A Volta do Conde Yorga

This film, while solid for the most part, reminds me of a scene from "Columbo", where one character says to the detective "an exciting meal has been ruined!". That's the way I felt about this film, and they say a poor ending can hurt a film, and I must agree here. While this may seem like a negative review, there's things that I did like, such as Robert Quarry's performance, and the creepy mansion in which he resides, with a bunch of slick dark rooms, and skinny stairs. Look for some familiar faces in a very young Craig T. Nelson, Mariette Hartley, Michael Pataki, and Rudy De Luca. On the other hand, there's Philip Frame, who plays Tommy, and he may be the worst actor I've ever seen, and I'm not surprised that he only has 1 more acting credit after this film. That kid also deserved that good smack, the little jerk. One of the most disappointing aspects for me is that Tommy doesn't get his just desserts he richly deserved, but that's all I'll spoil for you. There's more good scenes than bad scenes, but the bad ones almost defy vampire logic, and really hurt the film for me.

First of all, the sets and atmosphere are great. An opening grave yard is truly beautiful and spooky. Perhaps the big-haired living dead women crawl their way out of the dirt with too much ease, but style is more important than being realistic. The Count appears to have no reason to be at the boarding school's halloween bash, but he is there, uninvited, clashing with the other guests. The fact that there is a costumed vampire at the party, leads to amusing tension and the viewer knows that the Count will be teaching these people a thing or two about real vampires as the movie continues.

Cameras are placed creatively throughout the film. One strangulation scene on a dock is shot from underwater with screaming whale sound effects. Shots in Yorga's mansion utilize quite a bit of framing through doorways. In fact doors are important to the film, the house is rigged with mechanical gates that open to reveal vampires (or close to trap intruders) numerous times. Also in the house, unexplained baby dolls, but they are creepy and so serve their purpose. Sound effects include whispering voices and laughter, perhaps not original, but fun.

You could look at this film as a mess, or you could have a good time watching it as I did. I don't need every phenomenon to make perfect sence or for all elements to be resolved. I like mysterious, bizarre, artistic horror.

As far as I can tell, Count Yorga was created to cash in on the then-popular monster frenzy created by DARK SHADOWS. In fact, the actor who plays Count Yorga must think he's in an episode of DARK SHADOWS, delivering his lines with pompous seriousness("I have the power to destroy you (dramatic pause)or let you go," he tells a petrified Mariette Hartley)There isn't much of a plot here: Count Yorga terrorized the faculty and students of a school for hearing impaired children, including teacher Hartley, whom Count Yorga has a yen for. Plots holes are covered by lots of early seventies-era quick cuts and camera angles, which serve more to make the narrative flow unintelligible. As bad as that is, the real horror is seeing Yorga's coterie of female vampires, as low-rent a bunch as you'll come across(which is saying something, since AIP, ultimate purveyors of the quickie horror film, put this out). With their dime store lingerie, plastic Halloween vampire fangs, and hideously teased hair, you fully believe the victims they chase aren't have as much concerned with becoming unwilling members of the undead as they are being seen in the company of these fashion disasters. Flicks like this make me mourn the demise of Mystery Science Theater 3000. So many bad movies like this left to diss, so little time . . .

The Count is back, without any apparent explanation of how he survived the events of the first film. But who cares, eh? All that matters is that, mere minutes into "The Return of Count Yorga," vampire women emerge from their graves to stalk a poor little boy. The action starts quick in this one, folks! It's a bit scary…it's a bit erotic…and it's even a bit good.

In fact, "Return of Count Yorga" is almost good enough to eclipse its predecessor, but the middle act unfortunately sags and the conclusion feels too much like a retread. Still, there is plenty of great material here, including a harrowing attack segment on a house full of people and a memorable final chase through the narrow corridors of Yorga's mansion. Quarry is again smooth and super-cool as the Count; I love the way he effortlessly mingles with, and insults, the stupid townspeople at their costume party.

The film takes a stab at philosophy by allowing Yorga to have a "romance" with Cynthia (played by the lovely Mariette Hartley – what a nice voice she has), but this storyline basically reaches a dead end. They have one interesting conversation about their world views over punch at the party, and that's it. The notion of a vampire in love was explored more deeply (and more to my satisfaction) in "Subspecies II," one of my favorite horror movies of recent times.

Nevertheless, "Return of Count Yorga" should be applauded for being experimental, as this kind of movie goes. In many respects, it's a more thoughtful and engaging film than the first Yorga, but it's also more uneven. Anyway, fans of classic movies/actors should watch out for George Sanders in a cameo role as a loopy vampire expert who expounds upon the inherent difficulties of assuming yoga positions. Like the movie as a whole, Sanders' lone scene is very strange, but certainly worth seeing.

In THE RETURN OF COUNT YORGA, Robert Quarry reprises his suave vampire role. This time, he sets up shop in an abandoned orphanage near San Francisco. His army of female undead are fairly frightening, at one point going "Manson Family" style, during a rather -for its time- shocking massacre scene. This is actually the best part of the movie! Mariette Hartley plays Cynthia, the Count's latest obsession.

An overall gloomy, effective follow-up to the first film, it plays more like a stand-alone movie than a true sequel. For instance, there is no explanation for Yorga's resurrection, or his relocating to Northern California. In spite of this, the movie has enough atmosphere and Quarry's charisma to carry it through. Edward Walsh returns as Yorga's henchman, Brudah, as does Roger Perry as a completely different doctor than his role in film one!...