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Debbie Reynolds and Shelley Winters in Obsessão Sinistra (1971)

Notícias

Obsessão Sinistra

The 10 Best Moments When a Movie Name-Drops Its Own Title
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There is, for devotees of a specific type of movie arcana, a glorious moment in Jason Statham’s new movie, “A Working Man.” About midway through, his character, searching for a trafficked young woman, poses as a drug dealer looking to score a connection with a local kingpin holding court in the backroom of a biker bar. The kingpin suspects he’s a cop, but after Jason handily dispatches his goons, the kingpin, regarding his fists, says, “Look at those bricks. You ain’t a cop, you’re a working man.”

The title drop, when a line of dialogue references the film’s title, is a delicate art with a distinct cult following. When they’re good, they’re very good. When they’re bad, they’re terrific.

Director John Waters is a title drop enthusiast. He rattled off some favorites in a phone call with IndieWire: “Bring Me the Head of Alfredo Garcia,...
Veja o artigo completo em Indiewire
  • 10/04/2025
  • por Donald Liebenson
  • Indiewire
‘What’s the Matter with Helen?’ Is a Quotable Midnight Movie Ritual Made for Two
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On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.

First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.

Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.

The Pitch: After Dark but Make It for Gays of a Certain Age

When I was pressed into service for IndieWire After Dark, I hesitated all of five seconds before I screamed, “What’s the Matter With Helen?” at Ali. Partly because it’s a truly bonkers hagsploitation movie but mostly because I greedily grasp at every excuse to discuss Curtis Harrington’s examination of what the mothers of thrill killers Leopold and Loeb might have done with their lives after their sons’ convictions.

Move from the Midwest to Los Angeles to...
Veja o artigo completo em Indiewire
  • 27/04/2024
  • por Mark Peikert and Alison Foreman
  • Indiewire
Edward S. Feldman Dies: Oscar-Nominated ‘Witness’ Producer Was 91
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Edward S. Feldman, the longtime Hollywood movie and TV producer whose credits included the Oscar-nominated Witness and K-19 The Widowmaker both starring Harrison Ford, died October 2 in Los Angeles, his publicist said. He was 91.

Feldman was nominated for the Oscar for producing Witness, Peter Weir’s 1985 drama starring Ford as a cop who goes undercover in Amish country to protect a boy who witnessed a murder. It scored eight Oscar nominations including Best Picture and won for its writing and editing.

Feldman would later reunite with Weir for 1998’s The Truman Show starring Jim Carrey which scored three Oscar nominations. His other film credits include Save the Tiger, The Other Side of the Mountain, Near Dark, The Hitcher, Honey I Blew Up The Kid, Hot Dog…The Movie, The Golden Child, Wired, Green Card, The Doctor, Forever Young, the live-action The Jungle Book, and the live-action 101 Dalmatians and its sequel 102 Dalmatians.
Veja o artigo completo em Deadline Film + TV
  • 06/10/2020
  • por Patrick Hipes
  • Deadline Film + TV
Harrison Ford and Lukas Haas in A Testemunha (1985)
Edward S Feldman, Producer of ‘Witness’ and ‘The Truman Show,’ Dies at 91
Harrison Ford and Lukas Haas in A Testemunha (1985)
Academy Award nominated film producer Edward S. Feldman, known for producing hits such as 1985’s “Witness” and 1998’s “The Truman Show,” died Friday night Oct. 2, in Los Angeles at the age of 91, according to his spokesperson.

Feldman, whose career began during the golden age of Hollywood and lasted for over six decades, worked with such Hollywood legends as Glen Close, Debbie Reynolds, Harrison Ford, Jack Lemmon, Charlton Heston, John Cassavetes, Gena Rowlands, Rutger Hauer, Burt Reynolds, Yul Brynner, Eddie Murphy, Mel Gibson and Gerard Depardieu. Feldman’s final film in 2002 reunited him with Harrison Ford at Paramount, “K-19 The Widowmaker,” when he decided to retire and spend more time with his family.

Feldman was nominated for the Academy Award for Best Picture for “Witness” and the BAFTA Award for Best Film for “Witness” and “The Truman Show.” In 2001, the Hollywood Film Festival honored him for Outstanding Achievement in Producing.

Born in The Bronx,...
Veja o artigo completo em The Wrap
  • 06/10/2020
  • por Umberto Gonzalez
  • The Wrap
Edward S. Feldman, Oscar-Nominated ‘Witness’ Producer, Dies at 91
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Film producer Edward S. Feldman, who received an Academy Award best picture nomination for “Witness,” died on Oct. 2 in Los Angeles, according to his publicist. He was 91.

He was also nominated for BAFTA Awards for “Witness” and “The Truman Show.” In 1977, he received an Emmy nomination in the limited series category for “21 Hours at Munich” and was nominated the following year in the same category for “King.”

His feature film producing credits included “What’s the Matter With Helen?,” “Save the Tiger,” “The Other Side of the Mountain,” “Two-Minute Warning,” “The Last Married Couple in America,” “Hot Dog…The Movie,” “The Golden Child,” “Wired,” “Green Card,” the 1994 live-action “The Jungle Book,” the live-action “101 Dalmatians,” its sequel “102 Dalmatians” and “K-19: The Widowmaker.”

“Witness” starred Harrison Ford as a detective protecting a young Amish boy who becomes a target after he witnesses a murder in Philadelphia. The film received eight Oscar nominations,...
Veja o artigo completo em Variety Film + TV
  • 06/10/2020
  • por Dave McNary
  • Variety Film + TV
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