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6,9/10
34 mil
SUA AVALIAÇÃO
A vida de um disc-jockey vira de cabeça para baixo após um encontro romântico com um fã obcecado.A vida de um disc-jockey vira de cabeça para baixo após um encontro romântico com um fã obcecado.A vida de um disc-jockey vira de cabeça para baixo após um encontro romântico com um fã obcecado.
- Prêmios
- 1 indicação no total
Don Siegel
- Murphy
- (as Donald Siegel)
Britt Lind
- Anjelica
- (as Brit Lind)
Avaliações em destaque
Clint Eastwood made his directorial debut with this 1971 suspense/thriller, `Play Misty for Me,' in which he also stars as Dave Garver, a late night radio disc jockey for a small station in Carmel, California. During his show, he opens the phones to take requests, at which times a frequent caller-- a woman named Evelyn (Jessica Walter)-- always asks for the same tune, `Misty.' Her obsession, it turns out, is not with that particular record, but with Garver, who is currently sorting out a relationship gone bad with a young artist, Tobie (Donna Mills), but which may be on the mend in light of the fact that Tobie has just returned to town after a lengthy absence in the wake of their breakup. In the interim, Garver has become entangled with Evelyn, a fan he soon discovers gives new meaning to the term `fanatic.'
Eastwood invades Hitchcock territory with this film, which it turns out was indeed a harbinger of the course his career would take from this point on, that of directing and starring in his own movies. With this one, it's apparent that he had that special touch from the beginning; he knows unequivocally what he likes, what works and how to deliver it. The only weakness in the film (if you can even call it a weakness), would be the use of longshots during a couple of scenes between Garver and Tobie that take place on the coast. It adds a scenic vista for a backdrop, but listening to the dialogue with the actors in the distance gives it a dialogue-added-later feeling. It's a minor flaw, however, that takes nothing away from the overall impact of the film, especially as Eastwood establishes a deliberate pace that allows the tension to mount throughout.
It would seem that for an actor to direct himself would be a monumental undertaking, especially the first time, but Eastwood proves here what has been corroborated over the years and with his films since, that he is his own best director. And it's a club to which few actor/directors belong, which puts him in the elite company of Welles, Branagh and most recently, Ed Harris (with `Pollock'), just to name a few of the select. As Garver, a minor celebrity whose biggest fan turns out to be his worst nightmare, Eastwood is thoroughly convincing, and though this may not be one of his most memorable roles, it is certainly well acted, and delivered with that subtle Eastwood charm.
Jessica Walter combines just the right amount of beauty, charm and menace for her role of Evelyn, which just may be her most memorable performance ever. She creates a character who is smoothly confident, if slightly vulnerable, and prone to instantaneous bursts of psychotic anger. It's an honest portrait of an extremely disturbed individual with the ability to conceal the true nature-- and danger-- of her mental state. Exceptionally well realized by Walter, Evelyn could be the older sister of Stephen King's Annie in `Misery,' a role for which Kathy Bates received an Oscar for Best Actress some twenty years after Walter inhabited the body of Evelyn.
The supporting cast includes John Larch (Sergeant McCallum), Jack Ging (Frank), Irene Hervey (Madge), James McEachin (Al Monte), Clarice Taylor (Birdie) and Don Siegel (Murphy). A film that will have you on the edge of your seat by the end, `Play Misty for Me' withstands the test of time and works every bit as well today as when it was originally released. A tale from the dark side, it's engrossing entertainment that may give you second thoughts about that casual acquaintance you've just invited to your house for dinner. Eastwood chose a perfect setting for his film, using one of the most beautiful spots along the California coast as a background against which to contrast the grisly events of the story. It all adds up to a wild ride for the audience, and an auspicious debut for Eastwood as the Man Behind the Camera. I rate this one 8/10.
Eastwood invades Hitchcock territory with this film, which it turns out was indeed a harbinger of the course his career would take from this point on, that of directing and starring in his own movies. With this one, it's apparent that he had that special touch from the beginning; he knows unequivocally what he likes, what works and how to deliver it. The only weakness in the film (if you can even call it a weakness), would be the use of longshots during a couple of scenes between Garver and Tobie that take place on the coast. It adds a scenic vista for a backdrop, but listening to the dialogue with the actors in the distance gives it a dialogue-added-later feeling. It's a minor flaw, however, that takes nothing away from the overall impact of the film, especially as Eastwood establishes a deliberate pace that allows the tension to mount throughout.
