!') this 1970 film certainly has the cynical morals and body count of typical spaghettis, but director Cesare Canevari takes this all a step 'further' by adding superficially entertaining gimmicks of the era, like hippie fashions, druggy cinematography, and especially Mario Migliardi's preposterously enjoyable prog-rock soundtrack, which sounds like a melting Ash Ra Temple LP played through a phase shifter. The central character is a hoot; a smiling trigger-happy psychopath named Bart, played by Corrado Pani, who cheerfully shoots everybody in sight. This is a uniquely odd specimen of the spaghetti western genre, which makes it essential. Worth your time as long as you don't take it seriously.
    7Bezenby

    Luis in the Saloon with Dollars

    When someone gets a credit for providing electroacoustic special effects, you know you're in for something different. Matalo is a very different type of Western. The hero doesn't even carry a gun. He carries boomerangs.

    This whole heap of weirdness doesn't have much of a plot by the way. What we get is a dodgy character called Bart get saved from hanging by a bunch of laughing Mexicans. He then proceeds to steal a bunch of gold and after Bart and the Mexicans get out of town (to a soundtrack of psych-rock), Bart shoots every single one of them and ends up meeting his two friends. They all end up at a creepy ghost town where every grave has the name Benson, and every shot front also sports the name Benson. While a fourth bandit turns up in the form of sexy Claudia Gravy, the movie starts flashing subliminal shots of an eyeball while we realise that someone else is creeping about town. Plus, Claudia seems to be playing mind games with every one of these guys.

    This is all told to the sound of howling wind and strange effects, whirling camera shots, acid rock, trippy editing and bizarre acting. When Bart is seemingly shot dead during another robbery, the other three start conspiring against each other while waiting to head to Mexico.

    The hero take shapes in the form of Lou Castel and his boomerangs and he spends most of the film being held captive and getting tortured, especially by Claudia Gravy (she sits on a rope swing while threatening him with a knife in one of many strange scenes). There's also a scene where a horse decides to join a fight, and those boomerangs make for some groovy camera shots when we finally get to the weird showdown at the end.

    Although not as satisfying as the similar Django Kill! If you live...shoot! or as goofy as Get Mean, this is still one weird-ass Western that should be tracked down. Just don't expect much action. Claudia Gravy has a great second name, doesn't she?
    7ma-cortes

    Atypical Spaghetti /Paella Western co-produced between Spain and Italy , plenty of thrills , violence and crossfire

    Outlandish as well as violent Chorizo/Pasta Western that packs emotion , crossfire , rare events , twists , action-filled with fierce fights , twists and turns with exciting final . For money, for pleasure, for revenge, he doesn't care why he kills or how . A band formed by Phil (Luis Dávila) , Ted (Antonio Salines), and Mary (Claudia Gravy) rescues an outlaw called Bart (Corrado Pani) from the gallows to join them and carry out robbing and crimes . Later on , they execute a stagecoach assault with a stash full of gold . When they get the loot , doublé-cross him and leave him dying in the middle of the sunny desert . Shortly after , the bunch arrives in a scrawny village called Benson town , where they perceive that there is something weird about . Soon after , the band finds out that there only lives a suspicious old woman called Constance Benson (Ana María Noé) , the authentic owner of the mysterious ghost town where dangers lurk and strange shadows show up . But then , there appears a mysterious drifter who wields boomerangs , Ray (Lou Castel) , and things go wrong .

    Italian/Spanish production full of noisy action , excessive characters , shootouts and lots of violence . Director Cesare Canevari achieved in "Matalo¡" or "Kill Him!" possibly his best work of a modest career , with some memorable scenes and shaky camera movement as the initial prologue and during the successive confrontations . Surreal Spaghetti mayhem at its finest , this meaty Western contains an interesting but twisted plot , violence , shoot'em up and results to be quite entertaining , though drags at times , balancing in ups and downs . It turns out to be a strange spaghetti Western , as you can bone up on the bloodier side of that genre ; including bloody , grisly killings in cold blood , nightmares , rape attempt and many other things . It relies heavily on a complex narrative , modern narration full of flashbacks , stop-frames , zooms , and an uneven screenplay . A good example of Latino western genre from Italy and Spain ; it is a daring , surreal and notoriously exciting Spaghetti , so extreme in every way , it is one of the handful of great Italian/Spain Westerns that characterize for its peculiarity , rareness and offbeat events , such as : "Django Kill... If You Live, Shoot!" (67) by Giulio Questi or "And God Said to Cain" (70) by Antonio Margheritti or "Cut-Throats Nine" (72) by Joaquin Romero Marchernt , most of them including eerie and terrifying elements .

