A Substituta

In the 70's, you would see a lot of skin in drama and thrillers. Then there's the sex factor that goes along with it. In "The Stepmother", there is plenty of that. Alejandro Rey("The Flying Nun") plays Frank, a successful building contractor who catches his client with his wife while he was on a business trip. He kills him, then buries his body at a beach. Unbeknownst to him, there's a fighting couple that comes up later. After getting rid of the evidence, the police comes up and tells that there are two bodies at the beach. Frank knows that he killed his client, but the other body is female. That makes him more uneasy. If that is bad, it gets worse when he accidentally kills his partner in the business. That makes him more unstable. For this one, business and pleasure, don't mix. It has a great cast. But the ending was a letdown. It's worth the watch in certain ways. Only on a certain occasion. 2 out of 5 stars

Arriving home from a business trip, Frank Delgado (Alejandro Rey) finds that his wife Margo (Katherine Justice) has been entertaining his client Alan. In a jealous rage, Frank accosts Alan as he leaves his house, strangling him to death. After disposing of the body, Frank returns home, but the police are soon on his trail.

Believe it or not, drive-in flick The Stepmother was nominated for an Oscar in the best song category; it didn't win, but it's an interesting fact for avid fans of low budget '70s trash, the only people for whom this film will hold any kind of appeal.

A tawdry drama/thriller, The Stepmother is far from great cinema, suffering from a meandering storyline that takes an age to go anywhere, but it does deliver a few fun elements along the way, including those staples of the exploitation genre, violence and nudity (including the obligatory shower scene).

The film also features a spot of jazz flute (always a bonus in my book), bizarre use of random slo-mo and freeze frame, a crazy film director called Goof who uses beatnik speak (It's a gas! You dig?), a seduction scene between Margo and Frank's virginal son Steve (Rudy Herrera Jr.), and a couple of moments that I found unintentionally funny (the death of Frank's friend and the 'He's got a gun!' ending).

Worth seeing if only for the beautiful Ms. Justice. 4/10

Awesome. I did a double take when I first saw him in this quirky little independent ditty from the early 70s. Just out of curiosity I looked at when he started work on MASH, and it was the same year. That explains his appearance, as I don't believe he would do this after international stardom, but I don't know if all the research in the world wide web could fully explain the movie.

It's really a movie in two parts: the first half(ish) is story of a husband with a temper and jealous streak and throughout the second half the title of the movie is explored a little more and fleshed out (pun intended). Typical incoherent, excuse for a young filmmaker to get his name out by throwing in gratuitous walking-out-of-bed or to-and-from- the-bathroom-shot drive-in cinema with a director that never graduated from the genre in his short (directorial) career. There are moments of interesting story or character development, and the title song was amazingly nominated for an Oscar, but overall this is only worth watching for someone with an interest in films from the 1970s.

Upon returning home from a business trip "Frank Delgado" (Alejandro Rey) finds another car in his driveway and happens to see his wife, "Margo Delgado" (Catherine Justice) in their bedroom with another man. As the man comes out into the front yard Frank kills him in a fit of rage. Immediately afterward he comes to his senses and decides to quickly bury him in a field on the outskirts of town. Unfortunately, as luck would have it the body is soon discovered anyway and Frank is considered as a possible suspect. In the meantime though, Frank cannot manage to forgive his wife because of her supposed infidelity and so refrains from making love to her from then on. What he doesn't know is that the man he killed had forced himself on her and since Margo is unaware that Frank knows anything about this incident it has left her feeling confused and sexually frustrated. Now, rather than reveal any more of the film I will just say that this was an adequate movie for the most part. The acting was okay but the story seemed to lag here and there. Likewise, I also thought the ending was a bit too abrupt. All things considered then, I rate the movie as slightly below average.

In THE STEPMOTHER, Frank (Alejandro Rey) catches his wife Margo (Katherine Justice) having sex with another man, leading to Frank's putting an end to loverboy. After disposing of the body, Frank scowls and frowns a lot while the police investigate.

Meanwhile, a carload of hipsters arrive, led by Dick (Larry Linville!). Frank continues his grimacing amidst the frolicking hepcats.

Uh oh!

Frank sees Margo and Dick together! Luckily, it's all just a misunderstanding. Unluckily, Frank is too jealous and enraged to care. Sorry, Dick! Hmmm, why is Frank taking you to the roof of a tall building?

Eeeeaagh!

THE STEPMOTHER is another drive-in ready movie from Crown International Pictures. It's perfect for its time, complete with senseless violence, ample female nudity, 1970's ambiance, and serious groov-i-tude. In addition, how could anyone not like a movie with a character called "The Goof" in it?

How, indeed...