It would seem that for an actor to direct himself would be a monumental undertaking, especially the first time, but Eastwood proves here what has been corroborated over the years and with his films since, that he is his own best director. And it's a club to which few actor/directors belong, which puts him in the elite company of Welles, Branagh and most recently, Ed Harris (with `Pollock'), just to name a few of the select. As Garver, a minor celebrity whose biggest fan turns out to be his worst nightmare, Eastwood is thoroughly convincing, and though this may not be one of his most memorable roles, it is certainly well acted, and delivered with that subtle Eastwood charm.
Jessica Walter combines just the right amount of beauty, charm and menace for her role of Evelyn, which just may be her most memorable performance ever. She creates a character who is smoothly confident, if slightly vulnerable, and prone to instantaneous bursts of psychotic anger. It's an honest portrait of an extremely disturbed individual with the ability to conceal the true nature-- and danger-- of her mental state. Exceptionally well realized by Walter, Evelyn could be the older sister of Stephen King's Annie in `Misery,' a role for which Kathy Bates received an Oscar for Best Actress some twenty years after Walter inhabited the body of Evelyn.
The supporting cast includes John Larch (Sergeant McCallum), Jack Ging (Frank), Irene Hervey (Madge), James McEachin (Al Monte), Clarice Taylor (Birdie) and Don Siegel (Murphy). A film that will have you on the edge of your seat by the end, `Play Misty for Me' withstands the test of time and works every bit as well today as when it was originally released. A tale from the dark side, it's engrossing entertainment that may give you second thoughts about that casual acquaintance you've just invited to your house for dinner. Eastwood chose a perfect setting for his film, using one of the most beautiful spots along the California coast as a background against which to contrast the grisly events of the story. It all adds up to a wild ride for the audience, and an auspicious debut for Eastwood as the Man Behind the Camera. I rate this one 8/10.
I ended up watching this almost by accident... I'm currently home from college and my mother taped it and told me I would like it, and I just figured "heck, got some free time to spare, why not?". And I am glad that I did. Clint Eastwood (playing Dave Garver) is fantastic and Jessica Walter (playing Evelyn) should get a freaking medal for her performance. The supporting cast is great as well and well worth just as much interest as the main cast. Eastwood is a decent director: for the most part, the atmosphere and scenes are set well and the actors have clear, impactful direction. It's not a scary film, at least not in this day and age, but it kept me on the edge of my seat for the majority of the time. If you like psychological thrillers, check this out for sure, and if you like Clint Eastwood, you won't be disappointed.
Now, that said, there are some problems here. Namely, this movie is overlong. I can think of two scenes that could be and should be cut. Also, there's almost an ever-present musical backdrop , and at times it works as a soundtrack. But at times, it just doesn't belong in the scene it is used in and actually is off-putting.
Overall, however, I would recommend this as an essential to any fan of thriller films, even though it may not be a staple of the genre or one of the more popular films within it.
Now, that said, there are some problems here. Namely, this movie is overlong. I can think of two scenes that could be and should be cut. Also, there's almost an ever-present musical backdrop , and at times it works as a soundtrack. But at times, it just doesn't belong in the scene it is used in and actually is off-putting.
Overall, however, I would recommend this as an essential to any fan of thriller films, even though it may not be a staple of the genre or one of the more popular films within it.
This movie, I suppose, was the first nice-guy-being-stalked-by-psycho-female thriller. And it's quite damn good. Modern audiences might feel the film was too low-key, but I found it very suspenseful. This proves you don't need eerie music (there's very little score on the soundtrack) and continuous gore to create suspense. Jessica Walter is terrifying--maybe not as terrifying as Glenn Close in "Fatal Attraction," but she comes pretty close. It's fun--and somewhat hilarious--to see Clint Eastwood as a young man with LOTS of hair. This was his first directorial effort, and he did a fine job. Over 30 years, the premise has become all-too-familiar, so unfortunately the story is predictable. Maybe 1970's audiences found it more shocking. But I was able to predict who would die and when. Nevertheless, I still found "Play Misty For Me" very entertaining and very well-acted. But what was with that jazz concert scene? Clint definitely should've left that on the cutting room floor.
My score: 7 (out of 10)
My score: 7 (out of 10)
In the city of Carmel, the popular disc-jockey David Garver (Clint Eastwood) has one night stand with Evelyn Draper (Jessica Walter), a strange he met in a bar after his show. The woman, indeed a deranged obsessed fan, stalks David and threatens his life, his girl-friend Tobie Williams (Donna Mills), his friends and even his job.