    The motion picture was written and produced by Eduardo Manzanos Brochero who was the real creator of this complex Western , he started producing ¨Il Coyote¨ and ¨The Jiusticia De Coyote¨ by Joaquin Romero Marchent with Abel Salazar and Gloria Marin . After that , he produced with his company Copercines ¨Vengeance of Zorro¨ and ¨L'Ombra Di Zorro¨ (1962) by Joaquin Romero Marchent with Frank Latimore . Eduardo Manzanos built a Western town in Hoyo De Manzanares (Madrid) with sets by Cubero and Jose Luis Galicia , today sadly disappeared , called ¨Golden City¨ where filmed several Western as ¨Welcome Padre Murray¨ , ¨Brandy¨ , various Zorros and this one . He produced various films for Marchent brothers as Joaquin Romero Marchent : ¨Cabalgando Hacia Muerte¨ , ¨Three good men¨; and Rafael Marchent : ¨Quien Grita vengeance¨, ¨Two crosses in Danger Pass¨ ; and for Italian directors as ¨Sabor Odio¨ by Umberto Lenzi¨ . In 1962 , Eduardo Manzanos created -near Hoyo de Manzanares (Madrid)- the first Western scenario of the notorious Spaghetti/Paella sub-genre . This original initiative corresponded to this prestigious writer /producer/director Eduardo Brochero who saw the potential of European Westerns and commissioned to the production designers Jaime Pérez Cubero and José Luis Galicia (Construcine) the task of raising the set , as in 1962 the first ¨Paella¨ set in Spain was built . Then , the first filming there was made : ¨The terrible sheriff (62) by Antonio Momplet and Alberto De Martino . A year later , there came Sergio Leone to shoot the iconic ¨A fistful of Dollars¨ with which the boom of Spaghetti/Chorizo Western was burst . More than 50 Spaghetti Westerns were filmed here from 1962 to 73 . Since early 70s the shooting began to be less frequent due to the progressive decline of the genre and the producers preferred to shoot in Almeria . With the decline in the number of shootings , revenue also fell and the sets started slowly to deteriorate as it can be seen , for example , in this Western ¨Matalo¡¨ and ¨Fast Hand¨ (73) by Mario Bianchi . As a result Manzanos decided in 1975 not to renew the contract , leaving a large debts . The remains of the set remained a few years , until the mid-80s or so to disappear later .

    The picture was strangely directed by Cesare Canevari , including good camera movement ; as he creates an offbeat Western that manages to be both scary , tragic and skilfully made , he even attempted to combine western elements with horror elements . Furthermore , adding a peculiar electric guitar music score in Jimmy Hendrix style , and evocative cinematography by Julio Ortas . Cesare directed a few films of all kinds of genres as Giallo : ¨Delitto Carnale¨ 1969 , ¨Una Iena in Cassaforte¨ 1968 ; Erotic : ¨The naked princess¨ 1976 , ¨Io, Emmanuelle¨ 1969 ; Porno Nazi : "The Gestapo's Last Orgy" and Western : "Die for a Dollar in Tucson" (1964) and this ¨Matalo¡¨ .
    7Bunuel1976

    MATALO! (Cesare Canevari, 1970) ***

    This one emerges an outstanding, if eccentric, Spaghetti Western which certainly gives that notorious genre effort DJANGO, KILL...IF YOU LIVE, SHOOT! (1967) a run for its money in the weirdness stakes!

    Though simply enough plotted - with the script itself admirably laconic - and effectively set (for the most part) in a ghost town, it's essentially a mood-piece: stylized to a fault, the film features virtuoso camera-work and bold editing throughout; still, the general tone - buoyed by the remarkable experimental electro-rock sounds created by one Mario Migliardi - is effortlessly hypnotic.

    The cast is equally interesting: Spaghetti Western regular Lou Castel as the unlikely hero (who, admitting to be unskilled at handling guns, utilizes boomerangs for weaponry during the body-strewn climax!); Corrado Pani - surely one of the genre's most idiosyncratic villains - brings a topical, i.e. late 1960s, touch of hippiedom to the Old West (the film is, however, thankfully free of the politics which informed many latter-day similar efforts)! Incidentally, both these top-billed stars are off-screen for an inordinate length of time - thus allowing Claudia Gravy, the luscious female lead, to take centre-stage (no complaints there!).

    Pani's sidekicks, then, are equally colorful: one is Gravy's current lover, who assumes leadership of the gang after Pani's untimely 'exit' early on, and the other a sadist who covets the girl (though she continually rejects his advances). In fact, for a film of its type, there's an unusual emphasis on sex here - as much to the fore, I'd say, as the violence...which is present in quite graphic fashion (the sadistic outlaw beats Castel repeatedly with a chain, but he later has his own hand trampled by horse's hooves!).

    Regrettably, the film is only available on DVD in an English-dubbed version through Wild East; the fact that the original language is not included would normally be enough to dissuade me from acquiring it (in spite of an accompanying Lou Castel interview which ought to be interesting) - but my recent unhappy experience with Wild East's edition of another Spaghetti Western title, THE MAN FROM NOWHERE (1966), certainly doesn't help make a case for it...
    doctorhumpp

    Surreal spaghetti western

    Fans of bizarre semi-psychedelic Westerns like "Keoma" should check this out. The cinematography and editing are wonderfully out of control, lotsa slo-mo sadistic violence and the movie is drenched in loud fuzzy acid rock. The simple plot deals with four ruthless thugs (incl. one ultra sexy but deadly femme fatale Claudia Gravy), gold, lust, murder and betrayal.

    These eccentric hardass Italian Westerns look way better than most contempoary movies.

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    Enredo

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    Você sabia?

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    • Curiosidades
      A character known as Professor James Rorke appeared in a short, deleted scene wherein he offers Lou Castel's character a meal of biscuits and gravy at the hotel. It can be found on the rare American edition of the DVD.
    • Conexões
      Referenced in Laissez bronzer les cadavres (2017)

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    Perguntas frequentes14

    • How long is Matalo! (Kill Him)?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de outubro de 1970 (Itália)
    • Países de origem
      • Itália
      • Espanha
    • Idioma
      • Italiano
    • Também conhecido como
      • Matalo! (Kill Him)
    • Locações de filme
      • Tabernes desert, Almería, Andalucía, Espanha(The stage coach robbery)
    • Empresas de produção
      • Rofima Cinematografica
      • Copercines, Cooperativa Cinematográfica
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 34 min(94 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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