The debut of Clint Eastwood as director could not be better. This low budget and low paced movie has a simple, but frightening story, which was ripped off at least in the famous "Fatal Attraction" and the teen version "Swimfan". The magnificent landscape and locations in the beautiful city of Carmel, where Clint Eastwood was elected Major many years later, are another attraction. The performance of Jessica Walters is awesome, changing naturally her behavior from a sweet to an aggressive person, really incorporating her character. Clint Eastwood is very cool, as usual, and Donna Mills very gorgeous. I like the unusual break of tension adopted when Evelyn is arrested and Dave and Tobie's routine returns to normal, dating, going to festival, making love, increasing the suspense after the twist point. I do not recall how many times I have seen "Play Misty for Me", a classic and one of the best thrillers of the 70's. My vote is eight.
Title (Brazil): "Perversa Paixão" ("Wicked Passion")
The debut of Clint Eastwood as director could not be better. This low budget and low paced movie has a simple, but frightening story, which was ripped off at least in the famous "Fatal Attraction" and the teen version "Swimfan". The magnificent landscape and locations in the beautiful city of Carmel, where Clint Eastwood was elected Major many years later, are another attraction. The performance of Jessica Walters is awesome, changing naturally her behavior from a sweet to an aggressive person, really incorporating her character. Clint Eastwood is very cool, as usual, and Donna Mills very gorgeous. I like the unusual break of tension adopted when Evelyn is arrested and Dave and Tobie's routine returns to normal, dating, going to festival, making love, increasing the suspense after the twist point. I do not recall how many times I have seen "Play Misty for Me", a classic and one of the best thrillers of the 70's. My vote is eight.
Title (Brazil): "Perversa Paixão" ("Wicked Passion")
This was "Fatal Attraction" 16 years before that famous movie was made.
The problem with this tense drama was credibility. There are several instances where just about everyone with a brain would avoid trouble by doing the sensible thing....except the character in here, of course. Also, being honest is the obvious thing to do here and, of course, that's not done either.
Nevertheless, it's a taut thriller with Jessica Walter doing a great job playing a nutcase stalker "Evelyn Draper." I also enjoyed watching Donna Mills. An appealing actress, and not just because of a pretty face, I wonder she didn't do more films? After this movie, it's been almost all television roles for her.
So-so mono sound and poor picture quality helped me eventually trade my VHS copy in but, with a nice DVD transfer now available, I might check this movie out again. Clint Eastwood, the male lead here, has rarely been in a boring movie, and this is no exception.
The problem with this tense drama was credibility. There are several instances where just about everyone with a brain would avoid trouble by doing the sensible thing....except the character in here, of course. Also, being honest is the obvious thing to do here and, of course, that's not done either.
Nevertheless, it's a taut thriller with Jessica Walter doing a great job playing a nutcase stalker "Evelyn Draper." I also enjoyed watching Donna Mills. An appealing actress, and not just because of a pretty face, I wonder she didn't do more films? After this movie, it's been almost all television roles for her.
So-so mono sound and poor picture quality helped me eventually trade my VHS copy in but, with a nice DVD transfer now available, I might check this movie out again. Clint Eastwood, the male lead here, has rarely been in a boring movie, and this is no exception.
Você sabia?
- CuriosidadesThe first scene Clint Eastwood shot was his former director Don Siegel's cameo as Murph the bartender. As a joke, Eastwood made Siegel do eleven takes, then told the cameraman to put the film in the camera.
- Erros de gravaçãoWhen Evelyn creates a disturbance at Dave's business meeting with an executive from a San Francisco station, there is a close-up of the box containing the audition tape he originally sent to the station she runs. The return address reads Dave Garver, Radio K.M.R.L. (not K.R.M.L).
- Versões alternativasThe version shown on American commercial network TV had the entire "The First Time Ever I Saw Your Face" sequence re-shot to remove the sex scene. Instead, what was shown as the song played was simply scenes of Eastwood and Donna Mills walking in the forest. The very brief sex scene between Eastwood and Jessica Walter was also eliminated.
- ConexõesFeatured in Terror in the Aisles (1984)
- Trilhas sonorasMisty
Composed by Erroll Garner
Performed by Erroll Garner
By arrangement with Octave Music Publishing Corp.
[Original instrumental version played leading into the closing credits]
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Obsesión mortal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 725.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.600.000
- Faturamento bruto mundial
- US$ 10.600.000
- Tempo de duração1 hora 42 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was Perversa Paixão (1971) officially released in India in Hindi?
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